Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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Sustainability Ethics
Oermann, N. O. & Weinert, A., 2016, Sustainability Science: An Introduction. Heinrichs, H., Martens, P., Michelsen, G. & Wiek, A. (eds.). Dordrecht: Springer, p. 175-192 18 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Suspending the Post-Communist Condition: The Generational Break and its Peculiarities
Gerhardt, U., 03.2016, In: The Journal of Modern Art History Department – Faculty of Philosophy – University of Belgrade. 12, p. 239-249 10 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Substanz, Körper und Affekte: Immanente Individuation bei Spinoza und Deleuze
Andermann, K., 2019, Spinozismus als Modell? : Deleuze und Spinoza. Kisser, T. & Wille, K. (eds.). Paderborn: Wilhelm Fink Verlag, p. 13-47 34 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Subjektivität und Selbstreflexion: Drei Formen von "Film-Ichs"
Kuhn, E., 2013, Im Netz der Eindeutigkeiten : Unbestimmte Figuren und die Irritation von Identität. Andreas, M. & Frankenberg, N. (eds.). Bielefeld: transcript Verlag, p. 89-105 17 p. ( Kultur- und Medientheorie).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Subjektivierung und teilhabende Kritik
Nigro, R. & Schreiber, M., 2023, Mediale Teilhabe: Partizipation zwischen Anspruch und Inanspruchnahme . Ochsner, B. (ed.). Lüneburg: meson press, p. 211-227 17 p. 7Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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"Sturz durch die Zeiten". Transhistorie - Zum Werk Durs Grünbeins
Jürgens, A., 2013, Mythos-Geist-Kultur: Festschrift zum 60. Geburtstag von Christoph Jamme. Andermann, K. & Jürgens, A. (eds.). München: Wilhelm Fink Verlag, p. 349-359 11 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Sturheit siegt
Leeb, S. A., 1999, In: Texte zur Kunst. 9, 34, p. 167-171 5 p.Research output: Journal contributions › Critical reviews › Research
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Studien zu einer Ethik der Enttäuschung: Gedanken zu Gerrit Frohne-Brinkmanns und Philip Pichlers Installation „Drop A, Drop B“ (2012) im Kunstverein Harburger Bahnhof
Gerhardt, U., 12.2015, Is This Where It Ends?: Kunstverein Harburger Bahnhof 2011-2014. Solte, F. & Busch, I. (eds.). Hamburg: Textem Verlag, p. 53-55 3 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Structure as Infrastructure: The Interrelation of Fiber and Construction
Neugärtner, S., 24.10.2022, Architect of Letters: Reading Hilberseimer. Strob, F. (ed.). Basel: Birkhäuser Verlag GmbH, p. 222–236 15 p. (Bauwelt Fundamente; vol. 174)(Edition Bauhaus; vol. 59).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Streifen und Glätten: Die Erfindung einer neuen Organisation
Nigro, R., 2019, Maschinen, Fabriken, Industrien: Tausend Maschinen, Fabriken des Wissens, Industrien der Kreativität. Raunig, G. (ed.). Wien: Transversal Texts, p. 147-157 11 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research