Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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By Means of Which: Media, Technology, Organisation
Beyes, T., Holt, R. & Pias, C., 12.12.2019, The Oxford Handbook of Media, Technology, and Organization Studies. Beyes, T., Pias, C. & Holt, R. (eds.). Oxford: Oxford University Press, p. 498-514 17 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Bypassing Mathematics: Das Verhältnis von Bild und Zahl in der Geschichte der Meteorologie
Schrickel, I., 2010, In: Bildwelten des Wissens. 7, 2, p. 9-18 10 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Calendar
Hoof, F., 12.12.2019, Oxford Handbook of Media, Technology, and Organization Studies. Beyes, T., Holt, R. & Pias, C. (eds.). Oxford: Oxford University Press, p. 54-67 14 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Century of Play: 18th Century Precursors of Gamification
Fuchs, M., 01.04.2016, In: Kinephanos. Special issue, p. 9-33 25 p.Research output: Journal contributions › Journal articles › Research › peer-review
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»Chop that record up!«: Zum Sampling als performative Medienpraxis
Pelleter, M., 2013, Performativität und Medialität populärer Kulturen: Theorien – Ästhetiken – Praktiken. Kleiner, M. S. & Wilke, T. (eds.). Wiesbaden: VS Verlag für Sozialwissenschaften, p. 391-414 21 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Clean by Nature. Lebhafte Oberflächen und das holistisch-systemische Erbe der zeitgenössischen Bionik
Müggenburg, J., 11.03.2015, Das Wissen der Oberfläche: Epistemologie des Horizontalen und Strategien der Benachbarung. Rieger, S. & Lechtermann, C. (eds.). Zürich: Diaphanes Verlag, p. 233-252 20 p. (sequenzia).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Clean by Nature. Lively Surfaces and the Holistic-Systemic Heritage of Contemporary Bionik.
Müggenburg, J., 2014, In: Communication +1. 3, p. 233-252 30 p., 9.Research output: Journal contributions › Journal articles › Research › peer-review
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Coffee Machine as a mediating technology of organization
Bachmann, G. & Bialski, P., 12.12.2019, Oxford Handbook of Media, Technology and Organization Studies . Beyes, T., Holt, R. & Pias, C. (eds.). Oxford: Oxford University Press, p. 116-124 9 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Collage, Montage, Sampling: ein Streifzug durch (medien-)materialbezogene ästhetische Strategien
Großmann, R., 2005, Sound: zur Technologie und Ästhetik des Akustischen in den Medien. Segeberg, H. (ed.). Marburg: Schüren Verlag, p. 308-331 24 p. (Schriftenreihe der Gesellschaft für Medienwissenschaft (GfM) ; vol. 12).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Collectives, Connectives, and the ‘Nonsense1 of Participation
Pias, C., 02.2016, ReClaiming participation: technology - mediation - collectivity . Denecke, M., Ganzert, A., Stock, R. & Otto, I. (eds.). Bielefeld: transcript Verlag, p. 23-38 17 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review