Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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Zur Aktualität der Rhythmusbewegung im 21. Jahrhundert: Eine Respondenz
Großmann, R., 02.2016, In: Die Musikforschung. 69, 2, p. 157-160 4 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Zur Abkehr von Souverän und Natur in Alfred Döblins "Berge, Meere und Giganten"
Schnödl, G., 2010, Differenz und Hybridität: Grenzfiguren als literarischer Topos. Cornejo, R. (ed.). Wien: Praesens Verlag, p. 67-78 12 p. (Aussiger Beiträge; no. 4).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Zum Tode von Trutz von Trotha
Spreen, D., 2013, In: Ästhetik & Kommunikation. 44, 161, p. 85-90 6 p.Research output: Journal contributions › Journal articles › Research
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Zukunft schreiben: Science Fiction und andere Zeitmaschinen
Hickethier, K. & Spreen, D., 1999, Berlin: Ästhetik & Kommunikation e.V. 124 p. (Ästhetik & Kommunikation; vol. 104)Research output: Books and anthologies › Special Journal issue › Research
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Zuhause in der Mediengesellschaft: Medien und Kommunikationstechnologien im häuslichen Alltag
Röser, J., 2004, Wissensgesellschaft: neue Medien und ihre Konsequenzen. Kübler, H.-D. & Elling, E. (eds.). Bonn: Bundeszentrale für politische BildungResearch output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Zootechnologies. A Media History of Swarm Research
Vehlken, S. & Pakis, V. (Translator), 28.10.2019, Amsterdam: Amsterdam University Press. 400 p. (Recursions)Research output: Books and anthologies › Monographs › Research › peer-review
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Zootechnologies: Swarming as a Cultural Technique
Vehlken, S., 01.11.2013, In: Theory, Culture & Society. 30, 6, p. 110-131 22 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Zootechnologien: Eine Mediengeschichte der Schwarmforschung
Vehlken, S., 17.04.2012, Zürich: Diaphanes Verlag. 448 p.Research output: Books and anthologies › Monographs › Research
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Zeugenschaft als philosophisches Problem - Zur Einleitung in diesen Band
Krämer, S., Schmidt, S. & Schülein, J.-G., 2017, Philosophie der Zeugenschaft: Eine Anthologie. Krämer, S., Schmidt, S. & Schülein, J.-G. (eds.). Münster: mentis Verlag, p. 7-24 18 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Zeugen in der Kunst
Krämer, S. (Editor) & Schmidt, S. (Editor), 2016, Paderborn: Wilhelm Fink Verlag. 246 p.Research output: Books and anthologies › Monographs › Research › peer-review