Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
- 2019
- Published
Sankt – Female Identities in the Post-Utopian (Synopsis)
Gerhardt, U., 01.04.2019, Sisters Alike: Female Identities in the Post-Utopian. Markusen, L. (ed.). Leipzig: Spector Books, p. 30 1 p.Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Research
- Published
Schelling's Naturalism: Motion, Space and the Volition of thought
Woodard, B., 01.03.2019, Edinburgh: Edinburgh University Press. 254 p. (New Perspectives in Ontology )Research output: Books and anthologies › Monographs › Research › peer-review
- Published
Ian White – Cinema as a Live Art / Becoming Object
Breimaier, A. (Editor), 03.2019, Berlin: Edition Living Archive. 63 p.Research output: Books and anthologies › Exhibition catalogues › Transfer
- Published
The Machine as Artist as Myth
Broeckmann, A., 20.02.2019, In: Arts. 8, 1, 10 p., 25.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Orte der Nicht-Orte
Schües, C., 15.02.2019, 10 Minuten Philosophie. Jamme, C. & Drechsler , K. (eds.). Parderborn: Wilhelm Fink Verlag, p. 89-93 5 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer
- Published
Mad speculation and absolute inhumanism: Lovecraft, ligotti, and the weirding of philosophy
Woodard, B., 01.01.2019, In: Logos. 29, 5, p. 203-228 26 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Volker Neuhaus, Per Ohrgaard, Jörg-philipp Thomsa (Hrsg.): Freipass. Schriften der Günter und Ute Grass Stiftung, Christoph Links Verlag, Berlin. Bd. 1, 2015, 296 S.; Bd. 2, 2016, 328 S.; Bd. 3: Widerhall auf das Jahr der Revolten 1968, 2018, 360 S.
Klinkenbusch, I., 01.01.2019, In: Zeitschrift für Germanistik. 29, 3, p. 663-665 3 p.Research output: Journal contributions › Critical reviews › Research
- Published
Aesthetics of the Earth. Reframing Relational Aesthetics Considering Critical Ecologies
Brunner, C. & Kleesattel, I., 2019, In: Proceedings of the European Society for Aesthetics. 11, p. 106-125 20 p.Research output: Journal contributions › Conference article in journal › Research › peer-review
- Published
Books on World Art from the 1920s: On the Ambivalence of a Discursive Awakening
Leeb, S., 2019, Bauhaus Imaginista: Die globale Rezeption bis heute. von Osten, M. & Watson, G. (eds.). Zürich: Scheidegger & Spiess, p. 106-111 6 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Bruderpaar der Literatur: Die populäre Rezeption Heinrich Manns und Thomas Manns in den 1920er Jahren
Klinkenbusch, I. L., 2019, In: Thomas Mann Jahrbuch. 32, p. 109-123 15 p.Research output: Journal contributions › Journal articles › Research