Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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Meta-Image – a collaborative environment for the image discourse
Warnke, M., Dieckmann, L. & Kliemann, A., 2010, EVA LONDON 2010: Electronic Visualisation and the Arts. Seal, A., Bowen, J. & Ng, K. (eds.). BCS - The Chartered Institute for IT, p. 190 - 198 9 p.Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review
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Meta-Image und die Prinzipien des Digitalen im Mnemosyne-Atlas Aby Warburgs
Dieckmann, L. & Warnke, M., 2018, Computing Art Reader: Einführung in die digitale Kunstgeschichte. Kuroczyński, P., Bell, P. & Dieckmann, L. (eds.). Heidelberg: arthistoricum.net, p. 78-93 16 p. (Computing in Art and Architecture; vol. 1).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Michel Foucault: Diskurs, Macht und Subjekt
Thomas, T., 2009, Schlüsselwerke der Cultural Studies. Hepp, A., Krotz, F. & Thomas, T. (eds.). Wiesbaden: VS Verlag für Sozialwissenschaften, p. 58-71 14 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Militainment als "banaler" Militarismus: auf dem Weg zu einer Militarisierung der politischen Kultur?
Virchow, F. & Thomas, T., 01.01.2004, Krieg als Medienereignis II : Krisenkommunikation im 21. Jahrhundert. Löffelholz, M. (ed.). Wiesbaden: Westdeutscher Verlag, p. 297-325 29 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Militär und Krieg in einer Medienkultur: Perspektivierungen aus Sicht von Cultural Studies und Politischer Kulturforschung
Thomas, T. & Virchow, F., 01.12.2007, In: Österreichische Zeitschrift für Soziologie. 32, 4, p. 40-65 26 p.Research output: Journal contributions › Journal articles › Research
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Militär und Popmusik
Thomas, T. & Virchow, F., 2003, In: Ossietzky. 6, 17, p. 590-592 3 p.Research output: Journal contributions › Journal articles › Research
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Mittig ist nur das Mittel: Nation und nationale Identität im medial vermittelten politischen Diskurs
Thomas, T., 2001, In: Gewerkschaftliche Monatshefte. 52, 5, p. 276-285 10 p.Research output: Journal contributions › Journal articles › Research
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Mobile communications in Japan: On the potential of enhancing ethnographic oriented research methods with a cultural studies approach
Peil, C., 2009, Mobile market research. Maxl, E., Döring, N. & Wallisch, A. (eds.). Köln: Herbert von Halem Verlag, p. 81-115 35 p. (Neue Schriften zur Online-Forschung; vol. 7).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Mobile technologies, from telecommunication to media, ed. by Gerard Goggin ...
Peil, C., 2009, In: Medienwissenschaft. 26, 4, p. 468-470 3 p.Research output: Journal contributions › Critical reviews › Research
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Mobile Unterhaltung: zur Aneignung einer multimedialen Kommunikationstechnologie
Peil, C., 2006, Unterhaltungskultur. Faulstich, W. & Knop, K. (eds.). München: Wilhelm Fink Verlag, p. 191-209 19 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research