Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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Schönheit und Ästhetizität: zur Verwissenschaftlichung künstlerischer Kategorien
Großmann, R., 2000, In: Positionen. 44, p. 40-44 5 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Fernsehen als populäres Alltagsmedium: das duale Rundfunksystem und seine kulturellen Folgen
Röser, J. & Peil, C., 2005, Die Kultur der achtziger Jahre. Faulstich, W. (ed.). Paderborn: Wilhelm Fink Verlag, p. 155-168 14 p. (Kulturgeschichte des zwanzigsten Jahrhunderts).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Mehr Präsenz von Frauen in den Hauptnachrichten deutscher Medien: Befunde des GMMP Deutschland am Stichtag 16.2.2005
Hesse, M. & Röser, J., 2006, Präsenz von Frauen in den Nachrichten: Medienbeobachtungen 2005. Hesse, M. (ed.). Bonn: Journalistinnenbund, p. 12-18 7 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Körperpraktiken und Selbsttechnologien in einer Medienkultur: zur gesellschaftstheoretischen Fundierung aktueller Fernsehanalyse
Thomas, T., 2008, Medienkultur und soziales Handeln. Thomas, T. (ed.). 1 ed. Wiesbaden: VS Verlag für Sozialwissenschaften, p. 219-237 19 p. (Medien - Kultur - Kommunikation).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Grundversorgung statt Emanzipation? Freie Radios in Deutschland zwischen gesellschaftskritischem Anspruch und medienpolitischem Alltag
Pinseler, J., 2005, Von der Kür zur Pflicht?: Perspektiven der Nichtkommerziellen Lokalen Hörfunks - Dokumentation der Tagung vom November 2004 in Halle (Saale). Kupfer, T. & Thiermann, S. (eds.). Berlin: VISTA Verlag, p. 77-81 5 p. (Schriftenreihe der Medienanstalt Sachsen-Anhalt (Halle); vol. 6).Research output: Contributions to collected editions/works › Article in conference proceedings › Research
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The tip of the iceberg: laptop music and the information-technological transformation of music
Großmann, R., 01.04.2008, In: Organised Sound. 13, 1, p. 5-11 7 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Die Spitze des Eisbergs: Schlüsselfragen musikalischer Laptopkultur
Großmann, R., 2006, In: Positionen. 68, p. 2-7 6 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Mittig ist nur das Mittel: Nation und nationale Identität im medial vermittelten politischen Diskurs
Thomas, T., 2001, In: Gewerkschaftliche Monatshefte. 52, 5, p. 276-285 10 p.Research output: Journal contributions › Journal articles › Research
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Mysterium Gender in der Mediengewaltforschung: eine Forschungskritik
Röser, J., 2002, In: Beiträge zur feministischen Theorie und Praxis. 25, 61, p. 33-46 14 p.Research output: Journal contributions › Journal articles › Research
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Television memories and cultures of viewing: Domestizierungsprozesse in Großbritannien 1950 - 1965
O'Sullivan, T. & Peil, C. (Translator), 2007, MedienAlltag: Domestizierungsprozesse alter und neuer Medien. Röser, J. (ed.). Wiesbaden: VS Verlag für Sozialwissenschaften, p. 71-88 18 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research