From digitalization to crowdfunding platforms: fomenting the cultural commons.

Publikation: Beiträge in SammelwerkenAufsätze in SammelwerkenForschung

Standard

From digitalization to crowdfunding platforms: fomenting the cultural commons. / Dalla Chiesa, Carolina.
Cultural Commons and Urban Dynamics : A Multidisciplinary Perspective. Hrsg. / Emanuela Marci; Valenria Morea; Michele Trimarchi. Springer Nature Switzerland AG, 2020. S. 173-186.

Publikation: Beiträge in SammelwerkenAufsätze in SammelwerkenForschung

Harvard

Dalla Chiesa, C 2020, From digitalization to crowdfunding platforms: fomenting the cultural commons. in E Marci, V Morea & M Trimarchi (Hrsg.), Cultural Commons and Urban Dynamics : A Multidisciplinary Perspective. Springer Nature Switzerland AG, S. 173-186. https://doi.org/10.1007/978-3-030-54418-8_11

APA

Dalla Chiesa, C. (2020). From digitalization to crowdfunding platforms: fomenting the cultural commons. In E. Marci, V. Morea, & M. Trimarchi (Hrsg.), Cultural Commons and Urban Dynamics : A Multidisciplinary Perspective (S. 173-186). Springer Nature Switzerland AG. https://doi.org/10.1007/978-3-030-54418-8_11

Vancouver

Dalla Chiesa C. From digitalization to crowdfunding platforms: fomenting the cultural commons. in Marci E, Morea V, Trimarchi M, Hrsg., Cultural Commons and Urban Dynamics : A Multidisciplinary Perspective. Springer Nature Switzerland AG. 2020. S. 173-186 doi: 10.1007/978-3-030-54418-8_11

Bibtex

@inbook{8c3cbd6ed7f243d4b52b8f274d619ce9,
title = "From digitalization to crowdfunding platforms: fomenting the cultural commons.",
abstract = "Digitalisation has allowed various theoretical perspectives and empirical examples to emerge within both market and non-market realms. One of them is the so-called “crowdfunding”: an online tool widely used for both commercial and non-commercial purposes. Cultural commons, digital commons, private goods and projects with public good characteristics can all benefit from accessing the “crowd{\textquoteright}s” support via money contribution and matchmaking supply and demand. This chapter argues that, due to its hybrid features, crowdfunding is overlooked as a tool that firstly promotes diversity, long-tail initiatives, “do-it-yourself” projects and creations of many sorts precisely because of its openness. By allowing that bottom-up solutions emerge without having to pass through traditional certifiers and gatekeepers, crowd-validation tools proportionate a fruitful environment for the “new commons” to thrive. The essay, hence, assumes a normative perspective by which social surpluses, positive externalities and increasing social welfare depend on users having access to digital infrastructures that convey diversity.",
keywords = "Sociology, Economics",
author = "{Dalla Chiesa}, Carolina",
year = "2020",
doi = "10.1007/978-3-030-54418-8_11",
language = "English",
isbn = "978-3-030-54420-1",
pages = "173--186",
editor = "Emanuela Marci and Valenria Morea and Michele Trimarchi",
booktitle = "Cultural Commons and Urban Dynamics",
publisher = "Springer Nature Switzerland AG",
address = "Switzerland",

}

RIS

TY - CHAP

T1 - From digitalization to crowdfunding platforms

T2 - fomenting the cultural commons.

AU - Dalla Chiesa, Carolina

PY - 2020

Y1 - 2020

N2 - Digitalisation has allowed various theoretical perspectives and empirical examples to emerge within both market and non-market realms. One of them is the so-called “crowdfunding”: an online tool widely used for both commercial and non-commercial purposes. Cultural commons, digital commons, private goods and projects with public good characteristics can all benefit from accessing the “crowd’s” support via money contribution and matchmaking supply and demand. This chapter argues that, due to its hybrid features, crowdfunding is overlooked as a tool that firstly promotes diversity, long-tail initiatives, “do-it-yourself” projects and creations of many sorts precisely because of its openness. By allowing that bottom-up solutions emerge without having to pass through traditional certifiers and gatekeepers, crowd-validation tools proportionate a fruitful environment for the “new commons” to thrive. The essay, hence, assumes a normative perspective by which social surpluses, positive externalities and increasing social welfare depend on users having access to digital infrastructures that convey diversity.

AB - Digitalisation has allowed various theoretical perspectives and empirical examples to emerge within both market and non-market realms. One of them is the so-called “crowdfunding”: an online tool widely used for both commercial and non-commercial purposes. Cultural commons, digital commons, private goods and projects with public good characteristics can all benefit from accessing the “crowd’s” support via money contribution and matchmaking supply and demand. This chapter argues that, due to its hybrid features, crowdfunding is overlooked as a tool that firstly promotes diversity, long-tail initiatives, “do-it-yourself” projects and creations of many sorts precisely because of its openness. By allowing that bottom-up solutions emerge without having to pass through traditional certifiers and gatekeepers, crowd-validation tools proportionate a fruitful environment for the “new commons” to thrive. The essay, hence, assumes a normative perspective by which social surpluses, positive externalities and increasing social welfare depend on users having access to digital infrastructures that convey diversity.

KW - Sociology

KW - Economics

U2 - 10.1007/978-3-030-54418-8_11

DO - 10.1007/978-3-030-54418-8_11

M3 - Contributions to collected editions/anthologies

SN - 978-3-030-54420-1

SN - 978-3-030-54417-1

SP - 173

EP - 186

BT - Cultural Commons and Urban Dynamics

A2 - Marci, Emanuela

A2 - Morea, Valenria

A2 - Trimarchi, Michele

PB - Springer Nature Switzerland AG

ER -

DOI