Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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Hilmer, Brigitte:: Scheinen des Begriffs: Hegels Logik der Kunst
Jamme, C., 2002, In: Jahrbuch für Hegelforschung. 6/7, p. 357-360 4 p.Research output: Journal contributions › Critical reviews › Research
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History of the Collection
Koss, M., 10.2024, where paintings live: A Portrait of the Leimgruber Schenk Collection of Works by Angela Lyn with a Text by Max Koss. Koss, M. & Lyn, A. (eds.). St. Gallen/Berlin: Vexer Verlag, p. 118-120Research output: Contributions to collected editions/works › Chapter
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Hölderlin's theory of tragedy
Jamme, C., 2007, In: Civiltà del mediterraneo. 10/11, p. 39-48 10 p.Research output: Journal contributions › Journal articles › Research
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Hölderlin und der Mythos
Jamme, C., 2010, Sprache - Dichtung - Philosophie: Heidegger und der Deutsche Idealismus. Frischmann, B. (ed.). Freiburg: Verlag Karl Alber, p. 10-16 7 p. (Alber Philosophie).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Hollis Frampton: ADSVMVS ABSVMVS : In memory of Hollis William Frampton, Sr., 1913–1980 : abest
Breimaier, A. (Editor) & Gründig, M. (Editor), 2021, Essen: Folkwang Universität der Künste. 196 p. (Folkwang Edition; vol. 007)Research output: Books and anthologies › Exhibition catalogues › Transfer
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Hollis Frampton: Photographs
Breimaier, A., 26.11.2020, 12 p. London : The Burlington Magazine Publication Ltd.Research output: other publications › Articles in scientific forums or blogs › Transfer
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"How Bad Was He? Let Me Count the Ways": Auguste Renoir and His Critics of the 1980s
Mehl, I. & Söntgen, B., 2023, Judgement Practices in the Artistic Field. Söntgen, B., Heymer , E., Locher, H., Marchal, S. & Sachs-Resch, M. (eds.). München: edition metzel, p. 226-250 25 p. (Praktiken der Kritik; vol. 3).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Humanismus und Kulturkritik: Ernst Cassirers Werk im amerikanischen Exil
Jürgens, A., 2012, Paderborn: Wilhelm Fink Verlag. 181 p.Research output: Books and anthologies › Monographs › Research › peer-review
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Humanitäres Theater in unmenschlicher Zeit: Zur Situiertheit von Max Reinhardts Il Mercante di Venezia in Venedig, 1934
Woisnitza, M., 2018, Performativity - Life, Stage, Screen: Reflections on a transdisciplinary concept. Weber, D. A. (ed.). Wien: LIT Verlag, p. 41-70 30 p. (Kulturwissenschaft; vol. 57).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Humanität und Billigkeit
Schües, C., 2013, Mythos – Geist – Kultur: Festschrift zum 60. Geburtstag von Christoph Jamme. Andermann, K. & Jürgens , A. (eds.). München : Wilhelm Fink Verlag, p. 253-266 14 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research