Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
- 1997
- Published
Das Medium in Turings Maschine
Warnke, M., 1997, HyperKult: Geschichte, Theorie und Kontext digitaler Medien. Warnke, M., Coy, W. & Tholen, G. C. (eds.). Basel: Stroemfeld, p. 69-82 14 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Digitale Schreibzeuge
Warnke, M., 1997, Kunstgeschichte digital. : Eine Einführung für Praktiker und Studierende.. Kohle, H. (ed.). Berlin: Dietrich Reimer Verlag, p. 171-191 21 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
HyperKult: Geschichte, Theorie und Kontext digitaler Medien
Warnke, M. (Editor), Coy, W. (Editor) & Tholen, G. C. (Editor), 1997, Basel: Stroemfeld. 520 p. (Nexus; no. 41)Research output: Books and anthologies › Collected editions and anthologies › Research
- Published
Online-Verstrickungen: Immanenzen und Ambivalenzen
Spreen, D. (Editor), 1997, 1 ed. Berlin: Ästhetik & Kommunikation e.V. 125 p. (Ästhetik & Kommunikation; vol. 26, no. 96)Research output: Books and anthologies › Special Journal issue › Research
- Published
Report of workshop 'Computer als Medium (Hyperkult VI)', University-of-Luneburg, Germany, July 16, 1997
Grossmann, R., 1997, In: Zeitschrift für Semiotik. 19, 4, p. 499-500 2 p.Research output: Journal contributions › Other (editorial matter etc.) › Research
- 1995
- Published
Computer als Medium (Hyperkult V)
Warnke, M., 1995, In: Zeitschrift für Semiotik. 17, 3-4, p. 474-475 2 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
"Du kannst nicht sehen, was Du nicht erklären kannst«
Warnke, M., 1995, Weltbilder, Bildwelten: Computergestützte Visionen. Dencker, K. P. (ed.). Hamburg: Hans-Bredow-Institut für Medienforschung an der Universität Hamburg, p. 6-9 4 p. (Interface; vol. 2).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- 1994
- Published
Vorwort
Warnke, M. & Bogh Andersen, P., 1994, In: Zeitschrift für Semiotik. 16, 1-2, p. 3-4 2 p.Research output: Journal contributions › Other (editorial matter etc.) › Research
- 1993
- Published
Computer als Medium
Warnke, M., 1993, In: Zeitschrift für Semiotik. 15, 3-4, p. 448-449 2 p.Research output: Journal contributions › Journal articles › Research › peer-review
- 1992
- Published
Die Ebstorfer Weltkarte: Der Computer als Medium für selbstbestimmtes Lernen
Warnke, M., 1992, In: Computer + Unterricht. 2, 5, p. 27-31 5 p.Research output: Journal contributions › Journal articles › Research