Die Lesbarkeit der Bilder als erkenntniskritische Kategorie der Kulturwissenschaft um 1900

Research output: Journal contributionsJournal articlesResearchpeer-review

Standard

Die Lesbarkeit der Bilder als erkenntniskritische Kategorie der Kulturwissenschaft um 1900. / Costa, Maria Teresa.
In: Zeitschrift für Kunstgeschichte, Vol. 81, No. 2, 01.07.2018, p. 231-241.

Research output: Journal contributionsJournal articlesResearchpeer-review

Harvard

APA

Vancouver

Bibtex

@article{bb71aab40cc74d678fc86683b24a3423,
title = "Die Lesbarkeit der Bilder als erkenntniskritische Kategorie der Kulturwissenschaft um 1900",
abstract = "In the last thirty years, the concept of legibility has become a topos in the humanities, referring to the act of reading freed from its usual connection with the written text, and concerning also images, traces, and constellations. No one so deeply understood this {\textquoteleft}non-literal{\textquoteright} reading as Walter Benjamin, whose oeuvre is crossed by the topic of the compenetration and coappartenance of image and text. In his epistemology, mental and material images are intended as things that must be read. This paper offers an interpretation of his concept of legibility through its comparison with the one given by Aby Warburg in his Mnemosyne-Atlas. Both authors wanted to analyze the relationship between image and word to study the language of emotions and gestures. Through the comparison of the two methods emerges a privileged viewpoint to understand legibility as a fundamental epistemological paradigm of Kulturwissenschaft around 1900.",
keywords = "Kunstwissenschaft",
author = "Costa, {Maria Teresa}",
year = "2018",
month = jul,
day = "1",
doi = "10.1515/ZKG-2018-0016",
language = "Deutsch",
volume = "81",
pages = "231--241",
journal = "Zeitschrift f{\"u}r Kunstgeschichte",
issn = "0044-2992",
publisher = "Deutscher Kunstverlag GmbH",
number = "2",

}

RIS

TY - JOUR

T1 - Die Lesbarkeit der Bilder als erkenntniskritische Kategorie der Kulturwissenschaft um 1900

AU - Costa, Maria Teresa

PY - 2018/7/1

Y1 - 2018/7/1

N2 - In the last thirty years, the concept of legibility has become a topos in the humanities, referring to the act of reading freed from its usual connection with the written text, and concerning also images, traces, and constellations. No one so deeply understood this ‘non-literal’ reading as Walter Benjamin, whose oeuvre is crossed by the topic of the compenetration and coappartenance of image and text. In his epistemology, mental and material images are intended as things that must be read. This paper offers an interpretation of his concept of legibility through its comparison with the one given by Aby Warburg in his Mnemosyne-Atlas. Both authors wanted to analyze the relationship between image and word to study the language of emotions and gestures. Through the comparison of the two methods emerges a privileged viewpoint to understand legibility as a fundamental epistemological paradigm of Kulturwissenschaft around 1900.

AB - In the last thirty years, the concept of legibility has become a topos in the humanities, referring to the act of reading freed from its usual connection with the written text, and concerning also images, traces, and constellations. No one so deeply understood this ‘non-literal’ reading as Walter Benjamin, whose oeuvre is crossed by the topic of the compenetration and coappartenance of image and text. In his epistemology, mental and material images are intended as things that must be read. This paper offers an interpretation of his concept of legibility through its comparison with the one given by Aby Warburg in his Mnemosyne-Atlas. Both authors wanted to analyze the relationship between image and word to study the language of emotions and gestures. Through the comparison of the two methods emerges a privileged viewpoint to understand legibility as a fundamental epistemological paradigm of Kulturwissenschaft around 1900.

KW - Kunstwissenschaft

U2 - 10.1515/ZKG-2018-0016

DO - 10.1515/ZKG-2018-0016

M3 - Zeitschriftenaufsätze

VL - 81

SP - 231

EP - 241

JO - Zeitschrift für Kunstgeschichte

JF - Zeitschrift für Kunstgeschichte

SN - 0044-2992

IS - 2

ER -

DOI