Centre for Digital Cultures

Organisational unit: Institute

Organisation profile

Contemporary culture is characterized by the ubiquity of digital media technologies and infrastructures, which are constantly configuring our techniques for processing, storing, and transmitting data. As a result, our everyday practices of connecting, relating, reading, writing, perceiving, sharing, competing, and communicating are undergoing significant changes. At the same time, these technologies are closely tied to major societal challenges such as climate change, global conflicts, digital divides and social unjustness. In this dynamic context, the Centre for Digital Cultures (CDC) directly addresses the emergence of new and complex qualities of vernacular socio-technical life. This involves the development of advanced theory and innovative study programmes. We are concerned with the question of how we can understand and shape digital cultures today​​​​​​​.

Main research areas

The digital shift re-shapes the cultural sectors, and, indeed, everyday life, politics, law, and economics. the Centre for Digital Cultures (CDC), affiliated to Leuphana University of Lüneburg, examines this shift through a range of interdisciplinary methodologies, including media, cultural and social studies, through knowledge creation and transfer, as well as by developing experimental and interventionist media practices. Established in 2012, as one of the first research centres in Europe to research the emergence of digital cultures, the CDC continues to produce cutting-edge research on socio-technical regimes of inclusion and exclusion. Since its inception, the CDC has built an innovative network and research environment, where academic institutions, practitioners, and civil society stakeholders engage with new concepts, formats, and applications within digital cultures.

Current Research Areas

  • Climate Futures
  • (B)Orders, Identities and Belonging in the Digital Age
  • Cities, Infrastructures, Logistics, Platforms 
  1. 2012
  2. Published

    "Ich bin Neda": Zur Authentizität ästhetischer Brüche und ihrer sozialen Resonanz im Web 2.0

    Simons, S., 2012, Authentisches Erzählen: Produktion, Narration, Rezeption. Weixler, A. (ed.). Berlin; Boston MA: Walter de Gruyter GmbH, p. 291-319 29 p. (Narratologia; no. 33).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  3. Published

    Ich trage, wo ich gehe, stets eine Uhr bei mir - Oder: Mein Gott, was sind die Wissenschaften aufregend !

    Warnke, M., 2012, Per Anhalter durch die Turing-Galaxis. Knaut, A., Kühne, C., Rehak, R., Stefan, U., Kurz, C. & Pohle, J. (eds.). Münster: MV Wissenschaft, p. 101-109 8 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  4. Published

    Image Match: Visueller Transfer, ›Imagescapes‹ und Intervisualität in globalen Bildkulturen

    Baleva, M. (Editor), Reichle, I. (Editor) & Schultz, O. L. (Editor), 2012, 1. ed. München: Wilhelm Fink Verlag. 332 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  5. Published

    IMAGE MATCH: Neue Indizes einer globalen Bildtheorie

    Baleva, M., Reichle, I. & Schultz, O. L., 2012, Image Match: Visueller Transfer, ›Imagescapes‹ und Intervisualität in globalen Bildkulturen. Baleva, M., Reichle, I. & Lerone Schultz, O. (eds.). 1. ed. München: Wilhelm Fink Verlag, p. 9-24 15 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  6. Published

    Just do it! Mimesis in technischem und künstlerischem Systems Engineering

    Leeker, M., 2012, Mimesis. Balke, F., Siegert, B. & Vogl, J. (eds.). München: Wilhelm Fink Verlag, p. 153-166 13 p. (Archiv für Mediengeschichte; vol. 12).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  7. Published

    "Kulturinstrument Radio": Zur Genealogie der medialen Katastrophe der Weimarer Republik

    Hagen, W., 2012, Populärkultur, Massemmedien, Avantgarde 1919-1933. Nitsche, J. & Werner, N. (eds.). München: Wilhelm Fink Verlag, p. 67-82 16 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  8. Published

    Kunstfeldforschung

    Wuggenig, U., 2012, Das Kunstfeld: Eine Studie über Akteure und Institutionen der zeitgenössischen Kunst am Beispiel von Zürich, Wien, Hamburg und Paris. Munder, H. & Wuggenig, U. (eds.). Zürich: JRP Ringier Verlag, p. 27-51 27 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  9. Published

    Kunst und Globalisierung

    Buchholz, L. & Wuggenig, U., 2012, Das Kunstfeld: Eine Studie über Akteure und Institutionen der zeitgenössischen Kunst am Beispiel von Zürich, Wien, Hamburg und Paris. Munder, H. & Wuggenig, U. (eds.). Zürich: JRP Ringier Verlag, p. 163-188 26 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  10. Published

    Kunstzentren und Kunstmarktzentren: Paris, Wien, Zürich und Hamburg

    Wuggenig, U., 2012, Das Kunstfeld: Eine Studie über Akteure und Institutionen der zeitgenössischen Kunst am Beispiel von Zürich, Wien, Hamburg und Paris. Munder, H. & Wuggenig, U. (eds.). Zürich: JRP Ringier Verlag, p. 63-85 23 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  11. Published

    Lokale Mediengeschichte(n) und Post-McLuhanismus: Zum McLuhan Kongress in Toronto 2011

    Leeker, M., 2012, In: Philosophia. E-Journal of Philosophy and Culture. 2, p. 35-67 33 p.

    Research output: Journal contributionsJournal articlesResearch