Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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Reichsflugscheiben und Wehrmachtsmythen: "Stahlfront" – rechtsextreme Unterhaltung als Science Fiction?
Spreen, D., 2009, Das Science Fiction Jahr 2009. Mamczak, S. & Jeschke, W. (eds.). München: Heyne, p. 425-468 48 p. (Das Science Fiction Jahr).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Reichweitenangst: Batterien und Akkus als Medien des Digitalen Zeitalters
Müggenburg, J. (Editor), 2022, Bielefeld: transcript Verlag. 295 p. (Digitale Gesellschaft; vol. 28)Research output: Books and anthologies › Conference proceedings › Research
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Reichweitenangst: Zur Einleitung
Müggenburg, J., 2022, Reichweitenangst: Batterien und Akkus als Medien des Digitalen Zeitalters. Müggenburg, J. (ed.). Bielefeld: transcript Verlag, p. 7-23 17 p. (Digitale Gesellschaft; vol. 28).Research output: Contributions to collected editions/works › Article in conference proceedings › Research
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Relationen der Auflösung sind Relationen der Konstituierung – zur Individuation und zum Verhältnis von Transindividuellem und Interindividuellem nach Gilbert Simondon
Leistert, O., 2019, Zersetzung: Automatismen und Strukturauflösung. Eke, N. O. & Hohlweck, P. (eds.). Paderborn: Wilhelm Fink Verlag, p. 155-169 15 p. (Schriftenreihe des Graduiertenkollegs "Automatismen").Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Relationen im Raum: Visualisierung topographischer Klein(st)strukturen
Hüttenmeister, N., Kollatz, T., Rütenik, T., Warnke, M., Wedemeyer, C. & Ziai, T., 2013, In: Kalonymos. 16, 4, p. 4-6 3 p.Research output: Journal contributions › Journal articles › Research
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Remastering
Großmann, R., 2002, Metzler Lexikon Medientheorie, Medienwissenschaft: Ansätze – Personen – Grundbegriffe. Schanze, H. (ed.). Stuttgart [u.a.]: J.B. Metzler, p. 311 1 p.Research output: Contributions to collected editions/works › Articles for encyclopedia › Research
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Remix
Großmann, R., 2002, Metzler Lexikon Medientheorie, Medienwissenschaft: Ansätze – Personen – Grundbegriffe. Schanze, H. (ed.). Stuttgart [u.a.]: J.B. Metzler, p. 311-312 2 p.Research output: Contributions to collected editions/works › Articles for encyclopedia › Research
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Report of workshop 'Computer als Medium (Hyperkult VI)', University-of-Luneburg, Germany, July 16, 1997
Grossmann, R., 1997, In: Zeitschrift für Semiotik. 19, 4, p. 499-500 2 p.Research output: Journal contributions › Other (editorial matter etc.) › Research
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Repositionierungen: Von Machtverschiebungen im Kapitalismus und Feminismus
Bunz, M., 2013, In: Femina Politica. 21, 2, p. 161-162 2 p.Research output: Journal contributions › Journal articles › Research
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Reproduktionsmusik und Remix-Culture
Großmann, R., 2011, Mind the Gap!: Medienkonstellationen zwischen zeitgenössischer Musik und Klangkunst. Saxer, M. (ed.). Saarbrücken: Pfau Verlag, p. 116-127 12 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research