Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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Die unheimliche Verkehrung. Anmerkungen zu einem Topos der Moderne
Voller, C., 01.2020, Autonomie und Unheimlichkeit. Friedrich, A., Gehring, P., Hubig, C., Kaminski, A. & Nordmann, A. (eds.). Baden-Baden: Nomos Verlagsgesellschaft mbH & Co. KG, p. 53-82 30 p. (Jahrbuch für Technikphilosophie; vol. 6).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Die totale Produktion: Technik, Kapital und die Logik der Unendlichkeit
Granel, G., Hörl, E. (Editor) & Strack, L. (Translator), 04.2020, Wien: Verlag Turia + Kant. 279 p.Research output: Books and anthologies › Collected editions and anthologies › Research
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Die technologische Sinnverschiebung: Orte des Unermesslichen
Hörl, E. & Tatari, M., 2014, Orte des Unermesslichen: Theater nach der Geschichtsteleologie. Tatari, M. (ed.). Zürich: Diaphanes Verlag, p. 43-63 21 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Die Spitze des Eisbergs: Schlüsselfragen musikalischer Laptopkultur
Großmann, R., 2006, In: Positionen. 68, p. 2-7 6 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Die Sicherheit der Weltgesellschaft: Zur politischen Konstitution von Gesellschaft
Spreen, D., 2010, Wege der Sicherheitsgesellschaft: Gesellschaftliche Transformationen der Konstruktion und Regulierung innerer Unsicherheiten. Groenemeyer, A. (ed.). Wiesbaden: VS Verlag für Sozialwissenschaften, p. 192-229 37 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Die Selbst-Archive der Anna Oppermann
Wedemeyer, C. & Warnke, M., 2002, Interarchive: Archivarische Praktiken und Handlungsräume im zeitgenössischen Kunstfeld. Bismarck, B., Feldmann, H.-P., Wuggenig, U., Obrist, H.-U. & Stoller, D. (eds.). Köln: Verlag der Buchhandlung Walther König, p. 354-358 5 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Die Schulordnung als Klang – und Zeit
Großmann, R., 25.10.2019, In: Paragrana. 28, 2, p. 61-65 5 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Die Schönheit des Sozialen: Krieg, Medien und Gesellschaft zu Beginn des 19. Jahrhunderts
Spreen, D., 2003, Entstaatlichung und Soziale Sicherheit: Verhandlungen des 31. Kongresses der Deutschen Gesellschaft für Soziologie in Leipzig 2002. Allmendinger, J. (ed.). Opladen: Verlag Leske + Budrich, Vol. 2. p. 753-769 16 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Die Rettung des Ontologischen durch das Ontische? Ein Kommentar zu 'operativen Ontologien'
Krämer, S., 2017, In: Zeitschrift für Medien- und Kulturforschung. 8, 2, p. 125-142 18 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Die Quadratur des Bermudadreiecks
Müggenburg, J. K. & Vehlken, S., 12.2018, In: Berichte zur Wissenschaftsgeschichte. 41, 4, p. 403-408 6 p.Research output: Journal contributions › Journal articles › Research › peer-review