Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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Conflicting Evidence
Leeb, S., 2017, Evidentiary Realism: Investigative, Forensic, And Documentary Art. Ciro, P. (ed.). 1. Auflage ed. Berlin: NOME, p. 113-120 8 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Constructing Audiences, Defining Art: The Field Experiment of the Open Public Library
Buchholz, L. & Wuggenig, U., 2016, In: Journal of Visual Art Practise. 12, p. 12-21 10 p.Research output: Journal contributions › Journal articles › Transfer
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Critical Stances: An Introduction to The Stakes of Form.
Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B., 23.06.2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich/Berlin: Diaphanes Verlag, p. 7-36 30 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Critique: The Stakes of Form
Kuhn, H. (Editor), Mehl, I. (Editor), Khatib, S. (Editor), Söntgen, B. (Editor) & Lochner, O. (Editor), 28.07.2020, Zürich/Berlin: Diaphanes Verlag. 352 p.Research output: Books and anthologies › Collected editions and anthologies › Research
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Critique de la morale sacerdotale et pouvoir pastoral
Nigro, R., 2023, In: Cahiers Philosophiques. 175, p. 117-128 32 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Critique. Enlightenment. Parrhesia. Michel Foucault’s Questioning of The Concepts of Person and Humanity in Kant’s Works
Rainsborough, M., 23.10.2023, The Kantian Subject: New Interpretative Essays. Silva, F. M. F. & Caranti, L. (eds.). Taylor and Francis Inc., p. 132-142 11 p.Research output: Contributions to collected editions/works › Chapter › peer-review
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Cultural Globalization between Myth and Reality: The Case of the Contemporary Visual Arts
Buchholz, L. & Wuggenig, U., 2005, In: ART-e-FACT : Strategies of Resistance. 04, 14 p.Research output: Journal contributions › Journal articles › Research
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Cultural Studies und Kulturwissenschaften
Wuggenig, U., 1998, In: Merz Akademie. 2, p. 43-56 14 p.Research output: Journal contributions › Journal articles › Research
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Culture and Capital: Claire Bishop: Place in Plunderland: Claire Bishop on the Shed
Kipke, A., 2022, Why Art Criticism? : A Reader. Söntgen, B. & Voss, J. (eds.). 1. Auflage ed. Berlin: Hatje Cantz Verlag, p. 428-437 10 p. (Zeitgenössische Kunst).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Dada Data: Contemporary Art in the Era of Post-Truth Politics
Hegenbart, S. (Editor) & Kölmel, M.-J. (Editor), 23.02.2023, Bloomsbury Academic. 304 p.Research output: Books and anthologies › Collected editions and anthologies › Research