Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. 2017
  2. Published

    Reframing the technosphere: Peter Sloterdijk and Bernard Stiegler's anthropotechnological diagnoses of the anthropocene

    Lemmens, P. & Hui, Y., 2017, In: Krisis. Journal for Contemporary Philosophy. 2, p. 26-41 16 p.

    Research output: Journal contributionsScientific review articlesResearch

  3. Published

    Rhythm and Technics: On Heidegger's Commentary on Rimbaud

    Hui, Y., 2017, In: Research in Phenomenology. 47, 1, p. 60-84 25 p.

    Research output: Journal contributionsScientific review articlesResearch

  4. Published

    Silicon Valley

    Bachmann, G., 2017, Nach der Revolution: ein Brevier digitaler Kulturen. Beyes, T., Pias, C. & Mentelmann, J. (eds.). Berlin: Tempus Corporate GmbH, p. 65-76 12 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  5. Published

    Sprechen, Schreiben, Programmieren. Digitalisierung alter Kulturtechniken oder digitale Kultur?

    Krämer, S., 2017, In: Der Blaue Reiter - Journal für Philosophie. 41, p. 16-20 5 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  6. Published

    Spur, Zeuge, Wahrheit. Zeugenschaft im Spannungsfeld zwischen diskursiver und existenzialer Wahrheit?

    Krämer, S., 2017, Über Zeugen: Szenarien von Zeugenschaft und ihre Akteure. Däumer, M., Kalisky, A. & Schlie, H. (eds.). Paderborn: Wilhelm Fink Verlag, p. 147-166 20 p. (Trajekte).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  7. Published

    The Hidden Space of Production: Virtuality in Henri Bergson and Gilbert Simondon

    Kasprowicz, D., 2017, You were not expected to do this : On the Dynamics of Production: Distraction/Interference - Resistence/Accident. Blanga-Gubbay, D. & Ruchaud, E. (eds.). 1 ed. Düsseldorf University Press, p. 111-126 16 p. (materialisierungen; vol. 5).

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearchpeer-review

  8. Published

    The social productivity of anonymity: An introduction

    Bachmann, G., Knecht, M. & Wittel, A., 2017, In: Ephemera: Theory & Politics in Organization. 17, 2, p. 241-258 18 p.

    Research output: Journal contributionsOther (editorial matter etc.)Research

  9. Published

    The Social Productivity of Anonymity: Special Issue of Ephemera Journal

    Bachmann, G. (Editor), Knecht, M. (Editor) & Wittel, A. (Editor), 2017, 2 ed. Warwick Business School. (Ephemera: Theory & Politics in Organization; vol. 17, no. 2)

    Research output: Books and anthologiesSpecial Journal issueResearch

  10. Published

    The terms of anonymity: An interview with Marit Hansen, German data protection expert

    Bachmann, G. & Bialski, P., 2017, In: Ephemera: Theory & Politics in Organization. 17, 2, p. 421-430 10 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  11. Published

    Welt-Bilder und Weltmodelle: Resonanz als Metapherntechnik und Technikmetapher

    Görlich, C., 2017, Resonanzen und Dissonanzen: Hartmut Rosas kritische Theorie in der Diskussion. Peters, C. H. & Schulz, P. (eds.). Bielefeld: transcript Verlag, p. 271-290 20 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch