Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
- Published
Thinking with Diagrams: The Semiotic Basis of Human Cognition
Krämer, S. (Editor) & Ljungberg, C. (Editor), 11.07.2016, Walter de Gruyter GmbH. 247 p. (Semiotics, Communication and Cognition [SCC]; vol. 17)Research output: Books and anthologies › Book
- Published
Figuration, Anschauung, Erkenntnis: Grundlinien einer Diagrammatologie
Krämer, S., 14.11.2016, Berlin: Suhrkamp Verlag. 361 p. (suhrkamp taschenbuch wissenschaft; vol. 2176)Research output: Books and anthologies › Monographs › Research › peer-review
- Published
Arkestrated Rhythmachine Komplexities: Machinic Geisterstunde and Post-Soul Persistencies
ARK - Arkestrated Rhythmachine Complexities & Pelleter, M., 2019, CTM 2019 Persistence Magazine. Rohlf, J., Garlid, A., Replansky, T., Zhang, O., Borsche, D. & Hofbauer, A. L. (eds.). Berlin: DISK – Initiative Bild & Ton e.V., p. 62-67 6 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
- Published
Bátiz-Lazo, Bernardo: Cash and Dash. How ATMs and Computers Changed Banking. (Rezension)
Müggenburg, J. K., 07.05.2019, 3 p. H-Soz-Kult.Research output: other publications › Articles in scientific forums or blogs › Research
- Published
Culture, Technology, and Process in “Media Theories”: Toward a shift in the understanding of media in organizational research
Hoof, F. & Boell, S. K., 01.09.2019, In: Organization. 26, 5, p. 636-654 19 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Liveness Formats: A Historical Perspective on Live Sports Broadcasting
Hoof, F., 2020, Format Matters: Standards, Practices, and Politics in Media Culture. Jankovic, M., Volmer, A. & Schneider, A. (eds.). Lüneburg: meson press, p. 81-103 23 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Calendar
Hoof, F., 12.12.2019, Oxford Handbook of Media, Technology, and Organization Studies. Beyes, T., Holt, R. & Pias, C. (eds.). Oxford: Oxford University Press, p. 54-67 14 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Lebhafte Artefakte oder „Wenn Roboter Hände schütteln“
Müggenburg, J. K., 15.02.2019, Zehn Minuten Philosophie. Jamme, C. & Drechsler, K. (eds.). Paderborn: Wilhelm Fink Verlag, p. 149-154 6 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Meta-Image und die Prinzipien des Digitalen im Mnemosyne-Atlas Aby Warburgs
Dieckmann, L. & Warnke, M., 2018, Computing Art Reader: Einführung in die digitale Kunstgeschichte. Kuroczyński, P., Bell, P. & Dieckmann, L. (eds.). Heidelberg: arthistoricum.net, p. 78-93 16 p. (Computing in Art and Architecture; vol. 1).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Communication
Bialski, P., Brunton, F. & Bunz, M., 2019, Minneapolis: University of Minnesota Press. 126 p. (In Search of Media )Research output: Books and anthologies › Collected editions and anthologies › Research