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Wolf-Georg Zaddach

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Wolf-Georg Zaddach

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Dr. Wolf-Georg Zaddach

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    1. 2017

    2. Jazz in Czechoslovakia during the 1950s and 1960s

      Zaddach, W-G., 01.01.2017, Jazz and totalitarianism. Johnson, B. (ed.). New York: Routledge Taylor & Francis Group, p. 114-135 22 p. (Transnational studies in jazz).

      Research output: Contributions to collected editions/works › Chapter › peer-review

    3. Score-Informed Analysis of Tuning, Intonation, Pitch Modulation, and Dynamics in Jazz Solos

      Abeber, J., Frieler, K., Cano, E., Pfleiderer, M. & Zaddach, W. G., 01.2017, In: IEEE/ACM Transactions on Audio Speech and Language Processing. 25, 1, p. 168-177 10 p.

      Research output: Journal contributions › Journal articles › Research › peer-review

    4. Following the red line: Chris Potter's solo on "Pop Tune #1"

      Zaddach, W-G., 2017, Inside the Jazzomat : new perspectives for jazz research. Pfleiderer, M., Frieler, K., Abeßer, J., Zaddach, W-G. & Burkhart, B. (eds.). Mainz: Schott Music, p. 291-302 12 p. (Schott Campus).

      Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

    5. Heayy Metal in Germany

      Zaddach, W-G., 2017, Europe. Prato, P. & Horn, D. (eds.). New York: Bloomsbury Academic, p. 357-361 5 p. ( Bloomsbury encyclopedia of popular music of the world; vol. 11)(Bloomsbury encyclopedia of popular music of the world; vol. Pt. 3, Genres).

      Research output: Contributions to collected editions/works › Articles for encyclopedia › Research

    6. Michael Brecker's "I mean you"

      Zaddach, W-G., 2017, Inside the Jazzomat : new perspectives for jazz research. Pfleiderer, M., Frieler, K., Abeßer, J., Zaddach, W-G. & Burkhart, B. (eds.). Mainz: Schott Music, p. 211-225 15 p. (Schott Campus).

      Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

    7. Right into the heart. Branford Marsalis and the blues "Housed from Edward"

      Zaddach, W-G., 2017, Inside the Jazzomat: new perspectives for jazz research. Pfleiderer, M., Frieler, K., Abeßer, J., W-G. Z. & Burkhart, B. (eds.). Mainz: Schott Music, p. 227-242 16 p. (Schott Campus).

      Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

    8. 2016

    9. Metal militia behind the iron curtain: Scene formation in 1980s East Germany

      Zaddach, W. G., 01.09.2016, In: Metal Music Studies. 2, 3, p. 357-376 20 p.

      Research output: Journal contributions › Journal articles › Research › peer-review

    10. Midlevel analysis of monophonic jazz solos: a new approach to the study of improvisation

      Frieler, K., Pfleiderer, M., Zaddach, W-G. & Abeßer, J., 06.2016, In: Musicae Scientiae. 20, 2, p. 143-162 20 p.

      Research output: Journal contributions › Journal articles › Research › peer-review

    11. 2014

    12. »30 Jahre Ride The Lightning: So klingt unsere Tribute-CD«: Zur diskursiven Praxis des Erinnerns in der Kulturwelt Heavy und Extreme Metal

      Zaddach, W. G., 2014, In: Lied und Populare Kultur. 59, p. 227-241 15 p.

      Research output: Journal contributions › Journal articles › Research › peer-review

    13. Chasing the difference: computer-aided comparison of improvisation in postbob, hardbob, and bebop

      Frieler, K., Pfleiderer, M., Abeßer, J. & Zaddach, W-G., 2014, In: Jazzforschung. 46, p. 249-269 21 p.

      Research output: Journal contributions › Journal articles › Research › peer-review

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