Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. Published

    Kurzdrama-Minidrama

    Ringler-Pascu, E. & Schnödl, G., 2009, Timişoara: Excelsior Art. 175 p.

    Research output: Books and anthologiesMonographsResearch

  2. Published

    Kurd Alslebens und Antje Eskes Konversationskunst

    Warnke, M., 2011, felix aestheticus: Konversationskunst im ZKM Karlsruhe. Alsleben, K., Eske, A. & Idensen, H. (eds.). Norderstedt: Books on Demand GmbH, p. 37-38 2 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransfer

  3. Published

    Kunst aus der Maschine: Informationsästhetik, Virtualität und Interaktivität, Digital Communities

    Warnke, M., 2006, Kultur und Informatik: Entwickler, Architekten und Gestalter der Informationsgesellschaft. Sieck, J. & Herzog, M. A. (eds.). Frankfurt am Main [u.a.]: Peter Lang Verlag, p. 19-33 15 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  4. Published

    Kulturland Brandenburg: Eine Kampagne für regionale Kulturarbeit

    Bachmann, G. & Voesgen, H., 2004, Labor Ostdeutschland: kulturelle Praxis im gesellschaftlichen Wandel. Bauer-Volke, K. & Dietzsch, I. (eds.). Bonn: Bundeszentrale für politische Bildung

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransfer

  5. Published

    "Kulturinstrument Radio": Zur Genealogie der medialen Katastrophe der Weimarer Republik

    Hagen, W., 2012, Populärkultur, Massemmedien, Avantgarde 1919-1933. Nitsche, J. & Werner, N. (eds.). München: Wilhelm Fink Verlag, p. 67-82 16 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  6. Published

    Kultur.Informatik 0.9

    Warnke, M., 2000, Lüneburg: Universität Lüneburg, 15 p.

    Research output: Working paperWorking papers

  7. Published

    Kulturinformatik: Schriften 1997 bis 2007 [kumulative Habilitation]

    Warnke, M., 2008, Lüneburg: Leuphana Universität Lüneburg. 466 p.

    Research output: Books and anthologiesPost-doctoral dissertations

  8. Accepted/In press

    Kulturfreie Bilder: Erfindungen der Voraussetzungslosigkeit

    Pias, C. (Editor), 29.05.2013, (Accepted/In press) 1 ed. Berlin: Kulturverlag Kadmos . 215 p. (Copyrights; no. 19)

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  9. Published

    Kulturelle Funktionen der Science Fiction

    Spreen, D., 2008, Technik und Gesellschaft in der Science Fiction. Fuhse, J. A. (ed.). Berlin: LIT Verlag, p. 19-33 14 p. (Kultur und Technik; vol. 9).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  10. Published

    Kultura, technika, kulturni technika: Proti diskursivizaci kultury

    Krämer, S. & Bredekamp, H., 2016, Medienwissenschaft : východiska a aktuální pozice německé filozofie a teorie médií. Krtilová, K. & Svatoňová, K. (eds.). Prag: Academia Verlag, p. 173-184 12 p. (Vizuální studia; vol. 5).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review