Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Topics
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
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»Chop that record up!«: Zum Sampling als performative Medienpraxis
Pelleter, M., 2013, Performativität und Medialität populärer Kulturen: Theorien – Ästhetiken – Praktiken. Kleiner, M. S. & Wilke, T. (eds.). Wiesbaden: VS Verlag für Sozialwissenschaften, p. 391-414 21 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Clean by Nature. Lebhafte Oberflächen und das holistisch-systemische Erbe der zeitgenössischen Bionik
Müggenburg, J., 11.03.2015, Das Wissen der Oberfläche: Epistemologie des Horizontalen und Strategien der Benachbarung. Rieger, S. & Lechtermann, C. (eds.). Zürich: Diaphanes Verlag, p. 233-252 20 p. (sequenzia).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Clean by Nature. Lively Surfaces and the Holistic-Systemic Heritage of Contemporary Bionik.
Müggenburg, J., 2014, In: Communication +1. 3, p. 233-252 30 p., 9.Research output: Journal contributions › Journal articles › Research › peer-review
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Coffee Machine as a mediating technology of organization
Bachmann, G. & Bialski, P., 12.12.2019, Oxford Handbook of Media, Technology and Organization Studies . Beyes, T., Holt, R. & Pias, C. (eds.). Oxford: Oxford University Press, p. 116-124 9 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Collage, Montage, Sampling: ein Streifzug durch (medien-)materialbezogene ästhetische Strategien
Großmann, R., 2005, Sound: zur Technologie und Ästhetik des Akustischen in den Medien. Segeberg, H. (ed.). Marburg: Schüren Verlag, p. 308-331 24 p. (Schriftenreihe der Gesellschaft für Medienwissenschaft (GfM) ; vol. 12).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Collectives, Connectives, and the ‘Nonsense1 of Participation
Pias, C., 02.2016, ReClaiming participation: technology - mediation - collectivity . Denecke, M., Ganzert, A., Stock, R. & Otto, I. (eds.). Bielefeld: transcript Verlag, p. 23-38 17 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Colour and Organization Studies
Beyes, T., 01.10.2017, In: Organization Studies. 38, 10, p. 1467 - 1482 16 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Communication
Bialski, P., Brunton, F. & Bunz, M., 2019, Minneapolis: University of Minnesota Press. 126 p. (In Search of Media )Research output: Books and anthologies › Collected editions and anthologies › Research
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Computational Swarming: A Cultural Technique for Generative Architecture
Vehlken, S., 20.11.2014, In: Footprint. 15, p. 9-24 16 p.Research output: Journal contributions › Journal articles › Research › peer-review
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