Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. Published

    Feministisches Maschinendenken. Subjektphilosophische und wissenschaftskritische Perspektiven

    Stammberger, B., 11.2013, In: Freiburger Zeitschrift für Geschlechterstudien. 19, 2, p. 89-108 20 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  2. Published

    Feministische Kommunikations- und Medienwissenschaft: Positionen zu Gesellschaftskritik, Erkenntniskritik und Emanzipationsvision

    Thomas, T., 24.08.2013, Normativität in der Kommunikationswissenschaft.. Karmasin, M., Rath, M. & Thomaß, B. (eds.). Wiesbaden: Springer Fachmedien Wiesbaden, p. 397-420 24 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  3. Published

    Feedback

    Müggenburg, J. K., 2019, Mensch-Maschine-Interaktion: Handbuch zur Geschichte – Kultur – Ethik.. Liggieri, K. & Müller, O. (eds.). Stuttgart: J.B. Metzler, p. 260–262 3 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  4. Published

    Faktizitäten: Einleitung in den Schwerpunkt

    Vehlken, S. & Schauerte, E., 10.2018, In: Zeitschrift für Medienwissenschaft. 19, 2, p. 10-20 11 p.

    Research output: Journal contributionsJournal articlesResearch

  5. Published

    Faktizitäten: Zeitschrift für Medienwissenschaft 19 (10/2, 2018)

    Vehlken, S. (Editor) & Schauerte, E. (Editor), 2018, Bielefeld: transcript Verlag. 100 p. (Zeitschrift für Medienwissenschaft; vol. 10, no. 2)

    Research output: Books and anthologiesSpecial Journal issueResearch

  6. Published

    Faksimile: "Mit eben so viel Kunst als Wahrheit": Johann Moritz David Herolds Bildungsgeschichte der Wirbellosen

    Wellmann, J., 2013, Morphologien. Bruhn, M. & Scholtz, G. (eds.). Walter de Gruyter, Vol. 9.2. p. 61-66 5 p. (Bildwelten des Wissens. Kunsthistorisches Jahrbuch für Bildkritik; vol. 9, no. 2).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransferpeer-review

  7. Published

    Fahndungssendungen im deutschsprachigen Fernsehen

    Pinseler, J., 2006, Köln: Herbert von Halem Verlag. 173 p. (Fiktion und Fiktionalisierung)

    Research output: Books and anthologiesMonographsResearch

  8. Published

    Eye Contact with the Machine: Gaze Correction in Video Conferencing

    Rapoport, R. & Tollmann, V., 11.2023, Video Conferencing: Infrastructures, Practices, Aesthetics. Volmar, A., Moskatova, O. & Distelmeyer, J. (eds.). Bielefeld: transcript Verlag, p. 209-231 23 p. (Digitale Gesellschaft; vol. 53).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  9. Published

    Exploding Images

    Tollmann, V., 2014, Every Whisper is a crash on my ears. Missa, A. (ed.). London: Arcadia Missa, p. 190-204 15 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  10. Published

    Explicit Art Historical Image Referencing on a Big Scale

    Warnke, M., 2012, In: LIBREAS. Library Ideas. 21, Bilder, Graphen, Visualisierungen, 12 p.

    Research output: Journal contributionsJournal articlesResearch