Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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Workshop über "Hypersystem-Konzepte in Medien und kultureller Produktion"
Warnke, M., 1992, In: Zeitschrift für Semiotik. 14, 1-2, p. 151-153 3 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Work = work ≠ work: In defence of play
Krempl, S.-T. & Beyes, T., 2011, In: Ephemera: Theory & Politics in Organization. 11, 4, p. 466-481 16 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Xelibri: das Fashion Phone
Peil, C., 2007, MedienAlltag: Domestizierungsprozesse alter und neuer Medien. Röser, J. (ed.). Wiesbaden: VS Verlag für Sozialwissenschaften, p. 222 1 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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You cannot not transact - Big Data und Transaktionalität
Engemann, C., 2014, Big Data : Analysen zum digitalen Wandel von Wissen, Macht und Ökonomie. Reichert, R. (ed.). Bielefeld: transcript Verlag, p. 365-384 19 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Zeitschrift für kritische Sozialtheorie und Philosophie: Technik und Technikdiskurse
Voller, C. (Editor), 04.2016, Walter de Gruyter GmbH. 241 p. (Zeitschrift für kritische Sozialtheorie und Philosophie; vol. 3, no. 1)Research output: Books and anthologies › Special Journal issue › Research
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Zeugen in der Kunst
Krämer, S. (Editor) & Schmidt, S. (Editor), 2016, Paderborn: Wilhelm Fink Verlag. 246 p.Research output: Books and anthologies › Monographs › Research › peer-review
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Zeugenschaft als philosophisches Problem - Zur Einleitung in diesen Band
Krämer, S., Schmidt, S. & Schülein, J.-G., 2017, Philosophie der Zeugenschaft: Eine Anthologie. Krämer, S., Schmidt, S. & Schülein, J.-G. (eds.). Münster: mentis Verlag, p. 7-24 18 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Zootechnologien: Eine Mediengeschichte der Schwarmforschung
Vehlken, S., 17.04.2012, Zürich: Diaphanes Verlag. 448 p.Research output: Books and anthologies › Monographs › Research
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Zootechnologies: Swarming as a Cultural Technique
Vehlken, S., 01.11.2013, In: Theory, Culture & Society. 30, 6, p. 110-131 22 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Zootechnologies. A Media History of Swarm Research
Vehlken, S. & Pakis, V. (Translator), 28.10.2019, Amsterdam: Amsterdam University Press. 400 p. (Recursions)Research output: Books and anthologies › Monographs › Research › peer-review