Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
- Published
Alienation, The Social Individual, and Communism: Marx in the 21st Century
Nigro, R., 06.2016, Work, Migration, Memes, Personal Geopolitics. 30 ed. Zurich: CreateSpace, p. 44-53 9 p. (OnCurating.org; vol. 30).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Front, Field, Line, Plane: Researching the Militant Image
Wuggenig, U. (Editor), Loichinger, H. C. (Editor), Kastelan, C., Derksen, J., Milevska, S., Bitter, S. (Illustrator) & Weber, H. (Illustrator), 06.2016, Hamburg: adocs. 120 p.Research output: Books and anthologies › Exhibition catalogues › Research
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Formen des Kontakts: Auguste Renoirs Nach dem Mittagessen
Söntgen, B. E., 2015, Monet und die Geburt des Impressionsmus. Krämer, F. (ed.). München: Prestel Verlag, p. 183-193 11 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Mbembe, Achille: Kritik der schwarzen Vernunft. Berlin: Suhrkamp 2014. 332 Seiten. [978-3-518-58614-3]
Hobuß, S., 25.04.2016, In: Zeitschrift für Philosophische Literatur. 4, 1 , p. 27-33 7 p.Research output: Journal contributions › Critical reviews › Research
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Formen der Kunstrezeption in der Moderne: Übertragung (Diderot) und Reflexion (Greenberg)
Söntgen, B. E., 03.2016, Handbuch Sprache in der Kunstkommunikation. Hausendorf, H. & Müller, M. (eds.). Berlin: Walter de Gruyter, p. 135-152 18 p. (Handbücher Sprachwissen; vol. 16).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Mit Wut ans Bild: Beate Söntgen über Joan Mitchell im Museum Ludwig, Köln
Söntgen, B. E., 03.2016, In: Texte zur Kunst. 26, 101, p. 171-174 4 p.Research output: Journal contributions › Critical reviews › Research
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Sustainability Ethics
Oermann, N. O. & Weinert, A., 2016, Sustainability Science: An Introduction. Heinrichs, H., Martens, P., Michelsen, G. & Wiek, A. (eds.). Dordrecht: Springer Verlag, p. 175-192 18 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Conceptual Dimensions of Embodiment
Förster, Y., 2015, In: METABODY - Journal of Metacultural Critique. 1, p. 32-33 2 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Eilean Hooper-Greenhill (*1945)
Weinert, A., 2017, Klassiker der Soziologie der Künste: Prominente und bedeutende Ansätze. Steuerwald, C. (ed.). 1 ed. Wiesbaden: Springer VS, p. 961-983 24 p. (Kunst und Gesellschaft).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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A arte nos limites da arte: Hegel em tempos do Neuroturn
Förster, Y., 2015, In: rapsódia. 9, p. 97-110 14 p.Research output: Journal contributions › Journal articles › Research › peer-review