Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. Published
  2. Published

    Rhythm and Technics: On Heidegger's Commentary on Rimbaud

    Hui, Y., 2017, In: Research in Phenomenology. 47, 1, p. 60-84 25 p.

    Research output: Journal contributionsScientific review articlesResearch

  3. Published

    Rückführung der Kunst in Medienpraxis: Verlangen die neuen Medien einen neuen Avantgarde-Begriff?

    Pelleter, M., 08.2010, In: Positionen. 84, p. 18-22 5 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  4. Published

    “Ruinensehnsucht”: Longing for Decay in Computer Games

    Fuchs, M., 22.09.2017, In: ToDiGRA. 3, 2, p. 37-56 20 p., 2.

    Research output: Journal contributionsConference article in journalResearchpeer-review

  5. Published

    Ruins of Excess: Computer Game Images and the Rendering of Technological Obsolescence

    Luersen, E. H. & Fuchs, M., 01.12.2021, In: Games and Culture . 16, 8, p. 1087-1110 24 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  6. Published

    Sabine Ritter: Facetten der Sarah Bartmann. Repräsentation und Rekonstruktionen der 'Hottentottenvenus'

    Stammberger, B., 01.10.2012, In: Soziologische Revue. 35, 4, p. 477-479 3 p.

    Research output: Journal contributionsCritical reviewsResearch

  7. Published

    Sacred Channels: The Archaic Illusion of Communication

    Hörl, E. & Schott, N. F. (Translator), 01.10.2018, Amsterdam: Amsterdam University Press. 344 p. (Recursions)

    Research output: Books and anthologiesMonographsResearch

  8. Published

    Sampling

    Großmann, R., 2002, Metzler Lexikon Medientheorie, Medienwissenschaft: Ansätze – Personen – Grundbegriffe. Schanze, H. (ed.). Stuttgart [u.a.]: J.B. Metzler, p. 320-321 2 p.

    Research output: Contributions to collected editions/worksArticles for encyclopediaResearch

  9. Published

    Schaffen aus Fülle. Hermann Bahrs ergonomische Kunstproduktion.

    Schnödl, G., 2012, Temeswarer Beiträge zur Germanistik IX. Nubert, R. (ed.). Timisoara: Mirton Verlag, Vol. 9. p. 29-44 16 p. (Temeswarer Beiträge zur Germanistik; vol. 9).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  10. Published

    Schematism, Imagination, and Pure Intuition in Kant

    Krämer, S., 28.06.2018, Image, Imagination, and Cognition.: Medieval and Early Modern Theory and Practice. Lüthy, C., C. S., Bakker, P. & Zittel, C. (eds.). Brill, p. 300-320

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review