Professorship for Art History

Organisational unit: Professoship

Organisation profile

Research and teaching at the Professorship for Art History focuses on the history and theory of art from the Renaissance through Modernism and Postmodernism to the contemporary period. The art of the 20th and 21st centuries is in the foreground. Beyond the classical objects of art history – painting, graphics, sculpture – diverse forms of visual culture are also the subject of study, such as object art, arts and crafts, design, photography, video, installation, performance and new media.

Main research areas

In addition to the historical classification and the art-scientifically based interpretation of these various arts, media and creative spaces of action, there is a special focus on the contexts of use of artistic design. This includes in particular thinking about the social interconnections of artistic practices, institutions and actors under specific political and economic conditions. Central to this is the connection between historical research and current issues. In this way, the Professorship for Art History opens up participation in contemporary social debates in which art and visual cultures develop their meaning and function.

The connection to concrete projects, such as the university's Kunstraum, and the direct work in front of originals in the context of excursions are an important part of the studies. Through the exchange with artists and curators and the transfer of the place of study into institutional spaces of action of the arts, professional fields of practice are to be tested and developed.

  1. 2025
  2. In preparation

    Toward a New Aesthetics: Institutional Criticism in Art Education from 1900 to Today

    Neugärtner, S. (Editor), Buchloh, B., Holert, T., Capper, E. R., Saletnik, J., Sprowl, R., Foster, N., Sadka, N., Leam, S., Watts, J., Kindsfather, E., Akoi-Jackson, B., Nogueira, I., Bruhn, K. & Schoel, M.-C., 04.2025, (In preparation) Boston/Leiden: Brill. 300 p. (Doing Arts Thinking: Arts Practice, Research and Education; vol. 18)

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  3. 2024
  4. Published

    Aktivierungen des Archivs und der Ausstellung. Zum Verhältnis von Deponieren und Exponieren im digitalen Museum

    Neugärtner, S., 10.2024, Wandlungen des Sammelns: Praktiken, Wissen, Anordnungen - Ein Reader. Friedrich, S., Mangold, J. & Rau, S. (eds.). Bielefeld: transcript Verlag, p. 303-311 9 p. (Edition Kulturwissenschaft; vol. 301).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  5. Published

    HGB Leipzig, Schiffbauerdamm, Ostkreuz: die Wende der ‚freien‘ Fotografie

    Neugärtner, S., 10.2024, Die Fotografie und ihre Institutionen: von der Lehrsammlung zum Bundesinstitut. Schürmann, A. & Yacavone, K. (eds.). Berlin: Reimer Verlag, p. 131–147 17 p.

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearchpeer-review

  6. Published

    Die Okkupation des Raumes: Materialitäten und Performativitäten bei Sophie Taeuber-Arp

    Neugärtner, S., 04.06.2024, Geschlecht und Materialität: Historische Perspektiven auf Erziehung, Bildung und Sozialisation von der Antike bis zur Gegenwart. Antenhofer, C. & Leitner, U. (eds.). 1 ed. Bielefeld: transcript Verlag, p. 279–301 23 p. (Historische Geschlechterforschung; vol. 8).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  7. Published

    art thinking doing art: Artistic Practices in Educational Contexts from 1900 to Today

    Neugärtner, S., 01.03.2024, e-flux Index. MacBeth, G. (ed.). New York: e-flux, p. 157–165 9 p. (e-flux index; vol. 1).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransferpeer-review

  8. Published

    Im Aquarium: Oder: Das Schweigen der Malerei aus der Sicht einer Schriftstellerin

    Söntgen, B., 2024, Einlässliche Lektüren: Über Offenheit, Bezogensein und Genauigkeit im Umgang mit Literatur. Grubner, B., Kitzmann, J., Millutat, M., Regeler, L. N. & Welsh, C. (eds.). Bielefeld: Aisthesis Verlag, p. 123-129

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  9. 2023
  10. Published

    Omega: Beziehungsgefüge und Organisationsformen einer künstlerischen Formation im frühen 20. Jahrhundert

    Söntgen, B., 01.12.2023, In: Paragrana. 32, 2, p. 160-176 17 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  11. Published

    Haunted Memories. Landscapes of the Mind: Parallele Bildverfahren im Werk von Erna Rosenstein und Aubrey Williams

    Kipke, A., 09.2023, In: Kunstforum international. 291, p. 78-85 8 p.

    Research output: Journal contributionsJournal articlesTransfer

  12. Published

    Im Gespräch bleiben: Notizen zur Kunstkritik

    Söntgen, B., 31.05.2023, Ins Bild kommen: Spielräume der Kunstkritik. Hosseini, A., Kipke, A., Kuhn, H. & Woisnitza, M. (eds.). Paderborn: Brill | Fink, p. 3-14 12 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  13. Published

    Seth Price. Decimating Digital Data

    Neugärtner, S., 28.03.2023, Productive Image Interference. Sigmar Polke and Current Perspectives. Anna Polke-Stiftung (ed.). Berlin: Distanz Verlag, p. 59-74 16 p.

    Research output: Contributions to collected editions/worksContribution of Exihibition cataloguesResearch

  14. Published

    Dada Data: Contemporary Art in the Era of Post-Truth Politics

    Hegenbart, S. (Editor) & Kölmel, M.-J. (Editor), 23.02.2023, Bloomsbury Academic. 304 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  15. Published

    "How Bad Was He? Let Me Count the Ways": Auguste Renoir and His Critics of the 1980s

    Mehl, I. & Söntgen, B., 2023, Judgement Practices in the Artistic Field. Söntgen, B., Heymer , E., Locher, H., Marchal, S. & Sachs-Resch, M. (eds.). München: edition metzel, p. 226-250 25 p. (Praktiken der Kritik; vol. 3).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  16. Published

    Ins Bild kommen: Spielräume der Kunstkritik

    Hosseini, A. (Editor), Kipke, A. (Editor), Kuhn, H. (Editor) & Woisnitza, M. (Editor), 2023, Paderborn: Brill | Fink. 234 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  17. Published

    Ins Bild kommen: Spielräume der Kunstkritik

    Hosseini, A., Kipke, A., Kuhn, H. & Woisnitza, M., 2023, Ins Bild kommen : Spielräume der Kunstkritik . Kipke, A., Woisnitza, M., Hosseini, A. & Kuhn, H. (eds.). Paderborn: Brill | Fink, p. xv-xxi 7 p.

    Research output: Contributions to collected editions/worksOtherResearch

  18. Published

    Judgement Practices in the Artistic Field

    Heymer, E. (Editor), Locher, H. (Editor), Marchal, S. (Editor), Sachs-Resch, M. (Editor) & Söntgen, B. (Editor), 2023, München: edition metzel. 504 p. (Praktiken der Kritik; vol. 3)

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  19. 2022
  20. Published

    Art History Update

    Söntgen, B. (Editor), Graw, I. (Editor), Feldman, J. P. (Editor) & Magalhães, A. (Editor), 12.2022, Berlin: TEXTE ZUR KUNST Verlag. 240 p. (Texte zur Kunst; vol. 32, no. 128)

    Research output: Books and anthologiesSpecial Journal issueResearch

  21. Published

    Auch Klio dichtet... Über Kunstgeschichtsschreibung und das Schweigen der Archive

    Söntgen, B., 12.2022, In: Texte zur Kunst. 32, 128, p. 30-39 10 p.

    Research output: Journal contributionsJournal articlesTransferpeer-review

  22. Published

    From Revolution to Reformation: From the Figurative Constructivism of the Cologne Progressives to Léna Meyer-Bergner’s Isotype in Mexico as Anti-imperialist Strategy, 1920–1946

    Neugärtner, S., 12.2022, From Posada to Isotype, from Kollwitz to Catlett: Exchange of Political Print Culture. Germany–Mexico, 1900–1968. Buchloh, B. & Harewood, M. (eds.). Madrid: Museo Nacional Centro de Arte Reina Sofía, p. 400–417 18 p.

    Research output: Contributions to collected editions/worksContribution of Exihibition cataloguesResearch

  23. Published

    "foto-bauhäusler, werdet arbeiterfotografen!"

    Neugärtner, S., 24.10.2022, Linke Waffe Kunst: Die Kommunistische Studentenfraktion am Bauhaus. Thöner, W., Strob, F. & Schätzke, A. (eds.). Basel: Birkhäuser Verlag GmbH, p. 163-180 18 p. (Bauwelt Fundamente; vol. 175)(Edition Bauhaus; vol. 60).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  24. Published

    Structure as Infrastructure: The Interrelation of Fiber and Construction

    Neugärtner, S., 24.10.2022, Architect of Letters: Reading Hilberseimer. Strob, F. (ed.). Basel: Birkhäuser Verlag GmbH, p. 222–236 15 p. (Bauwelt Fundamente; vol. 174)(Edition Bauhaus; vol. 59).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  25. Published

    Why Art Criticism? A Reader

    Söntgen, B. (Editor) & Voss, J. (Editor), 04.2022, Berlin: Hatje Cantz Verlag. 464 p.

    Research output: Books and anthologiesCollected editions and anthologiesTransfer

  26. Published

    Culture and Capital: Claire Bishop: Place in Plunderland: Claire Bishop on the Shed

    Kipke, A., 2022, Why Art Criticism? : A Reader. Söntgen, B. & Voss, J. (eds.). 1. Auflage ed. Berlin: Hatje Cantz Verlag, p. 428-437 10 p. (Zeitgenössische Kunst).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  27. Published

    Meme Therapy: Auf der Suche nach Heilung in Geisterzeichnungen, Therapie-Notizbüchern und Trauma-Tagebüchern

    Kipke, A., 2022, In: Kunstforum international. 279, p. 104-111 8 p.

    Research output: Journal contributionsJournal articlesTransfer

  28. Published

    Passion, Performance and Soberness: Denis Diderot

    Söntgen, B., 2022, Why Art Criticism?: A Reader. Söntgen, B. & Voss, J. (eds.). Berlin: Hatje Cantz Verlag, p. 24-25

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  29. Published

    Practical Formalist: Roger Fry

    Söntgen, B., 2022, Why Art Criticism? : A Reader. Söntgen, B. & Voss, J. (eds.). Berlin: Hatje Cantz Verlag, p. 62-63

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  30. 2021
  31. Published

    Umgebungswissen. Zum Wert von Nachlässen für die Kunstgeschichte

    Söntgen, B., 10.2021, Heute, heute, nur nicht morgen...: Wer bestimmt unser Kunsterbe?. Köln: Salon Verlag , p. 30-32 3 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransferpeer-review

  32. Published

    Jungfräuliche Membranen: Vom Pergament zum iPad

    Kuhn, H., 2021, Hautlichkeit : Oberflächen in Wissenschaft und Design. Schnödl, G. & Windgätter, C. (eds.). Berlin: Kulturverlag Kadmos , p. 161-180 20 p. (DesignWissen; vol. 3).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  33. Published

    Tanzbilder und Bildbewegungen: Toulouse-Lautrecs Plakate, fotografische Porträts und die Darstellung von Bewegung im Bild

    Ludwig, S., 2021, transcript Verlag. 236 p. (TanzScripte ; vol. 51)

    Research output: Books and anthologiesBook

  34. 2020
  35. Published

    Critique: The Stakes of Form

    Kuhn, H. (Editor), Mehl, I. (Editor), Khatib, S. (Editor), Söntgen, B. (Editor) & Lochner, O. (Editor), 28.07.2020, Zürich/Berlin: Diaphanes Verlag. 352 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  36. Published

    Decorating Charleston Farm house: Bloomsbury's Experiments in Forms of Life, Work, and Art

    Söntgen, B., 28.07.2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich: Diaphanes Verlag, p. 139-176 36 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  37. Published

    Critical Stances: An Introduction to The Stakes of Form.

    Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B., 23.06.2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich/Berlin: Diaphanes Verlag, p. 7-36 30 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  38. Published
  39. Published

    Dramaturgies of Theatrical Imagination: Spectatorial Agency in Lessing and Kleist

    Woisnitza, M., 01.01.2020, Baden-Baden: Rombach Wissenschaft Verlag. 289 p. (Scenae; vol. 21)

    Research output: Books and anthologiesMonographsResearchpeer-review

  40. Published

    Decorating Charleston Farmhouse: Bloomsbury's Experiments in Forms of Life, Work, and Art

    Söntgen, B., 2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich: Diaphanes Verlag, p. 139-176 38 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  41. Published

    The Stakes of the Stage: Piscator's Scenography as a Practice of Critique and Benjamin's Discontent with the "Zeittheater"

    Woisnitza, M., 2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich: Diaphanes Verlag, p. 297-324 28 p. (Critical stances).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  42. 2019
  43. Published
  44. Published

    Bruderpaar der Literatur: Die populäre Rezeption Heinrich Manns und Thomas Manns in den 1920er Jahren

    Klinkenbusch, I. L., 2019, In: Thomas Mann Jahrbuch. 32, p. 109-123 15 p.

    Research output: Journal contributionsJournal articlesResearch

  45. Published

    Diderot, or The Power of Critique

    Söntgen, B. E., 2019, The Value of Critique: Exploring the Interrelations of Value, Critique, and Artistic Labour . Graw, I. & Menke, C. (eds.). 1. ed. Frankfurt am Main : Campus Verlag, p. 53-72 20 p. (Normative Orders; vol. 26).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  46. Published

    Die Mutter: Pieter de Hooch

    Söntgen, B. E., 2019, In: Diaphanes. 6/7, p. 112-126 14 p.

    Research output: Journal contributionsJournal articlesTransferpeer-review

  47. Published

    Pia und die Dinge

    Söntgen, B. E., 2019, Pia Stadtbäumer. Psycho-Aktiv: 1989-2019.. Heynen, J. (ed.). 1. ed. Berlin: Distanz Verlag, p. 259-268 9 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransferpeer-review

  48. Published
  49. 2018
  50. Published

    Between re-production and re-presentation: The implementation of photographic art reproduction in the documentation of museum collections online

    Kreiseler, S., 10.09.2018, In: Open Library of Humanities. 4, 2, p. 1-35 35 p., 10.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  51. Published

    „Wie kämpft man gegen Väter?“ Briefe zwischen Peter Hacks, Alfred Kurella und Bernt von Kügelgen 1961/62

    Klinkenbusch, I. L., 03.2018, Auslaufmodell »DDR-Literatur«.: Essays und Dokumente. Berbig, R. (ed.). Berlin: Ch. Links Verlag, p. 246–257 12 p. (Forschung zur DDR-Gesellschaft).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  52. Published

    Humanitäres Theater in unmenschlicher Zeit: Zur Situiertheit von Max Reinhardts Il Mercante di Venezia in Venedig, 1934

    Woisnitza, M., 2018, Performativity - Life, Stage, Screen: Reflections on a transdisciplinary concept. Weber, D. A. (ed.). Wien: LIT Verlag, p. 41-70 30 p. (Kulturwissenschaft; vol. 57).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  53. Published

    Im Gespräch bleiben. Notizen zur Kunstkritik

    Söntgen, B. E., 2018, In: Regards Croisés. 8, p. 98-108 11 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  54. Published

    Immer wieder Thérèse. Balthus' Mädchenbilder.

    Söntgen, B. E., 2018, Balthus. Bouvier, R. (ed.). 1 ed. Berlin: Hatje Cantz Verlag, p. 131-141 10 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  55. Published
  56. Published

    "ultraleichte Geste für…" ("ultra-light Gesture for…"): Ernst Caramelle's Art of Deception

    Söntgen, B. E., 2018, Ernst Caramelle: A Résumé. Folie, S. (ed.). 1. Auflage ed. Köln: Verlag der Buchhandlung Walther König, p. 128-136 9 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransferpeer-review

  57. 2017
  58. Published

    Tracing exploratory modes in digital collections of museum Web sites using reverse information architecture

    Kreiseler, S., Brüggemann, V. & Dörk, M., 03.04.2017, In: First Monday. 22, 4, 17 p., 1p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  59. Published

    Der literarische Agent. Peter Hacks’ publizistische Netzwerke

    Klinkenbusch, I. L., 2017, Auslaufmodell »DDR-Literatur«.: Essays und Dokumente. Berbig, R. (ed.). Berlin: Ch. Links Verlag, p. 71–80 10 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

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