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Wolf-Georg Zaddach

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Wolf-Georg Zaddach

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Dr. Wolf-Georg Zaddach

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  1. 2019

  2. Jazzforschung heute: Themen, Methoden, Perspektiven

    Zaddach, W.-G. (Editor) & Pfleiderer, M. (Editor), 2019, Berlin: Verlag Edition EMVAS. 320 p. (sounding heritage; vol. 4)

    Research output: Books and anthologies › Conference proceedings › Research

  3. "Schwer, hart und wild" Heavy Metal in der DDR

    Zaddach, W.-G., 2019, In: Gerbergasse 18. 24, 90, p. 41-45 5 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  4. Sind wir bereit für eine Musikwirtschaft 5.0? Ein Essay zu gegenwärtigen Problemstellungen und zukünftigen Herausforderungen

    Zaddach, W.-G., 2019, In: Zeitschrift für Kulturmanagement: Kunst, Politik, Wirtschaft und Gesellschaft. 5, 1, p. 143-158 16 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  5. 2018

  6. Heavy Metal in der DDR: Szene, Akteure, Praktiken

    Zaddach, W.-G., 2018, 1st ed ed. Bielefeld: transcript Verlag. 369 p. (texte zur populären Musik; vol. 10)

    Research output: Books and anthologies › Book

  7. 2017

  8. Inside the Jazzomat: new perspectives for jazz research

    Pfleiderer, M. (Editor), Frieler, K. (Editor), Abeßer, J. (Editor), Zaddach, W.-G. (Editor) & Burkhart, B. (Editor), 01.12.2017, Mainz: Schott Music. 352 p.

    Research output: Books and anthologies › Book

  9. Jazz in Czechoslovakia during the 1950s and 1960s

    Zaddach, W.-G., 01.01.2017, Jazz and totalitarianism. Johnson, B. (ed.). New York: Routledge Taylor & Francis Group, p. 114-135 22 p. (Transnational studies in jazz).

    Research output: Contributions to collected editions/works › Chapter › peer-review

  10. Score-Informed Analysis of Tuning, Intonation, Pitch Modulation, and Dynamics in Jazz Solos

    Abeber, J., Frieler, K., Cano, E., Pfleiderer, M. & Zaddach, W. G., 01.2017, In: IEEE/ACM Transactions on Audio Speech and Language Processing. 25, 1, p. 168-177 10 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  11. Following the red line: Chris Potter's solo on "Pop Tune #1"

    Zaddach, W.-G., 2017, Inside the Jazzomat : new perspectives for jazz research. Pfleiderer, M., Frieler, K., Abeßer, J., Zaddach, W.-G. & Burkhart, B. (eds.). Mainz: Schott Music, p. 291-302 12 p. (Schott Campus).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  12. Heayy Metal in Germany

    Zaddach, W.-G., 2017, Europe. Prato, P. & Horn, D. (eds.). New York: Bloomsbury Academic, p. 357-361 5 p. ( Bloomsbury encyclopedia of popular music of the world; vol. 11)(Bloomsbury encyclopedia of popular music of the world; vol. Pt. 3, Genres).

    Research output: Contributions to collected editions/works › Articles for encyclopedia › Research

  13. Michael Brecker's "I mean you"

    Zaddach, W.-G., 2017, Inside the Jazzomat : new perspectives for jazz research. Pfleiderer, M., Frieler, K., Abeßer, J., Zaddach, W.-G. & Burkhart, B. (eds.). Mainz: Schott Music, p. 211-225 15 p. (Schott Campus).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

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