Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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Hollis Frampton: ADSVMVS ABSVMVS : In memory of Hollis William Frampton, Sr., 1913–1980 : abest
Breimaier, A. (Editor) & Gründig, M. (Editor), 2021, Essen: Folkwang Universität der Künste. 196 p. (Folkwang Edition; vol. 007)Research output: Books and anthologies › Exhibition catalogues › Transfer
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Dada Data: Contemporary Art in the Era of Post-Truth Politics
Hegenbart, S. (Editor) & Kölmel, M.-J. (Editor), 23.02.2023, Bloomsbury Academic. 304 p.Research output: Books and anthologies › Collected editions and anthologies › Research
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Cognitive Capitalism
Harvie, D. & Trott, B., 2022, The Sage Handbook of Marxism. Skeggs, B., Farris, S. R., Toscano, A. & Bromberg, S. (eds.). Los Angeles: SAGE Publications Inc., Vol. 3. p. 1517-1538 22 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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On the Mythical Atmosphere of the Digital World
Milani, B., 2022, In: Technology and Language. 3, 4, p. 21-29 9 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Uncanny Provenance: Art History and its Double
Rother, L., 12.2022, In: Texte zur Kunst. 2022, 128, p. 84-97 14 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Thinking Against Nature: Nature, Ideation, and Realism between Lovecraft and Shelling
Woodard, B., 01.01.2022, In: Logos (Russian Federation). 32, 2, p. 43-64 22 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Genealogia e critica della soggettività neoliberale
Nigro, R., 12.09.2022, In: Studia Philosophica: Schweizerische Zeitschrift für Philosophie. 2022, 81, p. 101-113 13 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Von echten Geschenken, falschen Verkäufen und realen Verlusten
Rother, L., 2022, Seismografen und Orientierungsspiegel: Bilder der Welt in kurzen Kunstgeschichten. Crasemann, L., Fellmann, B. & Hadjinicolaou, Y. (eds.). 1 ed. Walter de Gruyter, p. 292-297 6 p.Research output: Contributions to collected editions/works › Chapter
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In favour of a hedonist post-pandemic culture: Embodying new technologies and old rituals
Förster, Y., 01.07.2022, In: Technoetic Arts. 20, 1-2, p. 27-38 12 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Origins and practices of genetic risk and responsibility: Is it irresponsible not to test?
Schües, C., 18.11.2022, Genetic Responsibility in Germany and Israel: Practices of Prenatal Diagnosis. Schües, C. (ed.). transcript Verlag, p. 57-91 35 p. (Bioethik / Medizinethik; vol. 4).Research output: Contributions to collected editions/works › Chapter › peer-review