Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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The politics of talk on german free radio stations
Pinseler, J., 01.02.2008, In: Westminster Papers in Communication and Culture. 5, 1, p. 67-85 19 p.Research output: Journal contributions › Journal articles › Research
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Frauen- und Geschlechterforschung: zum Gesellschaftsbezug der Publizistik und Kommunikationswissenschaft
Klaus, E., Röser, J. & Wischermann, U., 2006, Fünfzig Jahre Publizistik. Holtz-Bacha, C., Kutsch, A., Langenbucher, W. & Schönbach, K. (eds.). Wiesbaden: VS Verlag für Sozialwissenschaften, p. 354-369 16 p. (Publizistik Sonderheft; vol. 5).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Sprechen im freien Radio: eine Fallanalyse zu Möglichkeiten alternativen Hörfunks
Pinseler, J., 01.01.2001, In: Medien & Kommunikationswissenschaft. 49, 3, p. 369-383 15 p.Research output: Journal contributions › Journal articles › Research
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Wenn das Internet das Zuhause erobert: Dimensionen der Veränderung aus ethnographischer Perspektive
Röser, J., 2007, MedienAlltag: Domestizierungsprozesse alter und neuer Medien. Röser, J. (ed.). Wiesbaden: VS Verlag für Sozialwissenschaften, p. 157-171 15 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Spiegelbild, sprechender Spiegel, leerer Spiegel: zur Mediensituation der Clicks & Cuts
Großmann, R., 2003, Soundcultures: Über elektronische und digitale Musik. Kleiner, M. S. (ed.). Frankfurt am Main: Suhrkamp Verlag, p. 52-68 17 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Einleitung
Hepp, A., Krotz, F. & Thomas, T., 2009, Schlüsselwerke der Cultural Studies. Hepp, A., Krotz, F. & Thomas, T. (eds.). Wiesbaden: VS Verlag für Sozialwissenschaften, p. 7-17 11 p. (Medien - Kultur - Kommunikation).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Sampling
Großmann, R., 2002, Metzler Lexikon Medientheorie, Medienwissenschaft: Ansätze – Personen – Grundbegriffe. Schanze, H. (ed.). Stuttgart [u.a.]: J.B. Metzler, p. 320-321 2 p.Research output: Contributions to collected editions/works › Articles for encyclopedia › Research
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PeTAL-DTD
Warnke, M., Terstegge, C. & Wedemeyer, C., 2007Research output: Non-textual form types › Data set › Research
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Deutsch-Stunden: zur Konstruktion nationaler Identität im Fernsehtalk
Thomas, T., 2003, Frankfurt, Main: Campus Verlag. 438 p.Research output: Books and anthologies › Monographs › Research
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Medienreflexe, Technologie und Medienkritik in den Arbeiten Tilman Küntzels
Großmann, R., 2002, Strukturgeneratoren und andere Allegorien. Küntzel, T., Fricke, S. & Barthelmes, B. (eds.). Saarbrücken: Pfau Verlag, p. 53-63 11 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research