Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. Published

    Mittig ist nur das Mittel: Nation und nationale Identität im medial vermittelten politischen Diskurs

    Thomas, T., 2001, In: Gewerkschaftliche Monatshefte. 52, 5, p. 276-285 10 p.

    Research output: Journal contributionsJournal articlesResearch

  2. Published

    Militär und Popmusik

    Thomas, T. & Virchow, F., 2003, In: Ossietzky. 6, 17, p. 590-592 3 p.

    Research output: Journal contributionsJournal articlesResearch

  3. Published

    Militär und Krieg in einer Medienkultur: Perspektivierungen aus Sicht von Cultural Studies und Politischer Kulturforschung

    Thomas, T. & Virchow, F., 01.12.2007, In: Österreichische Zeitschrift für Soziologie. 32, 4, p. 40-65 26 p.

    Research output: Journal contributionsJournal articlesResearch

  4. Published

    Militainment als "banaler" Militarismus: auf dem Weg zu einer Militarisierung der politischen Kultur?

    Virchow, F. & Thomas, T., 01.01.2004, Krieg als Medienereignis II : Krisenkommunikation im 21. Jahrhundert. Löffelholz, M. (ed.). Wiesbaden: Westdeutscher Verlag, p. 297-325 29 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  5. Published

    Michel Foucault: Diskurs, Macht und Subjekt

    Thomas, T., 2009, Schlüsselwerke der Cultural Studies. Hepp, A., Krotz, F. & Thomas, T. (eds.). Wiesbaden: VS Verlag für Sozialwissenschaften, p. 58-71 14 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  6. Published

    Meta-Image und die Prinzipien des Digitalen im Mnemosyne-Atlas Aby Warburgs

    Dieckmann, L. & Warnke, M., 2018, Computing Art Reader: Einführung in die digitale Kunstgeschichte. Kuroczyński, P., Bell, P. & Dieckmann, L. (eds.). Heidelberg: arthistoricum.net, p. 78-93 16 p. (Computing in Art and Architecture; vol. 1).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  7. Published

    Meta-Image – a collaborative environment for the image discourse

    Warnke, M., Dieckmann, L. & Kliemann, A., 2010, EVA LONDON 2010: Electronic Visualisation and the Arts. Seal, A., Bowen, J. & Ng, K. (eds.). BCS - The Chartered Institute for IT, p. 190 - 198 9 p.

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearchpeer-review

  8. Published

    Menschliche Cyborgs und reflexive Moderne: Vom Jupiter zum Mars zur Erde – bis ins Innere des Körpers

    Spreen, D., 2004, Vernunft – Entwicklung – Leben: Schlüsselbegriffe der Moderne. Festschrift für Wolfgang Eßbach. Bröckling, U., Kaufmann, S. & Paul, A. T. (eds.). München: Wilhelm Fink Verlag, p. 317-346 29 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  9. Published

    "Mensch, burnen musst du!": Castingshows als Werkstatt des neoliberalen Subjekts

    Thomas, T., 2004, In: Zeitschrift für politische Psychologie. 12, 1/2, p. 191-208 18 p.

    Research output: Journal contributionsJournal articlesResearch

  10. Published

    Mehr Präsenz von Frauen in den Hauptnachrichten deutscher Medien: Befunde des GMMP Deutschland am Stichtag 16.2.2005

    Hesse, M. & Röser, J., 2006, Präsenz von Frauen in den Nachrichten: Medienbeobachtungen 2005. Hesse, M. (ed.). Bonn: Journalistinnenbund, p. 12-18 7 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch