Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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Big Drama - Small Spaces: Keren Cytters Theater
Söntgen, B., 2015, Sowohl als auch dazwischen: Erfahrungsräume der Kunst. Schafaff, J. & Wihstutz, B. (eds.). 1 ed. Wilhelm Fink Verlag, p. 183 - 194 12 p.Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review
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Studien zu einer Ethik der Enttäuschung: Gedanken zu Gerrit Frohne-Brinkmanns und Philip Pichlers Installation „Drop A, Drop B“ (2012) im Kunstverein Harburger Bahnhof
Gerhardt, U., 12.2015, Is This Where It Ends?: Kunstverein Harburger Bahnhof 2011-2014. Solte, F. & Busch, I. (eds.). Hamburg: Textem Verlag, p. 53-55 3 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Part II: Strange Company Coming Over
Birkenstock, E. & Gerhardt, U., 10.2009, Stefan Panhans: 5 Videos. Busch, K. (ed.). Kornwestheim : Brockhaus Commission, p. 96-100 5 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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We Are All Post-Exotics
Gerhardt, U., 2012, Schwarzweiß: eine theatrale Stadtbegehung des Anhaltischen Theaters Dessau um den Fall Oury Jalloh ; Dokumentation. Gühlstorff, N. (ed.). Hamburg: Textem Verlag, p. 47-51 5 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Der/Die schlaflose Cyborg: Zur Performance „One Man Unit“ von Paul Wiersbinski und Wieland Schönfelder
Gerhardt, U. & Husse, S., 2012, Cynetart 2012. Trans-Media Akademie Hellerau (ed.). Dresden: Trans-Media-Akademie Hellerau e.V., p. 105-106 2 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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The Forgotten Pioneer Movement: Guidebook
Gerhardt, U. (Editor) & Husse, S. (Editor), 09.2014, Hamburg: Textem Verlag. 120 p.Research output: Books and anthologies › Collected editions and anthologies › Research
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Post-Studio Tales
Falb, D. (Editor), Gerhardt, U. (Editor), Heckel, F. (Editor) & Beeson, J. (Editor), 04.2015, Hamburg: Textem Verlag. 183 p.Research output: Books and anthologies › Collected editions and anthologies › Research
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Bless
Gerhardt, U., 2013, Utopie beginnt im Kleinen - 12. Triennale Kleinplastik Fellbach. Dziewior, Y. & Nollert, A. (eds.). Köln: Verlag der Buchhandlung Walther König, p. 42-45 4 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Mitya Churikov: Untitled (Alterlaa-AG 1968), 2015
Gerhardt, U., 06.2015, Destination Wien 2015. Kunsthalle Wien (ed.). Wien: Kunsthalle Wien, p. 118 - 119 2 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Rezension zu Stefan Römer und Renate Wiehager (Hg.): The ups and downs of Stan Back Textem Verlang, Hamburg; A-Musik, Köln 2013
Gerhardt, U., 2014, In: Camera Austria. 126/2014Research output: Journal contributions › Critical reviews › Research