Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. Published

    Thinking with Diagrams: The Semiotic Basis of Human Cognition

    Krämer, S. (Editor) & Ljungberg, C. (Editor), 11.07.2016, Walter de Gruyter GmbH. 247 p. (Semiotics, Communication and Cognition [SCC]; vol. 17)

    Research output: Books and anthologiesBook

  2. Published

    Figuration, Anschauung, Erkenntnis: Grundlinien einer Diagrammatologie

    Krämer, S., 14.11.2016, Berlin: Suhrkamp Verlag. 361 p. (suhrkamp taschenbuch wissenschaft; vol. 2176)

    Research output: Books and anthologiesMonographsResearchpeer-review

  3. Published

    Arkestrated Rhythmachine Komplexities: Machinic Geisterstunde and Post-Soul Persistencies

    ARK - Arkestrated Rhythmachine Complexities & Pelleter, M., 2019, CTM 2019 Persistence Magazine. Rohlf, J., Garlid, A., Replansky, T., Zhang, O., Borsche, D. & Hofbauer, A. L. (eds.). Berlin: DISK – Initiative Bild & Ton e.V., p. 62-67 6 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransferpeer-review

  4. Published

    Bátiz-Lazo, Bernardo: Cash and Dash. How ATMs and Computers Changed Banking. (Rezension)

    Müggenburg, J. K., 07.05.2019, 3 p. H-Soz-Kult.

    Research output: other publicationsArticles in scientific forums or blogsResearch

  5. Published

    Culture, Technology, and Process in “Media Theories”: Toward a shift in the understanding of media in organizational research

    Hoof, F. & Boell, S. K., 01.09.2019, In: Organization. 26, 5, p. 636-654 19 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  6. Published

    Liveness Formats: A Historical Perspective on Live Sports Broadcasting

    Hoof, F., 2020, Format Matters: Standards, Practices, and Politics in Media Culture. Jankovic, M., Volmer, A. & Schneider, A. (eds.). Lüneburg: meson press, p. 81-103 23 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  7. Published

    Calendar

    Hoof, F., 12.12.2019, Oxford Handbook of Media, Technology, and Organization Studies. Beyes, T., Holt, R. & Pias, C. (eds.). Oxford: Oxford University Press, p. 54-67 14 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  8. Published

    Lebhafte Artefakte oder „Wenn Roboter Hände schütteln“

    Müggenburg, J. K., 15.02.2019, Zehn Minuten Philosophie. Jamme, C. & Drechsler, K. (eds.). Paderborn: Wilhelm Fink Verlag, p. 149-154 6 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  9. Published

    Meta-Image und die Prinzipien des Digitalen im Mnemosyne-Atlas Aby Warburgs

    Dieckmann, L. & Warnke, M., 2018, Computing Art Reader: Einführung in die digitale Kunstgeschichte. Kuroczyński, P., Bell, P. & Dieckmann, L. (eds.). Heidelberg: arthistoricum.net, p. 78-93 16 p. (Computing in Art and Architecture; vol. 1).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  10. Published

    Communication

    Bialski, P., Brunton, F. & Bunz, M., 2019, Minneapolis: University of Minnesota Press. 126 p. (In Search of Media )

    Research output: Books and anthologiesCollected editions and anthologiesResearch

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