Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Topics
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
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›Politik‹ und ›die Künste‹
Muhle, M. & Gräfe, A., 12.12.2022, Handbuch Kunstphilosophie. Siegmund, J. (ed.). Bielefeld: transcript Verlag, p. 579-596 18 p. (Philosophie).Research output: Contributions to collected editions/works › Articles for encyclopedia › Research
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Hören, was die Maschine hört
Großmann, R., 2022, Acoustic Intelligence: Hören und Gehorchen. Schürmer, A., Haberer, M. & Brautscheck, T. (eds.). Düsseldorf: Düsseldorf University Press, p. 83-94 12 p. (acoustic studies düsseldorf; vol. 5).Research output: Contributions to collected editions/works › Chapter › peer-review
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Access and tinkering: designing assistive technologies as political practice–A discussion with Zeynep Karagöz, Thomas Miebach and Daniel Wessolek
Bieling, T., Şahinol, M., Stock, R. & Wiechern, AL., 16.11.2022, In: Journal of Enabling Technologies. 16, 3, p. 231-242 12 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Correction to: Operative communication: project Cybersyn and the intersection of information design, interface design, and interaction design (AI & SOCIETY, (2022), 10.1007/s00146-021-01346-2)
Vehlken, S., 29.06.2022, In: AI & Society. 2022, 2 p.Research output: Journal contributions › Other (editorial matter etc.) › Research
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Inheriting Cosmopolitics: Pericles, Whitehead, Stengers
Stürmer, M. & Bella, D., 05.2023, In: Theory, Culture & Society. 40, 3, p. 3-21 19 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Games und Gamification: Kulturhistorische, medienwissenschaftliche, politische und ästhetische Dimensionen
Fuchs, M., 23.11.2020, Lüneburg. 318 p.Research output: Books and anthologies › Post-doctoral dissertations
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Hamburg Maschine_revisited: Artistic and Critical Investigations into Our Digital Condition
Kohlhuber, I. (ed.) & Leistert, O. (ed.), 04.2022, Hamburg: adocs. 436 p.Research output: Books and anthologies › Collected editions and anthologies › Research
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Von Delfinhaut bis Wolfskin: Kleine Epistemologie der Funktionskleidung
Müggenburg, J., 2021, Hautlichkeit: Oberflächen in Wissenschaft und Design. Schnödl, G. & Windgätter, C. (eds.). Berlin: Kulturverlag Kadmos , p. 37-55 19 p. ( DesignWissen; vol. 3).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Protocol
Beuster, G., Leistert, O. & Röhle, T., 31.03.2022, In: Internet Policy Review. 11, 1, p. 1-10 10 p.Research output: Journal contributions › Comments / Debate / Reports › Research
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Medienwerk und Konsumobjekt: Thesen zu einer Ästhetik der medialen Existenz von Musik
Großmann, R., 2002, Musik im Spiegel ihrer technologischen Entwicklung: Beiträge zum 14. internationalen Symposion des DVSM e.V. an der Universität Lüneburg vom 9.–12. Oktober 1999. Steinhauer, M. & Sommer, S. M. (eds.). Wilhelmshaven: Verlag Florian Noetzel GmbH, p. 39-46 8 p. (Schriftenreihe zur Musikwissenschaft der Universität Lüneburg; vol. 2).Research output: Contributions to collected editions/works › Article in conference proceedings › Research