Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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On Knowing Too Much: Technologists´Discourses Around Online Anonymity
Bialski, P., 2018, Non-Knowledge and Digital Cultures . Bernard, A., Koch, M. & Leeker, M. (eds.). Lüneburg: meson press, p. 143-157 15 p. (Digital Culture Series ).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Online-Verstrickungen: Immanenzen und Ambivalenzen
Spreen, D. (Editor), 1997, 1 ed. Berlin: Ästhetik & Kommunikation e.V. 125 p. (Ästhetik & Kommunikation; vol. 26, no. 96)Research output: Books and anthologies › Special Journal issue › Research
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On the Difficulty of Forgetting: Recollections of the Basel Symposium on Chantal Akerman
Kuhn, E. & Holl, U., 01.05.2019, In: Camera Obscura. 34, 1, p. 163-183 21 p.Research output: Journal contributions › Journal articles › Research › peer-review
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On the Epistemology of Computer Simulation
Pias, C., 2011, In: Zeitschrift für Medien- und Kulturforschung. 2, 1, p. 29-54 26 p.Research output: Journal contributions › Journal articles › Research › peer-review
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On the Existence of Digital Objects
Hui, Y., 29.02.2016, Minneapolis: University of Minnesota Press. 314 p. (Electronic Mediations; no. 4)Research output: Books and anthologies › Book
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On the Soul of Technical Objects: Commentary on Simondon’s ‘Technics and Eschatology’ (1972)
Hui, Y., 01.11.2018, In: Theory, Culture & Society. 35, 6, p. 97-111 15 p.Research output: Journal contributions › Journal articles › Research › peer-review
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On the Spot: The Double Immersion of Virtual Reality
Warnke, M., 30.10.2015, Immersion in the Visual Arts and Media. Liptay, F. (ed.). Leiden: Rodopi, p. 204 - 213 10 p. ( Studies in Intermediality; vol. 9).Research output: Contributions to collected editions/works › Chapter › peer-review
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On the Synthesis of Social Memories
Hui, Y., 11.2016, Memory in Motion : Archives, Technology and the Social. Blom, I., Lundemo, T. & Røssaak, E. (eds.). Amsterdam: Amsterdam University Press, p. 307-325 19 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Operational Images: Agent-Based Computer Simulation and the Epistemic Impact of Dynamic Vizualisation
Vehlken, S., 07.2011, Proceedings IACAP 2011: The Computational Turn: Past, Presents, Futures ?. Ess, C. & Hagengruber, R. (eds.). MV Wissenschaft, p. 320-323 4 p.Research output: Contributions to collected editions/works › Published abstract in conference proceedings › Research › peer-review
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Operative communication: project Cybersyn and the intersection of information design, interface design, and interaction design
Vehlken, S., 09.2022, In: AI and Society. 37, 3, p. 1131-1152 22 p.Research output: Journal contributions › Journal articles › Research › peer-review