Albert Renger-Patzsch und sein Bildband Das Münster in Essen: der Meister des Einzelbildes widmet sich einem architektonischen Komplex

Kemp, W. K., 2016, Architektur Fotografie : Darstellung - Verwendung - Gestaltung . Locher, H. & Sachsse, R. (eds.). Berlin: Deutscher Kunstverlag, Vol. 3. p. 56-71 15 p. (Transformationen des Visuellen ; vol. 3).

Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review

Between Art and Promotion: Digital Self-Representation on Artists’ Instagram Profiles

Fölsche, L. & Jürgens, A., 2017, 6th Annual International Conference on Journalism & Mass Communications. Allen, L. (ed.). Singapur: Global Science and Technology Forum, p. 146-150 5 p. (Annual International Conference on Journalism & Mass Communications; vol. 6).

Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review

Big Drama - Small Spaces: Keren Cytters Theater

Söntgen, B., 2015, Sowohl als auch dazwischen: Erfahrungsräume der Kunst. Schafaff, J. & Wihstutz, B. (eds.). 1 ed. Wilhelm Fink Verlag, p. 183 - 194 12 p.

Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review

Can Art Save The Ethnological Museum?

Leeb, S. A., 2013, The Challenge of the Object: 33rd congress of the International Committee of the History of Art, Nuremberg, 15th - 20th July 2012; Congress Proceedings. Großmann, G. U. (ed.). Verlag des Germanischen Nationalmuseums, Vol. 2. p. 556-560 5 p. (Wissenschaftlicher Beiband zum Anzeiger des Germanischen Nationalmuseums; no. 32,2).

Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review

Introducing VISU: Vagueness, Incompleteness, Subjectivity, and Uncertainty in Art Provenance Data

Mariani, F., 2023, Computational Methods in the Humanities 2022 : Proceedings of the Workshop on Computational Methods in the Humanities 2022 Lausanne, Switzerland, June 9–10, 2022.. Rochat, Y., Metrailler, C. & Piotrowski, M. (eds.). Aachen: Sun Site Central Europe (RWTH Aachen University), Vol. 3602. p. 63-84 22 p. (CEUR Workshop Proceedings; vol. 3602).

Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review

"Malerei der Blindheit": phänomenologische Philosophie und Malerei

Jamme, C., 2000, Phänomenologie der Kunst: Wiener Tagungen zur Phänomenologie 1999. Pöltner, G. (ed.). Peter Lang Verlag, Vol. 5. p. 109-129 21 p. (Reihe der Österreichischen Gesellschaft für Phänomenologie; vol. 5).

Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review

Nietzsche und das Politische: Zur Einführung

Andermann, K., Große Wiesmann, H. & Saar, M., 2016, ..... der unmögliche Mönch“? : Nietzsches Luther- und Reformationskritik. Reschke, R. (ed.). Walter de Gruyter GmbH, Vol. 23. p. 133-139 7 p. ( Nietzscheforschung - Jahrbuch der Nietzschegesellschaft; vol. 23).

Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review

Shifting Immediations: Fields of Experience across Media Art and Design

Brunner, C. & Fritsch, J., 11.2020, Proceedings of the 26th International Symposium of Electronic Arts - ISEA 2020: Why Sentience?. ISEA (ed.). Montreal (Quebec): Printemps Numerique Canada, p. 91-97 7 p.

Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review

Touching Things

Söntgen, B., 2013, The challenge of the object . Die Herausforderung des Objekts: 33rd congress of the International Committee of the History of Art, Nuremberg, 15th - 20th July 2012. Großmann, G. U. & Krutisch, P. (eds.). Verlag des Germanischen Nationalmuseums, Vol. 4. p. 1188-1191 4 p. (Wissenschaftliche Beibände zum Anzeiger des Germanischen Nationalmuseums).

Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review

Long Live the Immaterial! - Körper und Kunst in Zeiten der Virtualisierung

Förster-Beuthan, Y., 2015, Das Ende der Kunst als Anfang freier Kunst. Vieweg, K., Iannelli, F. & Vercellone, F. (eds.). Paderborn: Wilhelm Fink Verlag, p. 323-337 15 p. (jena-sophia: Studien und Editionen zum deutschen Idealismus und zur Frühromantik; vol. 13 (Abt. II)).

Research output: Contributions to collected editions/works › Article in conference proceedings › Transfer › peer-review