Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. Published

    Social inequalities: (re-)production through mediatized individualism

    Thomas, T., 2009, Mediatization: Concept, Changes, Consequences. Lundby, K. (ed.). New York [u.a.]: Peter Lang Verlag, p. 263-276 14 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  2. Published

    Sluts 'r' us: Intersections of gender, protocol and agency in the digital age

    Shah, N., 06.04.2015, In: First Monday. 20, 4, 5463.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  3. Published

    Skin in the Game: Ästhetik der Dis/Korrelation: Über Shane Densons "Post-Cinematic Bodies“

    Tollmann, V., 09.2023, In: CARGO Film/Medien/Kultur. 15, 59, p. 71-73 3 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  4. Published

    Size does matter

    Warnke, M., 2005, Zukünfte des Computers. Pias, C. (ed.). Zürich [u.a.]: Diaphanes Verlag, p. 17-27 11 p. (sequenzia).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  5. Published

    Size does matter

    Warnke, M., 1999, Virtual Space Explorers: Experimente im Datenraum. Gramelsberger, G. & Klein, M. (eds.). 1 ed. Frankfurt/Main: INM - Institut für neue Medien, p. 38-45 8 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  6. Published

    Simulation wilder Spekulationen. Oder: Wie einmal Paul Baran mit einem falschen Modell das Internet erfand

    Warnke, M., 2014, Modelle und Modellierung. Balke, F., Siegert, B. & Vogl, J. (eds.). Paderborn: Wilhelm Fink Verlag, p. 23-32 10 p. (Archiv für Mediengeschichte; vol. 14).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  7. Published

    Simondon et la question de l'information

    Hui, Y., 2015, ARTS, ESTHÉTIQUE, VIE CULTURELLE PHILOSOPHIE EUROPE. Barthelemy, J.-H. (ed.). 6 ed. Paris: L'Harmattan, p. 29-47 17 p. (Cahiers Simondon; no. 6).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  8. Published

    Silicon Valley

    Bachmann, G., 2017, Nach der Revolution: ein Brevier digitaler Kulturen. Beyes, T., Pias, C. & Mentelmann, J. (eds.). Berlin: Tempus Corporate GmbH, p. 65-76 12 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  9. Published

    Signal, Material, Sampling: zur ästhetischen Aneignung medientechnischer Übertragung

    Großmann, R., 2004, Übertragung - Transfer - Metapher: Kulturtechniken, ihre Visionen und Obsessionen. Sanio , S. & Scheib , C. (eds.). Bielefeld: Kerber Verlag, p. 91-110 20 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  10. Published

    "sie wird ja nicht ausgebürgert, die deutsche Currywurst" - Talkshows, nationale Identitätsangebote und methodische Überlegungen zu ihrer Analyse

    Thomas, T., 2003, Medienidentitäten: Identität im Kontext von Globalisierung und Medienkultur. Winter, C., Thomas, T. & Hepp, A. (eds.). Köln: Herbert von Halem Verlag, p. 184-205 22 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch