Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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Stilgeschichte des berechneten Kinos
Warnke, M., 2006, NMI 2005: Neue Medien der Informationsgesellschaft: "Film & Computer" . Rebensburg, K. (ed.). Shaker Verlag, p. 293-310 18 p.Research output: Contributions to collected editions/works › Article in conference proceedings › Research
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Stille, Geräusch, Rauschen: Ästhetische und medientechnische Anmerkungen
Großmann, R., 06.12.2018, In: Texte zur Kunst. 28. Jg., 112, p. 30-45 16 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Stille Wasser sind kalt: Winde, Wellen und suprafluide Gewässer nahe Null
Vehlken, S., 2007, Stehende Gewässer: Medien der Stagnation. Butis, B. (ed.). Zürich, Berlin: Diaphanes Verlag, p. 225-237 13 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Störung als Normalfall
Pias, C., 2011, Störfälle. Koch, L., Petersen, C. & Vogi, J. (eds.). 2 ed. Bielefeld: transcript Verlag, p. 27 - 43 17 p. (Zeitschrift für Kulturwissenschaften).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Street Wisdom
Vehlken, S., 01.2020, Universalenzyklopädie menschlicher Klugheit: Festschrift für Bernhard Siegert. Krajewski, M. & Maye, H. (eds.). Berlin: Kulturverlag Kadmos , p. 212-213 2 p.Research output: Contributions to collected editions/works › Articles for encyclopedia › Research
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Subversive Gamification
Fuchs, M., 27.02.2018, Playful Subversion of Technoculture. Cermak-Sassenrath, D. (ed.). Singapore: Springer, p. 198 - 208 11 p. (Gaming Media and Social Effects).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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‚Suicidal Attacks’ und ihre medialen Repräsentationen: Geschlechtertheoretische Überlegungen und Befunde
Thomas, T. & Virchow, F., 2010, Medien – Krieg – Geschlecht: Affirmationen und Irritationen sozialer Ordnungen. Thiele, M., Thomas, T. & Virchow, F. (eds.). Wiesbaden: VS Verlag für Sozialwissenschaften, p. 235-256 22 p. (Medien - Kultur - Kommunikation).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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'Summoning art to save the city': A Note: 'Saving' the city: Collective low-budget organizing and urban practice
Beyes, T., 2015, In: Journal of Management Inquiry. 15, 1, p. 207-220 13 p., 15.Research output: Journal contributions › Journal articles › Research › peer-review
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Supercomputing
Vehlken, S. & Engemann, C., 15.12.2011, Takt und Frequenz. Balke, F., Siegert, B. & Vogl, J. (eds.). Paderborn: Wilhelm Fink Verlag, p. 143-161 17 p. (Archiv für Mediengeschichte; vol. 2011, no. 11).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Sven Dupre (ed.), Perspective as Practice. Renaissance Cultures of Optics. Turnhout, Belgium: Brepols, 2019, 512 p. ISBN 978-2-503-58107-1
Borrelli, A., 10.09.2020, In: NUNCIUS-JOURNAL OF THE HISTORY OF SCIENCE. 35, 2, p. 444-447 4 p.Research output: Journal contributions › Critical reviews › Research