Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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Introduction: The Political Project of Corbynism
Trott, B., 01.10.2021, In: South Atlantic Quarterly. 120, 4, p. 872-878 7 p.Research output: Journal contributions › Scientific review articles › Research
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The Conjuncture of “Corbynism” and the UK Labour Party
Trott, B. (Editor), 10.2021, Durham NC: Duke University Press. 51 p. (South Atlantic Quarterly; vol. 120, no. 4)Research output: Books and anthologies › Special Journal issue › Research
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Concatenated Commons and Operational Aesthetics
Brunner, C., 02.2021, Aesthetics of the Commons. Sollfrank, C., Stalder, F. & Niederberger, S. (eds.). Zurich: Diaphanes Verlag, p. 241-269 29 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Landnahme, analog und digital. Ursprüngliche Akkumulation in den Kontrollgesellschaften
Nigro, R. & Stubenrauch, H., 2021, In: Behemoth : a Journal on Civilization. 14, 2, p. 61-74 14 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Segment Introduction
Nigro, R. & Hörl, E., 01.10.2021, Taking Sides: Theories, Practices, and Cultures of Participation in Dissent. Bippus, E., Ganzert, A. & Otto, I. (eds.). 1 ed. Bielefeld: transcript Verlag, Vol. 28. p. 251-257 7 p. (Culture & theory; vol. 211).Research output: Contributions to collected editions/works › Other › Research
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Hollis Frampton: ADSVMVS ABSVMVS : In memory of Hollis William Frampton, Sr., 1913–1980 : abest
Breimaier, A. (Editor) & Gründig, M. (Editor), 2021, Essen: Folkwang Universität der Künste. 196 p. (Folkwang Edition; vol. 007)Research output: Books and anthologies › Exhibition catalogues › Transfer
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Dada Data: Contemporary Art in the Era of Post-Truth Politics
Hegenbart, S. (Editor) & Kölmel, M.-J. (Editor), 23.02.2023, Bloomsbury Academic. 304 p.Research output: Books and anthologies › Collected editions and anthologies › Research
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Cognitive Capitalism
Harvie, D. & Trott, B., 2022, The Sage Handbook of Marxism. Skeggs, B., Farris, S. R., Toscano, A. & Bromberg, S. (eds.). Los Angeles: SAGE Publications Inc., Vol. 3. p. 1517-1538 22 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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On the Mythical Atmosphere of the Digital World
Milani, B., 2022, In: Technology and Language. 3, 4, p. 21-29 9 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Uncanny Provenance: Art History and its Double
Rother, L., 12.2022, In: Texte zur Kunst. 2022, 128, p. 84-97 14 p.Research output: Journal contributions › Journal articles › Research › peer-review