Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. Published

    Interpassives Spielen

    Fuchs, M., 20.09.2016, Phänomen Let´s Play-Video : Entstehung, Ästhetik, Aneignung und Faszination aufgezeichneten Computerspielhandelns. Ackermann, J. (ed.). Springer Verlag, p. 31-41 11 p. 2. (Neue Perspektiven der Medienästhetik).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  2. Published

    Tristan Garcia, Form and Object: A Treaty of Things

    Hui, Y., 08.2016, In: Journal for Visual Culture. 15, 2, p. 288-292 5 p.

    Research output: Journal contributionsCritical reviewsResearch

  3. Published

    Rezension im erweiterten Forschungskontext: Macht & Medien

    Denecke, M., 09.2016, In: MEDIENwissenschaft. Rezensionen. Reviews.. 2016, 3, p. 318-324 7 p.

    Research output: Journal contributionsCritical reviewsResearch

  4. Published

    Introduction

    Lushetich, N. (Editor) & Fuchs, M. (Editor), 01.08.2016, In: Performance Research . 21, 4, p. 1-7 7 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  5. Published

    Ökologien des Machens: Zur allgemein-ökologischen Kritik der Welterzeugung bei Tim Ingold

    Hörl, E. H., 2016, +ultra. gestaltung schafft wissen. Doll, N., Bredekamp, H. & Schäffner, W. (eds.). 1 ed. Leipzig: E.A. Seemann, p. 49-58 10 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  6. Published

    "Technisches Leben": Simondons Denken des Lebendigen und die allgemeine Ökologie

    Hörl, E. H., 08.2017, Black Box Leben. Muhle, M. & Voss, C. (eds.). Berlin: August Verlag, p. 239-266 27 p. (Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie; vol. 28).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  7. Published

    Faksimile: "Mit eben so viel Kunst als Wahrheit": Johann Moritz David Herolds Bildungsgeschichte der Wirbellosen

    Wellmann, J., 2013, Morphologien. Bruhn, M. & Scholtz, G. (eds.). Walter de Gruyter, Vol. 9.2. p. 61-66 5 p. (Bildwelten des Wissens. Kunsthistorisches Jahrbuch für Bildkritik; vol. 9, no. 2).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransferpeer-review

  8. Published

    Finding the Boomers: Der Anti-U-Boot-Krieg und die Operationalisierung der Ozeane im Kalten Krieg

    Vehlken, S., 2018, Medien – Krieg – Raum. Nowak, L. (ed.). 1 ed. Paderborn: Wilhelm Fink Verlag, p. 357-376 20 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  9. Published

    Multimodal Crowd Sensing

    Vehlken, S., 2016, ReClaiming Participation: Technology - Mediation - Collectivity. Denecke, M., Ganzert, A., Otto, I. & Stock, R. (eds.). Bielefeld: transcript Verlag, p. 51–66 16 p. (Edition Medienwissenschaft; vol. 15).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  10. Published

    Zeitschrift für kritische Sozialtheorie und Philosophie: Technik und Technikdiskurse

    Voller, C. (Editor), 04.2016, Walter de Gruyter. 241 p. (Zeitschrift für kritische Sozialtheorie und Philosophie; vol. 3, no. 1)

    Research output: Books and anthologiesSpecial Journal issueResearch