Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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Widerstand der Tiere
Müggenburg, J. K., 2019, Das verdatete Tier.: Zum Animal Turn in den Kultur- und Medienwissenschaften. Bolinski, I. & Rieger, S. (eds.). Stuttgart: J.B. Metzler, p. 123–136 14 p. (Cultural Animal Studies).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Wie Digitalität die Geisteswissenschaften verändert. Neue Forschungsgegenstände und Methoden.
Huber, M. (Editor) & Krämer, S. (Editor), 27.06.2018, Wolfenbüttel: Herzog August Bibliothek. (Zeitschrift für Digitale Geisteswissenschaften. Sonderbände; vol. 3)Research output: Books and anthologies › Special Journal issue › Research
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Wie entstehen Raum-Events? Siegfried Gliedion und die Welt der Ereignisse
Janssen, A., 2014, In: Baumeister. 111, 14, p. 80-83 4 p.Research output: Journal contributions › Journal articles › Transfer › peer-review
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Wieso gilt Ada Lovelace als die ‚erste Programmiererin‘ und was bedeutet überhaupt ‚programmieren‘?
Krämer, S., 2015, Ada Lovelace. : Die Pionierin der Computertechnik und ihre Nachfolgerinnen. Krämer, S. (ed.). München: Wilhelm Fink Verlag, p. 75-90 16 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Wir sind drin. Zur Gegenwart digitaler Kulturen
Beyes, T., Metelmann, J. & Pias, C., 2017, Nach der Revolution: Ein Brevier digitaler Kulturen. Beyes, T., Metelmann, J. & Pias, C. (eds.). Berlin: Tempus Corporate GmbH, p. 5-11 7 p. (Edition Speersort)(Duisburger Dialoge).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Wissenschaftsgeschichte zwischen Digitalität und Digitalisierung
Borrelli, A., 27.06.2018, In: Zeitschrift für digitale Geisteswissenschaften - ZfdG. Sonderband 3, 8 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Wissensordnungen im Alltag: Offerten eines populären Genres
Thomas, T., 2010, Medien im Alltag – Alltag in den Medien. Röser, J., Thomas, T. & Peil, C. (eds.). Wiesbaden: VS Verlag für Sozialwissenschaften, p. 25-47 23 p. (Medien - Kultur - Kommunikation).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Wissen und kulturelle Praxis - Audioarchive im Wandel
Großmann, R., 31.12.2004, Wissensprozesse in der Netzwerkgesellschaft. Gendolla, P. & Schäfer, J. (eds.). Bielefeld: transcript Verlag, p. 239-256 18 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Witless slaves or lively artifacts? A debate of the 1960s
Müggenburg, J. K. & Pias, C., 08.11.2017, In: arq: Architectural Research Quarterly. 21, 1, p. 33–44 12 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Wolfgang Ernst Gedruckte Schriften 1990/2017
Sander, P. & Schäfer, P., 12.04.2019, Archäographien: Aspekte einer radikalen Medienarchäologie. Hiller, M. & Höltgen, S. (eds.). Basel: Schwabe Verlag, p. 237-252 15 p.Research output: Contributions to collected editions/works › Other › Research