Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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The ontological politics of artistic interventions: Implications for performing action research
Beyes, T. & Steyaert, C., 03.2011, In: Action Research. 9, 1, p. 100-115 16 p.Research output: Journal contributions › Journal articles › Research › peer-review
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The Mushroom at the End of the World: On the Possibilities of Life in Capitalist Ruins
Conrad, L., 04.2021, In: Management Learning. 52, 2, p. 255-259 5 p.Research output: Journal contributions › Critical reviews › Research
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The multimedial challenge
Grossmann, R., 07.2005, In: Neue Zeitschrift für Musik : das Magazin für neue Töne. 4, p. 22-24 3 p.Research output: Journal contributions › Journal articles › Research › peer-review
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The messenger as a model in Media Theory. Reflections on the philosophical di-mensions of theorizing Media
Krämer, S., 01.01.2016, Media Transatlantic: Developments in Media and Communication Studies Between North American and German-Speaking Europe. N. F. (ed.). Cham: Springer, p. 197-213 17 p.Research output: Contributions to collected editions/works › Chapter › peer-review
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The media arcane
Beyes, T. & Pias, C., 01.05.2019, In: Grey Room. 75, Spring, p. 84-107 24 p.Research output: Journal contributions › Journal articles › Research › peer-review
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The Late Masterwork of Gilles Deleuze: Linking Style to Method in What Is Philosophy?
Schönher, M., 01.06.2020, In: Qui Parle: Critical Humanities and Social Sciences. 29, 1, p. 25–63 39 p.Research output: Journal contributions › Journal articles › Research › peer-review
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The iPhone’s Failure—Protests and Resistances
Leistert, O., 2012, Moving Data: The iPhone and the Future of Media. Snickars, P. & Vonderau, P. (eds.). USA/ Vereinigten Staaten: Columbia University Press, p. 238-248 11 p.Research output: Contributions to collected editions/works › Chapter
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The Instrument as Medium: Phonographic Work
Großmann, R., 2020, The Bloomsbury Handbook of Sound Art. Krogh Groth, S. & Schulze, H. (eds.). 1 ed. London: Bloomsbury Academic, p. 436-445 10 p. 23. (Bloomsbury handbooks).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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The Instrument
Großmann, R., 2021, The Bloomsbury Handbook of the Anthropology of Sound. Schulze, H. (ed.). 1 ed. New York: Bloomsbury Academic, p. 59-76 18 p. 3Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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The Hidden Space of Production: Virtuality in Henri Bergson and Gilbert Simondon
Kasprowicz, D., 2017, You were not expected to do this : On the Dynamics of Production: Distraction/Interference - Resistence/Accident. Blanga-Gubbay, D. & Ruchaud, E. (eds.). 1 ed. Düsseldorf University Press, p. 111-126 16 p. (materialisierungen; vol. 5).Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review