From digitalization to crowdfunding platforms: fomenting the cultural commons.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Cultural Commons and Urban Dynamics : A Multidisciplinary Perspective. ed. / Emanuela Marci; Valenria Morea; Michele Trimarchi. Springer Nature Switzerland AG, 2020. p. 173-186.
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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TY - CHAP
T1 - From digitalization to crowdfunding platforms
T2 - fomenting the cultural commons.
AU - Dalla Chiesa, Carolina
PY - 2020
Y1 - 2020
N2 - Digitalisation has allowed various theoretical perspectives and empirical examples to emerge within both market and non-market realms. One of them is the so-called “crowdfunding”: an online tool widely used for both commercial and non-commercial purposes. Cultural commons, digital commons, private goods and projects with public good characteristics can all benefit from accessing the “crowd’s” support via money contribution and matchmaking supply and demand. This chapter argues that, due to its hybrid features, crowdfunding is overlooked as a tool that firstly promotes diversity, long-tail initiatives, “do-it-yourself” projects and creations of many sorts precisely because of its openness. By allowing that bottom-up solutions emerge without having to pass through traditional certifiers and gatekeepers, crowd-validation tools proportionate a fruitful environment for the “new commons” to thrive. The essay, hence, assumes a normative perspective by which social surpluses, positive externalities and increasing social welfare depend on users having access to digital infrastructures that convey diversity.
AB - Digitalisation has allowed various theoretical perspectives and empirical examples to emerge within both market and non-market realms. One of them is the so-called “crowdfunding”: an online tool widely used for both commercial and non-commercial purposes. Cultural commons, digital commons, private goods and projects with public good characteristics can all benefit from accessing the “crowd’s” support via money contribution and matchmaking supply and demand. This chapter argues that, due to its hybrid features, crowdfunding is overlooked as a tool that firstly promotes diversity, long-tail initiatives, “do-it-yourself” projects and creations of many sorts precisely because of its openness. By allowing that bottom-up solutions emerge without having to pass through traditional certifiers and gatekeepers, crowd-validation tools proportionate a fruitful environment for the “new commons” to thrive. The essay, hence, assumes a normative perspective by which social surpluses, positive externalities and increasing social welfare depend on users having access to digital infrastructures that convey diversity.
KW - Sociology
KW - Economics
U2 - 10.1007/978-3-030-54418-8_11
DO - 10.1007/978-3-030-54418-8_11
M3 - Contributions to collected editions/anthologies
SN - 978-3-030-54420-1
SN - 978-3-030-54417-1
SP - 173
EP - 186
BT - Cultural Commons and Urban Dynamics
A2 - Marci, Emanuela
A2 - Morea, Valenria
A2 - Trimarchi, Michele
PB - Springer Nature Switzerland AG
ER -