Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. Published

    Kugelraumschiffe und andere runde Technologien

    Spreen, D., 2010, In: JUNI. Magazin für Literatur und Kultur. 43/44, p. 206-220 15 p.

    Research output: Journal contributionsJournal articlesTransfer

  2. Published

    Kritische Übergänge. Relationsmodelle der Kritik um 1900

    Schnödl, G., 2017, Julius Meier-Graefe: Grenzgänger der Künste. Becker, I. & Marchal, S. (eds.). Berlin: Deutscher Kunstverlag, p. 44-58 15 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  3. Published

    Kritische Öffentlichkeit und ihre Herstellung

    Bunz, M., 2013, In: Zeitschrift für Medien- und Kulturforschung. 4, 2, p. 63-70 8 p.

    Research output: Journal contributionsJournal articlesResearch

  4. Published

    Kritik postdigital

    Hille, L. (Editor) & Wentz, D. (Editor), 2023, Lüneburg: meson press. 140 p. (Digital Cultures Series)

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  5. Published

    Krisen und Diskurse - das Kunstjahr 2023 aus Berliner Sicht

    Tollmann, V., 08.2024, In: POP. Kultur und Kritik. 13, 1, p. 46-57 12 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  6. Published

    Krieg zum Mitspielen

    Thomas, T. & Virchow, F., 2003, In: Ossietzky. 6, 19, p. 655-657 3 p.

    Research output: Journal contributionsJournal articlesResearch

  7. Published

    Krieg und Zivilgesellschaft

    Spreen, D. (Editor) & von Trotha, T. (Editor), 2012, Berlin: Duncker & Humblot GmbH. 440 p. (Soziologische Schriften; vol. 84)

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  8. Published

    Krieg und Zivilgesellschaft: Einleitung

    Spreen, D. & von Trotha, T., 2012, Krieg und Zivilgesellschaft. Spreen, D. & von Trotha, T. (eds.). Berlin: Duncker & Humblot GmbH, p. 7-32 25 p. (Soziologische Schriften; vol. 84).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  9. Published

    Kriegsvergessenheit in der Mediengesellschaft

    Spreen, D. (Editor) & Galling-Stiehler, A. (Editor), 2011, 1. ed. Berlin: Ästhetik & Kommunikation e.V. 205 p. (Ästhetik & Kommunikation; vol. 152/153)

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  10. Published

    Kriegsbereit?! ein Plädoyer zur Erforschung der Banalisierung des Militärischen

    Thomas, T. & Virchow, F., 2004, In: Forum Wissenschaft. 21, 2, p. 27-29 3 p.

    Research output: Journal contributionsJournal articlesResearch