Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Topics

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

  1. Published

    Was bedeutet die Rede von Machtdispositiven?

    Spreen, D., 2010, In: Ästhetik & Kommunikation. 41, 151, p. 97-103 6 p.

    Research output: Journal contributionsJournal articlesResearch

  2. Published

    Warum Max Bense unzeitgemäß war und es heute nicht mehr ist oder: Wieviel Geist steckt in den 'Digitalen Geisteswissenschaften'?

    Krämer, S., 2018, Max Bense: Weltprogrammierung. Uhl, E. & Zittel, C. (eds.). Stuttgart: J.B. Metzler, p. 133-139 7 p. (Abhandlungen zur Philosophie).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  3. Published

    Warum für Kant die mathematische Gewissheit nicht auf dem Schlussfolgern be-ruht. Über die Rolle von Anschauung, Räumlichkeit, Körperlichkeit und Deixis in Kants Erkenntnistheorie

    Krämer, S., 2016, Ungründe : Potenziale prekärer Fundierung. Rautzenberg, M. & Schiffers, J. (eds.). Paderborn: Wilhelm Fink Verlag, p. 201-218 18 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  4. Published

    War isn't hell, it's entertainment: essays on visual media and the representation of conflict

    Schubart, R. (ed.) & Thomas, T. (ed.), 2009, Jefferson, N.C.: McFarland & Company Publishers. 283 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  5. Published

    Vorwort

    Warnke, M. & Bogh Andersen, P., 1994, In: Zeitschrift für Semiotik. 16, 1-2, p. 3-4 2 p.

    Research output: Journal contributionsOther (editorial matter etc.)Research

  6. Published

    Vor und nach dem Buch: Mediale Aspekte der Ebstorfer Weltkarte

    Warnke, M., 2006, Kloster und Bildung im Mittelalter. Kruppa, N. & Wilke, J. (eds.). Vandenhoeck and Ruprecht GmbH and Co. KG, p. 547-556 10 p.

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearchpeer-review

  7. Published

    Von Schmetterlingen und Atomreaktoren: Medien und Politiken der Resilienz am IIASA

    Schrickel, I., 2014, In: Behemoth : a Journal on Civilization. 7 , 2, p. 5-25 21 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  8. Published

    Von Modell zu Modell

    Müggenburg, J., 2015, Modelle und Modellierung. Balke, F., Siegert, B. & Vogl, J. (eds.). Paderborn: Wilhelm Fink Verlag, p. 11-22 12 p. 1. (Archiv für Mediengeschichte; vol. 14).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  9. Published

    Von der Herrschaft der Technik zum Parlament der Dinge: Ein Deutungsversuch

    Voller, C. & Schnödl, G., 2016, In: Internationales Jahrbuch für Medienphilosophie. 2, 1, p. 159-182 25 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  10. Published

    Von Delfinhaut bis Wolfskin: Kleine Epistemologie der Funktionskleidung

    Müggenburg, J., 2021, Hautlichkeit: Oberflächen in Wissenschaft und Design. Schnödl, G. & Windgätter, C. (eds.). Berlin: Kulturverlag Kadmos , p. 37-55 19 p. ( DesignWissen; vol. 3).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

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