Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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Kugelraumschiffe und andere runde Technologien
Spreen, D., 2010, In: JUNI. Magazin für Literatur und Kultur. 43/44, p. 206-220 15 p.Research output: Journal contributions › Journal articles › Transfer
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Kritische Übergänge. Relationsmodelle der Kritik um 1900
Schnödl, G., 2017, Julius Meier-Graefe: Grenzgänger der Künste. Becker, I. & Marchal, S. (eds.). Berlin: Deutscher Kunstverlag, p. 44-58 15 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Kritische Öffentlichkeit und ihre Herstellung
Bunz, M., 2013, In: Zeitschrift für Medien- und Kulturforschung. 4, 2, p. 63-70 8 p.Research output: Journal contributions › Journal articles › Research
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Kritik postdigital
Hille, L. (Editor) & Wentz, D. (Editor), 2023, Lüneburg: meson press. 140 p. (Digital Cultures Series)Research output: Books and anthologies › Collected editions and anthologies › Research
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Krisen und Diskurse - das Kunstjahr 2023 aus Berliner Sicht
Tollmann, V., 08.2024, In: POP. Kultur und Kritik. 13, 1, p. 46-57 12 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Krieg zum Mitspielen
Thomas, T. & Virchow, F., 2003, In: Ossietzky. 6, 19, p. 655-657 3 p.Research output: Journal contributions › Journal articles › Research
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Krieg und Zivilgesellschaft
Spreen, D. (Editor) & von Trotha, T. (Editor), 2012, Berlin: Duncker & Humblot GmbH. 440 p. (Soziologische Schriften; vol. 84)Research output: Books and anthologies › Collected editions and anthologies › Research
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Krieg und Zivilgesellschaft: Einleitung
Spreen, D. & von Trotha, T., 2012, Krieg und Zivilgesellschaft. Spreen, D. & von Trotha, T. (eds.). Berlin: Duncker & Humblot GmbH, p. 7-32 25 p. (Soziologische Schriften; vol. 84).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Kriegsvergessenheit in der Mediengesellschaft
Spreen, D. (Editor) & Galling-Stiehler, A. (Editor), 2011, 1. ed. Berlin: Ästhetik & Kommunikation e.V. 205 p. (Ästhetik & Kommunikation; vol. 152/153)Research output: Books and anthologies › Collected editions and anthologies › Research
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Kriegsbereit?! ein Plädoyer zur Erforschung der Banalisierung des Militärischen
Thomas, T. & Virchow, F., 2004, In: Forum Wissenschaft. 21, 2, p. 27-29 3 p.Research output: Journal contributions › Journal articles › Research