Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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Rezension zu Linke, Christine (2010): Medien im Alltag von Paaren. Eine Studie zur Mediatisierung der Kommunikation in Paarbeziehungen. Wiesbaden: VS.
Peil, C., 2011, In: Medien & Kommunikationswissenschaft. 59, 3, p. 439-441 3 p.Research output: Journal contributions › Critical reviews › Research
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Rhythm and Technics: On Heidegger's Commentary on Rimbaud
Hui, Y., 2017, In: Research in Phenomenology. 47, 1, p. 60-84 25 p.Research output: Journal contributions › Scientific review articles › Research
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Rückführung der Kunst in Medienpraxis: Verlangen die neuen Medien einen neuen Avantgarde-Begriff?
Pelleter, M., 08.2010, In: Positionen. 84, p. 18-22 5 p.Research output: Journal contributions › Journal articles › Research › peer-review
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“Ruinensehnsucht”: Longing for Decay in Computer Games
Fuchs, M., 22.09.2017, In: ToDiGRA. 3, 2, p. 37-56 20 p., 2.Research output: Journal contributions › Conference article in journal › Research › peer-review
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Ruins of Excess: Computer Game Images and the Rendering of Technological Obsolescence
Luersen, E. H. & Fuchs, M., 01.12.2021, In: Games and Culture . 16, 8, p. 1087-1110 24 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Sabine Ritter: Facetten der Sarah Bartmann. Repräsentation und Rekonstruktionen der 'Hottentottenvenus'
Stammberger, B., 01.10.2012, In: Soziologische Revue. 35, 4, p. 477-479 3 p.Research output: Journal contributions › Critical reviews › Research
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Sacred Channels: The Archaic Illusion of Communication
Hörl, E. & Schott, N. F. (Translator), 01.10.2018, Amsterdam: Amsterdam University Press. 344 p. (Recursions)Research output: Books and anthologies › Monographs › Research
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Sampling
Großmann, R., 2002, Metzler Lexikon Medientheorie, Medienwissenschaft: Ansätze – Personen – Grundbegriffe. Schanze, H. (ed.). Stuttgart [u.a.]: J.B. Metzler, p. 320-321 2 p.Research output: Contributions to collected editions/works › Articles for encyclopedia › Research
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Schaffen aus Fülle. Hermann Bahrs ergonomische Kunstproduktion.
Schnödl, G., 2012, Temeswarer Beiträge zur Germanistik IX. Nubert, R. (ed.). Timisoara: Mirton Verlag, Vol. 9. p. 29-44 16 p. (Temeswarer Beiträge zur Germanistik; vol. 9).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Schematism, Imagination, and Pure Intuition in Kant
Krämer, S., 28.06.2018, Image, Imagination, and Cognition.: Medieval and Early Modern Theory and Practice. Lüthy, C., C. S., Bakker, P. & Zittel, C. (eds.). Brill, p. 300-320Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review