Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
- Accepted/In press
Hegel, Selbstischkeit, and the experiential self
Matthews, P. R., 09.08.2024, (Accepted/In press) In: Inquiry (United Kingdom). 25 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
GRAMSCI CON FOUCAULT FILOSOFIA DELLA PRASSI COME ANALISI STRATEGICA
Campanile, R., 08.2024, In: Filosofia Politica. 2, p. 327-343 17 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Dal rifiuto del lavoro alla moltitudine. La filosofia sovversiva di Toni Negri
Nigro, R., 25.06.2024, Rom: DeriveApprodi. 176 p.Research output: Books and anthologies › Monographs › Research › peer-review
- Published
Vernunft kann es nur in Verzweiflung und Überschwang aushalten: Zum Verhältnis von Kritik und Affekt bei Adorno und Deleuze
Stubenrauch, H., 2024, Kritik(en) des Leidens. Benini, E. & Eusterschulte, A. (eds.). Berlin: Neofelis Verlag, p. 359-372 (Promesse; vol. 5).Research output: Contributions to collected editions/works › Article in conference proceedings › Research
- Published
Repressive Entsublimierung im Wandel: Über die kontrollierte Freigabe des Selbstgenusses im Postfordismus
Stubenrauch, H., 2024, In: Leviathan, Berliner Zeitschrift für Sozialwissenschaft. 52, 2, p. 295-319 25 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Edgar Calels "Skulpturale Erdarbeit" Umkreisen, Überfliegen und sich Danebenlegen
Eduardo Dávila, S., 06.2024, In: Texte zur Kunst. 134, p. 149-160 12 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
art thinking doing art: Artistic Practices in Educational Contexts from 1900 to Today
Neugärtner, S., 01.03.2024, e-flux Index. MacBeth, G. (ed.). New York: e-flux, p. 157–165 9 p. (e-flux index; vol. 1).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
- Published
Razzismo e specismo: un intreccio eugenetico
Stefanoni, C., 03.2024, In: Aut Aut. 401, p. 112-121 10 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
OpenCitations Meta
Massari, A., Mariani, F., Heibi, I., Peroni, S. & Shotton, D., 01.12.2024, In: Quantitative Science Studies. 5, 1, p. 50-75 26 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Die Contessa und der Comte: Virginia Oldoini und Olympe Aguado: Frühe Autorenfotografie und ihr Umgang mit Studio und Hintergrund
Berents-Kemp, C. & Kemp, W., 2023, In: Fotogeschichte: Beiträge zur Geschichte und Ästhetik der Fotografie. 43, 170, p. 5-12 8 p.Research output: Journal contributions › Journal articles › Research › peer-review