Professorship for Contemporary Art
Organisational unit: Professoship
Organisation profile
Research and teaching at the Professorship of Contemporary Art focuses on art from the 1960s to the present. We understand art as a material and an intellectual practice, which requires an intensive engagement with artistic processes as well as a reflection on theories of art and culture and socio-political discussions. The emphasis of the professorship is placed on the transcultural interconnections of art, decoloniality, gender issues, art theory, and art criticism.
Main research areas
Contemporary art is characterized in particular by dissolving traditional genres, questioning the formation of canons, inventing new genres and formats, critically examining its own conditions of production, and intervening in social processes. Thus, in addition to analyzing artworks and exploring artistic objects, thinking about the socio-political horizon of art is also an essential part of the study of contemporary art. In this way, the study of contemporary art not only gives students a good knowledge of contemporary art, artistic thinking, agency, research, and an insight into most recent developments of art historical research and methods, but also enables students to participate in current socio-political debates through the lens of art.
The teaching offered by the Professorship of Contemporary Art has most recently included undergraduate seminars such as Methods of Art Studies, Introduction to Art History as Cultural Studies, Transcultural Art History, as well as seminars on topics such as Ownership and Property in Art and Cultural Theory, Critique of Subjectivity in Contemporary Art, Documenta 15 - Artist Collectives, Production/Reproduction - Female Labor in Art and Cinema, Curating Video Art, Forms of Documentary Film, Canon/Canon Criticism, Photography and Feminism, Science Fiction, Visual Culture and the Afterlife of Colonialism, and many more.
Leuphana University is one of the few universities that has its own artistic project space: The Kunstraum, with its archive of more than thirty years of exhibition practice. Working with artists is an essential part of studying contemporary art at Leuphana. In exchanges with artists and curators, in project seminars and excursions, students deal intensively with artistic processes and participate in the production of exhibitions. In this way, students get to know professional fields of practice.
The Archipelago Lab also regularly invites contemporary artists and cultural producers.
The Halle für Kunst in Lüneburg offers students further opportunities to engage intensively with contemporary art.
With the Leuphana Institute of Advanced Studies in Culture and Society, the university established its own Artists-in-Residence program, where international contemporary artists are invited to develop new work. Their activities will become visible in public presentations, participation in seminars, and exhibitions at the Kunstraum.
- 2024
- Published
Maintenance-(Art)Work und die Arbeit am eigenen Bild
Kuhn, E., 01.12.2024, In: Zeitschrift für Kunstgeschichte. 87, 4, p. 452-472 21 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Desecularising Culture in Method: Five Theses on Syncretism
Eduardo Dávila, S., 18.07.2024, Berlin : Forum Transregionale Studien e.V.Research output: other publications › Articles in scientific forums or blogs › Research › peer-review
- Published
Edgar Calels "Skulpturale Erdarbeit" Umkreisen, Überfliegen und sich Danebenlegen
Eduardo Dávila, S., 06.2024, In: Texte zur Kunst. 134, p. 149-160 12 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Border plants: globalisation as shown to us by the women living at its leading edge
Kuhn, E., 25.01.2024, Coercion and Wage Labour: Exploring Work Relations through History and Art. Batista, A., Müller, V. F. & Peres, C. (eds.). London: UCL Press, p. 225-245 21 p. 10. (Work around the world: studies in global labour history).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- In preparation
Der Avantgardefilm. Filmgeschichte kompakt
Kuhn, E., 2024, (In preparation) München: edition text+kritik. (Filmgeschichte kompakt)Research output: Books and anthologies › Monographs › Research
- In preparation
Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles
Kuhn, E. & Glasenapp, J. (Editor), 2024, (In preparation) edition text+kritik. (Film|Lektüren)Research output: Books and anthologies › Monographs › Research
- 2023
- Published
The Anamnesis of Matter: Lyotard and the Immatériaux
Broeckmann, A., 04.12.2023, Therapie der Dinge?: Materialität und Psychoanalyse in Literatur, Film und bildender Kunst. Danebrock, F. & Bartelmus, M. (eds.). Bielefeld: transcript Verlag, p. 49-59 11 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Feministische Ökonomien und Zeitlichkeit
Kuhn, E. (Editor), 04.10.2023, Berlin : AvivA Verlag. 200 p. (Frauen und Film; no. 71)Research output: Books and anthologies › Special Journal issue › Research
- Published
Editorial
Kuhn, E., 01.10.2023, In: Frauen und Film. 71, p. 5-6 2 p.Research output: Journal contributions › Other (editorial matter etc.) › Research
- Published
Mit Film- und Hausarbeit gegen die Kapitalisierung von Zeit (Jeanne Dielman und Fannie Drayton)
Kuhn, E., 01.10.2023, In: Frauen und Film. 71, p. 7-24 18 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
The Archival Research on Les Immatériaux
Broeckmann, A. & Vicet, M., 08.2023, Beyond Matter, Within Space: Curatorial and Art Mediation Techniques on the Verge of Virtual Reality. Nolasco-Rózsás, L. & Schädler, M. (eds.). Berlin: Hatje Cantz Verlag, p. 215-222 8 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Taktilität des Blickens in Portrait de la jeune fille en feu (Céline Sciamma, 2019)
Kuhn, E., 31.05.2023, Ins Bild kommen : Spielräume der Kunstkritik. Hosseini, A., Kipke, A., Kuhn, H. & Woisnitza, M. (eds.). Paderborn: Wilhelm Fink Verlag, p. 204-209 6 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Dadadatadada: From Dada to Data and Back Again
Kölmel, M.-J., 09.03.2023, Dada Data: Contemporary Art Practice in the Era of Post-Truth Politics. Hegenbart, S. & Kölmel, M.-J. (eds.). Bloomsbury Publishing Plc., p. 23-40 18 p.Research output: Contributions to collected editions/works › Chapter › peer-review
- Published
Introduction: From Dada Tricks to Post-Truth Politics
Kölmel, M.-J. & Hegenbart, S., 09.03.2023, Dada Data: Contemporary Art Practice in the Era of Post-Truth Politics. Hegenbart, S. & Kölmel, M.-J. (eds.). Bloomsbury Publishing Plc., p. 1-20Research output: Contributions to collected editions/works › Chapter › peer-review
- Published
The Digital Revolution as Counter-Revolution
Simon, J., 09.03.2023, Dada Data: Contemporary Art Practice in the Era of Post-Truth Politics. Hegenbart, S. & Kölmel, M.-J. (eds.). Bloomsbury Publishing Plc., p. 197-212 16 p.Research output: Contributions to collected editions/works › Chapter › peer-review
- Published
Machina ex artificium. Zur Maschinenästhetik im künstlerischen Werk Ralf Baeckers.
Broeckmann, A., 01.2023, Ralf Baecker. Cybernetic Imaginaries.. Seiffahrt, C. (ed.). Berlin: Distanz Verlag, p. 22-27 6 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer
- Published
Anamnesis of Architecture.
Broeckmann, A., 2023, Uccellini e uccellacci.: East of the City.. Leal, M. (ed.). Porto, Portugal: i2ADS Edições, p. 107-128 12 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer
- Published
A Psychiatric Clinic, a Monastery, a City and a River: On the (Artistic) Legibility of Disappearance in Topography
Eduardo Dávila, S. & Jordan, U., 2023, On Withdrawal: Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices. Eduardo Dávila, S., John, R. H., Jordan, U., Wulff, N., Sieber, J. & Schneider, T. (eds.). Berlin/Zürich: Diaphanes Verlag, p. 209-236 28 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
In the Aftermath of Violence. On Being Present and Calling Into Presence
Taylor, D., Eduardo Dávila, S. & Jordan, U., 2023, On Withdrawal: Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices. Eduardo Dávila, S., John, R. H., Jordan, U., Schneider, T., Sieber, J. & Wulff, N. (eds.). Zürich: Diaphanes Verlag, p. 159-176 18 p. ( Critical stances).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
In the Making: In the Desert of Modernity: Colonial Planning and After ; Traversing a Project Exhibition
von Osten, M., Buchmann, S. (Editor), Leeb, S. (Editor) & Spillmann, P. (Editor), 2023, Berlin: b-books. 236 p. (PoLYpeN)Research output: Books and anthologies › Monographs › Research › peer-review
- Accepted/In press
Leben-Filmen. Jonas Mekas’ Taktik des Augenblicks
Kuhn, E., 2023, (Accepted/In press) Wilhelm Fink Verlag. (Film Denken)Research output: Books and anthologies › Monographs › Research
- Published
On Withdrawal: Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices
Eduardo Dávila, S. (Editor), John, R. H. (Editor), Jordan, U. (Editor), Wulff, N. (Editor), Sieber, J. (Editor) & Schneider, T. (Editor), 2023, Berlin/Zürich: Diaphanes Verlag. 384 p.Research output: Books and anthologies › Collected editions and anthologies › Research
- 2022
- Published
Aspekte der Maschinenästhetik
Broeckmann, A., 12.12.2022, Technik-Ästhetik : Zur Theorie techno-ästhetischer Realität. Ruf, O. & Grabbe, L. (eds.). Bielefeld: transcript Verlag, p. 125-144 20 p. ( Medien- und Gestaltungsästhetik; vol. 12).Research output: Contributions to collected editions/works › Chapter
- Published
Museums, Transculturality and the Nation-State: Case Studies from a Global Context
Leeb, S. (Editor) & Samuel, N. (Editor), 27.05.2022, Bielefeld: transcript Verlag. 248 p. (Edition Museum; vol. 52)Research output: Books and anthologies › Collected editions and anthologies › Research
- Published
Museums, Transculturality, and the Nation-State: Some Remarks on their Entanglement
Leeb, S., 27.05.2022, Museums, Transculturality and the Nation-State: Case Studies from a Global Context. Leeb, S. & Samuel, N. (eds.). Bielefeld: transcript Verlag, p. 7-16 10 p. (Museum; vol. 52).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Achtundsechzig antikolonial: Szenen militanter Kunst- und Filmproduktion und Implikationen für eine (Kunst)Geschichtsschreibung
Leeb, S., 05.03.2022, Dreizehn Beiträge zu 1968: Von künstlerischen Praktiken und vertrackten Utopien. Lange-Berndt, P. & Lindermann, I. (eds.). Bielefeld: transcript Verlag, p. 27-61 35 p. (Image; vol. 202).Research output: Contributions to collected editions/works › Chapter › peer-review
- Published
The Lawless Vitality of Sculpture, c. 1960-80. Formalism’s Monsters, Cybernetic Breakdowns and the Joys of Deviation
Nachtigall, J., 01.01.2022, Future Bodies from a Recent Past: Sculpture, Technology, and the Body since the 1950s. Dander, P. & Linhardt, F. (eds.). Berlin: Deutscher Kunstverlag, p. 113-123 11 p.Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Research
- Published
Recht und Kultur
Ausberg, I., Welzel, C., Jamme, C., Reimer, F. & Leeb, S. (Contributor), 2022, Rechtsgespräche: Recht im Kontext von Innovation | Entrepreneurship Nachhaltigkeit | Kultur | Europa. Terhechte, J. (ed.). Baden-Baden: Nomos Verlagsgesellschaft mbH & Co. KG, p. 39-62 24 p.Research output: Contributions to collected editions/works › Article in conference proceedings › Research
- 2021
- Published
Art Work as Life Work: Lu Märten’s Feminist “Objectivity”
Nachtigall, J. & Stakemeier, K., 20.12.2021, In: October. 178, p. 35-54 20 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Lu Märten: An Introduction to Four Texts
Nachtigall, J. & Stakemeier, K., 20.12.2021, In: October. 178, p. 3-14 12 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
República. La Nueva Fábrica, Antigua Guatemala
Eduardo Dávila, S., 12.2021, In: Art Nexus. Arte en Colombia. 117, p. 122-124 3 p.Research output: Journal contributions › Critical reviews › Research
- Published
"Der Tyrann braucht zerbrochene Seelen": Susanne Leeb über Rajkamal Kahlon
Leeb, S., 09.2021, In: Lerchenfeld. 58, p. 25-28 4 p.Research output: Journal contributions › Journal articles › Research
- Published
Artistic Research on Anonymity
Silvestrin, D. & Broeckmann, A., 03.04.2021, Book of Anonymity: An edited collection. Collective, A. (ed.). Brooklyn: punctum books, p. 35-67 33 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Glänzen, Blicken, Flickern. Das Prinzip der Glimpses in AS I WAS MOVING AHEAD OCCASIONALLY I SAW BRIEF GLIMPSES OF BEAUTY
Kuhn, E., 2021, In: Film-Konzepte. 61, p. 55-70 16 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Hollis Frampton: ADSVMVS ABSVMVS : In memory of Hollis William Frampton, Sr., 1913–1980 : abest
Breimaier, A. (Editor) & Gründig, M. (Editor), 2021, Essen: Folkwang Universität der Künste. 196 p. (Folkwang Edition; vol. 007)Research output: Books and anthologies › Exhibition catalogues › Transfer
- 2020
- Published
Hollis Frampton: Photographs
Breimaier, A., 26.11.2020, 12 p. London : The Burlington Magazine Publication Ltd.Research output: other publications › Articles in scientific forums or blogs › Transfer
- Published
PROPERTY / EIGENTUM: Thematic Issue of "Texte zur Kunst", Nr. 117
Abt, N. (Editor), Graw, I. (Editor), Leeb, S. (Editor) & Stakemeier, K. (Editor), 03.2020, Berlin: TEXTE ZUR KUNST Verlag GmbH & Co. KG. 253 p. (Texte zur Kunst; vol. 30, no. 117)Research output: Books and anthologies › Special Journal issue › Research
- Published
Property/Eigentum. Vorwort
Leeb, S., Abt, N., Stakemeier, K. & Graw, I., 03.2020, In: Texte zur Kunst. 30, 117, p. 6-7 2 p.Research output: Journal contributions › Other (editorial matter etc.) › Research
- Published
Unerhörte Musen
Kuhn, E., 2020, In: Filmbulletin. Zeitschrift für Film und Kino. 62, 384, p. 34-35 2 p.Research output: Journal contributions › Journal articles › Research
- 2019
- Published
On the Difficulty of Forgetting: Recollections of the Basel Symposium on Chantal Akerman
Kuhn, E. & Holl, U., 01.05.2019, In: Camera Obscura. 34, 1, p. 163-183 21 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Ian White – Cinema as a Live Art / Becoming Object
Breimaier, A. (Editor), 03.2019, Berlin: Edition Living Archive. 63 p.Research output: Books and anthologies › Exhibition catalogues › Transfer
- Published
Books on World Art from the 1920s: On the Ambivalence of a Discursive Awakening
Leeb, S., 2019, Bauhaus Imaginista: Die globale Rezeption bis heute. von Osten, M. & Watson, G. (eds.). Zürich: Scheidegger & Spiess, p. 106-111 6 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Coexistence: Entretien avec Mathilde ter Heijne
Leeb, S., 2019, In: Les Cahiers du Musée national d'art moderne. 2019, 147, p. 106-111 6 p.Research output: Journal contributions › Journal articles › Research › peer-review
- 2018
- Published
Comedy of Deviation: Tamar Getter's Hēliotropion Cycle
Leeb, S., 2018, Tamar Getter. Hēliotropion: Catalogue for the exhibition held at the Mishkan Museum of Art, Ein Harod, January 6-March 3, 2018. 1. Auflage ed. En Harod: Mishkan Museum of Art, p. 157-164 7 p.Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Research
- Published
Der Kunstraum
Leeb, S., 2018, Die Rolle der Universität in Wissenschaft und Gesellschaft im Wandel. Henkel, A., Hobuß, S., Jamme, C. & Wuggenig, U. (eds.). 1. ed. Berlin: Pro BUSINESS Verlag, p. 229-231 3 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer
- Published
Im-Mobile Kadragen zwischen Lebenswelt und Kunst: Oder: zwei kinematografische Figuren von Chantal Akerman
Kuhn, E., 2018, Projektion & Reflexion: Das Medium Film in Kunst und Literatur : le cinéma dans l'art et la littérature. Haupt, S. & Ruf, O. (eds.). Bielefeld: transcript Verlag, p. 199-217 19 p. (Medien- und Gestaltungsästhetik; vol. 6).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- 2017
- Published
Idioms: The Minor ‘A’s of Art
Leeb, S., 12.2017, In: Texte zur Kunst. 27, 108, p. 32-56 25 p.Research output: Journal contributions › Journal articles › Transfer › peer-review
- Published
Idioms – Languages of Art, Thematic issue of Texte zur Kunst, Nr. 108
Leeb, S. (Editor) & Thomann, M. (Editor), 12.2017, Berlin: TEXTE ZUR KUNST Verlag GmbH & Co. KG. 263 p. (Texte zur Kunst; vol. 27, no. 108)Research output: Books and anthologies › Special Journal issue › Research
- Published
Idiome: Die kleinen ks der Kunst
Leeb, S., 03.2017, In: Texte zur Kunst. 108, p. 33-56 24 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Lokalzeit oder die Gegenwart der Antike
Leeb, S., 03.2017, In: Texte zur Kunst. 27, 105, p. 99-117 19 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Schweigeverhältnisse überstimmen oder Mit den Füssen denken: Angela Melitopoulos im Gespräch mit Susanne Leeb
Leeb, S., 03.2017, In: Texte zur Kunst. 2017, 105, p. 63-71 9 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Wir sind ihr
Leeb, S. (Editor), Draxler, H. (Editor) & Graw, I. (Editor), 03.2017, Berlin: TEXTE ZUR KUNST Verlag GmbH & Co. KG. 248 p. (Texte zur Kunst; vol. 27, no. 105)Research output: Books and anthologies › Special Journal issue › Research
- Published
Conflicting Evidence
Leeb, S., 2017, Evidentiary Realism: Investigative, Forensic, And Documentary Art. Ciro, P. (ed.). 1. Auflage ed. Berlin: NOME, p. 113-120 8 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Mathieu K. Abonnenc / Lotte Arndt / Catalina Lozano: (ed.) Crawling Doubles. Colonial Collecting And Affect. Amsterdam: Idea Books 2016.
Leeb, S., 2017, In: Kunstform . 18, 7Research output: Journal contributions › Critical reviews › Research
- 2016
- Published
Die Kunst der Stunde. Susanne Leeb über Kader Attia im Museum für Moderne Kunst, Frankfurt/M.
Leeb, S., 12.2016, In: Texte zur Kunst. 104, p. 204-209 6 p.Research output: Journal contributions › Critical reviews › Research
- Published
Plädoyer für eine kulturwissenschaftliche Ästhetik aus Perspektive der cultural studies
Leeb, S. & Sonderegger, R., 10.2016, In: Kulturwissenschaftliche Zeitschrift. 1, 1, p. 56-62 7 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Alltag als Form des Widerstands. Oder: Vom Haushalt mit den Bildern. Zum Kino von Chantal Akerman
Kuhn, E., 09.2016, In: Filmbulletin. Zeitschrift für Film und Kino. 58, 6, p. 54-58 5 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Upheaval in the Depot’s Wake: Rehearsal and Drawing in the Work of Tamar Getter
Leeb, S., 08.2016, Putting Rehearsals to the Test: Practices of Rehearsel in Fine Arts, Film, Theater, Theory, and Politics. Buchmann, S., Lafer, I. & Ruhm, C. (eds.). Berlin: Sternberg Press, p. 152-167 16 p. (Publication series of the Academy of Fine Arts Vienna; vol. 19).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Élie Faures Cineplastik oder vom Kino und Bilden der Künste
Kuhn, E., 2016, In: Regards Croisés. 5, p. 50-61 12 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Fahrten & Fährten: Zur Kamera in Eric Hattans Videoräumen
Kuhn, E., 2016, Eric Hattan Works: Werke Œuvres 1979–2015. Spira, A. & Eitel, L. (eds.). Berlin: Holzwarth Publications, p. 175-185 11 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Figuren der Blindheit in der Kunst von Javier Téllez, James Coleman und Tamar Getter
Leeb, S. A., 2016, Anderes Wissen: Kunstformen der Theorie. Busch, K. (ed.). 1 ed. Paderborn: Verlag der Merz Akademie, p. 206-241 37 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Film Implosion! Ein Rundgang durch den ausgestellten Film.
Kuhn, E., 2016, In: Filmbulletin. Zeitschrift für Film und Kino. 58, 1, p. 20-21 2 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Schichten und der Zwischenraum: Über Ästhetik und Funktion von Scheiben im 3D-Film am Beispiel von Martin Scorseses HUGO
Kuhn, E., 2016, Scheiben: Medien der Durchsicht und Reflexion. Göttel, D. & Krautkrämer, F. (eds.). Bielefeld: transcript Verlag, p. 89-103 15 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- 2015
- Published
Primitivism and humanist teleology in art history around 1900
Leeb, S. A., 06.2015, In: Journal of Art Historiography. 12, 15 p., 12/SLb1.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Die Kunst der Anderen: "Weltkunst" und die anthropologische Konfiguration der Moderne
Leeb, S. A., 2015, Berlin: b-books. 320 p. (PoLYpeN)Research output: Books and anthologies › Monographs › Transfer › peer-review
- Published
Die universale Sprache der vewaltungstechnischen Abstraktion. Zur Darstellung von Kolonialgeschichte in Dierk Schmidts Die Teilung der Erde. Tableaux zu rechtlichen Synopsen der Berliner Afrika-Konferenz (2005-2007)
Leeb, S. A., 2015, total.: Universalismus und Partikularismus in post_kolonialer Medientheorie. Bergermann, U. & Heidenreich, N. (eds.). Bielefeld: transcript Verlag, p. 269-289 21 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Entangled – But How?
Leeb, S. A., 2015, Art in the Periphery of the Center . Behnke, C., Kastelan, C., Knoll, V. & Wuggenig, U. (eds.). Berlin: Sternberg Press, p. 210-219 10 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Jonas Mekas' Mnemotaktik oder: LOST LOST LOST, ein filmisches Gedächtnis
Kuhn, E., 2015, Kino und Erinnerung. Schmidt, S., von Keitz, U. & Haake, S. (eds.). Marburg: Schüren Verlag, p. 47-62 16 p. (Augenblick – Konstanzer Hefte zur Medienwissenschaft; vol. 61).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Nicht trennen, was nicht zu trennen ist: Über einige jüngere Publikationen zu Otto Mühls Friedrichshof-Kommune
Leeb, S. A., 2015, In: Texte zur Kunst. 97, p. 164-172 9 p.Research output: Journal contributions › Journal articles › Research › peer-review
- 2014
- Published
Flüssige Blicke: Malerei als Kontaktmedium
Leeb, S. A., 2014, The Happy Fainting of Painting: Ein Reader zur zeitgenössischen Malerei. Hafner, H.-J. & Reski, G. (eds.). Köln: Verlag der Buchhandlung Walther König, p. 114-121 8 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Liquid Gazes (On Contemporary Painting)
Leeb, S. A., 2014, Aesthetics of the flesh. Ensslin, F. & Klink, C. (eds.). Berlin: Sternberg Press, p. 179-202 24 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- 2013
- Published
Globalismus/Globalism
Leeb, S. (Editor), Lochner, O. (Editor), Raether, J. P. (Editor) & Stakemeier, K. (Editor), 09.2013, Berlin: TEXTE ZUR KUNST Verlag GmbH & Co. KG. 256 p. (Texte zur Kunst; vol. 25, no. 91)Research output: Books and anthologies › Special Journal issue › Research
- Published
Asynchrone Objekte
Leeb, S. A., 2013, In: Texte zur Kunst. 91, September, p. 40-62 23 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Can Art Save The Ethnological Museum?
Leeb, S. A., 2013, The Challenge of the Object: 33rd congress of the International Committee of the History of Art, Nuremberg, 15th - 20th July 2012; Congress Proceedings. Großmann, G. U. (ed.). Verlag des Germanischen Nationalmuseums, Vol. 2. p. 556-560 5 p. (Wissenschaftlicher Beiband zum Anzeiger des Germanischen Nationalmuseums; no. 32,2).Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review
- Published
Diagramme als Gestalt politischer Technologie: Zur Aufklärungskunst der Gegenwart
Leeb, S. A., 2013, Schaubilder. Thiel, T. (ed.). Berlin: Sternberg Press, p. 16-23 8 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Fluchtverwandlungstheater nach Catherine Sullivan
Leeb, S. A., 2013, Disability Trouble: Ästhetik und Bildpolitik bei Helen Keller. Bergermann , U. (ed.). Berlin: b-books, p. 262-276 15 p. (PoLYpeN ).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
In eigener Sache: Über Hilma af Klimt, Hamburger Bahnhof, Museum für Gegenwartskunst Berlin
Leeb, S. A., 2013, In: Texte zur Kunst. 92, p. 228-234 7 p.Research output: Journal contributions › Critical reviews › Research
- Published
Subjektivität und Selbstreflexion: Drei Formen von "Film-Ichs"
Kuhn, E., 2013, Im Netz der Eindeutigkeiten : Unbestimmte Figuren und die Irritation von Identität. Andreas, M. & Frankenberg, N. (eds.). Bielefeld: transcript Verlag, p. 89-105 17 p. ( Kultur- und Medientheorie).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- 2012
- Published
Der Unort von Karten und das Nirgendwo der Kunst: Drei Weisen der Entortung
Leeb, S. A., 2012, KartenWissen: Territoriale Räume zwischen Bild und Diagramm. Günzel, S. & Novack, L. (eds.). Wiesbaden: Reichert, p. 315-340 26 p. (Trierer Beiträge zu den historischen Kulturwissenschaften; vol. 5).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Ein Filmbild im Blick
Kuhn, E., 2012, Was ist ein Bild? : Antworten in Bildern ; Gottfried Boehm zum 70. Geburtstag. Egenhofer, S., Hinterwaldner, I. & Spies, C. (eds.). München : Wilhelm Fink Verlag, p. 229-232 4 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Einleitung
Leeb, S. A., 2012, Materialität der Diagramme: Kunst und Theorie. Leeb, S. (ed.). Berlin: b-books, p. 7-32 26 p. (Reihe Polypen).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Hafnargata: die Hafenstrasse – eine fotografische Wegstrecke
Kuhn, E., 2012, Silvia Bächli : Far apart - close together. Bitterli, K. (ed.). Nürnberg: Verlag für Moderne Kunst, p. 133-145 13 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Materialität der Diagramme: Kunst und Theorie
Leeb, S. (Editor), 2012, 1 ed. Berlin: b-books. 272 p.Research output: Books and anthologies › Collected editions and anthologies › Research
- Published
Reflektieren/Transzendieren: Eine Diskussion über die docmenta13 zwischen Christoph Menke, Susanne Leeb, Sven Beckstette
Leeb, S. A., 2012, In: Texte zur Kunst. 87, p. 85-110 26 p.Research output: Journal contributions › Critical reviews › Research
- 2011
- Published
A Line with Variable Direction, which Traces No Contour, and Delimits No Form
Leeb, S. A., 2011, Drawing A Hypothesis: Figures of Thought. Gansterer, N. (ed.). Wien / New York: Springer New York LLC, p. 29-42 14 p. (Edition Angewandte).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
BETWEEN SPECIFITY AND CONTEXT. SOCIAL ART HISTORY REVISITED: INTRODUCTION
Leeb, S. A., 2011, In: Texte zur Kunst. 81, p. 73-75 3 p.Research output: Journal contributions › Other (editorial matter etc.) › Research
- Published
We Are the Art, Whoever We Are
Leeb, S. A., 2011, Under Deconstruction . Castro, L., Ólafsson, Ó. & Blumenstein, E. (eds.). Berlin: Sternberg Press, p. 16-26 11 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- 2010
- Published
Randgänge der Aufzeichnung: Morgan O’Haras Live Transmissions zwischen Kunst und Wissenschaft
Leeb, S. A., 2010, Notationen und choreographisches Denken. Brandstetter, G., Hofmann, F. & Maar, K. (eds.). 1 ed. Rombach Verlag, p. 155-182 28 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
’... the world was becomming numerical.’: Informationsgrafik und Kunst in Dierk Schmidts ‚Die Teilung der Erde’
Leeb, S. A., 2010, Dierk Schmidt. The Division of the Earth: Tableaux on the Legal Synopses of the Berlin Africa Conference. 1 ed. Köln: Verlag der Buchhandlung Walther König, p. 112-121 10 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Zustände der Malerei: Über Thomas Eggerer in der Galerie Daniel Buchholz, Berlin
Leeb, S. A., 2010, In: Texte zur Kunst. 77, p. 219-224 6 p.Research output: Journal contributions › Critical reviews › Research
- 2009
- Published
Abstraktion als internationale Sprache
Leeb, S. A., 2009, Kunst und Kalter Krieg: Deutsche Positionen 1945-1989. Barron, S. & Eckmann, S. (eds.). Köln: DuMont Literatur und Kunst Verlag, p. 118-133 16 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Flucht nach nicht ganz vorn: Geschichte in der Kunst der Gegenwart
Leeb, S. A., 2009, In: Texte zur Kunst. 76, p. 28-44 17 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Form: Zwischen Ästhetik und künstlerischer Praxis
Avanessian, A., Hofmann, F. (Editor), Leeb, S. (Editor) & Stauffacher, H. (Editor), 2009, Zürich, Berlin: Diaphanes Verlag. 303 p.Research output: Books and anthologies › Collected editions and anthologies › Research
- Published
Geschichte auf Zeit
Leeb, S. A., 2009, Rudolf Herz - Lenin on tour: Ausstellung Museum Ludwig, Köln, 23. Oktober 2009 - 31. Januar 2010.. Braun, V. & Halfbrodt, D. (eds.). Göttingen: Steidl Verlag, p. 7-17 11 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- 2008
- Published
Abstraktion und Alltag: Susanne Leeb über Susanne Paesler in der Galerie Barbara Weiss, Berlin
Leeb, S. A., 2008, In: Texte zur Kunst. 69, p. 216-218 3 p.Research output: Journal contributions › Critical reviews › Research
- Published
Die Zeitgenossenschaft der Hochmoderne: Susanne Leeb über Bridget Riley im Musée d'Art Moderne de la Ville de Paris
Leeb, S. A., 2008, In: Texte zur Kunst. 72, p. 231-235 5 p.Research output: Journal contributions › Critical reviews › Research
- Published
Eine soziale Dreiecksbeziehung: Mensch – Umwelt – Politik: Über "Soziale Diagramme. Planning Reconsidered" im Künstlerhaus Stuttgart
Leeb, S. A., 2008, In: Texte zur Kunst. 72, p. 196-200 5 p.Research output: Journal contributions › Critical reviews › Research
- Published
Gibt es eine Kunst des Posthistoire? Zu einem Deutungsschema der Nachkriegszeit
Leeb, S. A., 2008, Die Stadt von Morgen: Beiträge zu einer Archäologie des Hansaviertels Berlin. Maechtel, A. & Peters, K. (eds.). Köln: Verlag der Buchhandlung Walther König, p. 104-117 14 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- 2007
- Published
Toleranzedikt des Fetischismus: Über "Fetischismus und Kultur" von Hartmut Böhme
Leeb, S. A., 2007, In: Texte zur Kunst. 65, p. 161-164 4 p.Research output: Journal contributions › Critical reviews › Research
- Published
Wir müssen reden. Roundtablegespräch zur documenta 12: Mit Monica Baer, Jörg Heiser, Branden Joseph und Susanne Leeb, moderiert von André Rotmann
Leeb, S. A., 2007, In: Texte zur Kunst. 67, p. 108-128Research output: Journal contributions › Other (editorial matter etc.) › Research