Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
- Accepted/In press
Kulturfreie Bilder: Erfindungen der Voraussetzungslosigkeit
Pias, C. (Editor), 29.05.2013, (Accepted/In press) 1 ed. Berlin: Kulturverlag Kadmos . 215 p. (Copyrights; no. 19)Research output: Books and anthologies › Collected editions and anthologies › Research
- Published
Kulturinformatik: Schriften 1997 bis 2007 [kumulative Habilitation]
Warnke, M., 2008, Lüneburg: Leuphana Universität Lüneburg. 466 p.Research output: Books and anthologies › Post-doctoral dissertations
- Published
Kultur.Informatik 0.9
Warnke, M., 2000, Lüneburg: Universität Lüneburg, 15 p.Research output: Working paper › Working papers
- Published
"Kulturinstrument Radio": Zur Genealogie der medialen Katastrophe der Weimarer Republik
Hagen, W., 2012, Populärkultur, Massemmedien, Avantgarde 1919-1933. Nitsche, J. & Werner, N. (eds.). München: Wilhelm Fink Verlag, p. 67-82 16 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Kulturland Brandenburg: Eine Kampagne für regionale Kulturarbeit
Bachmann, G. & Voesgen, H., 2004, Labor Ostdeutschland: kulturelle Praxis im gesellschaftlichen Wandel. Bauer-Volke, K. & Dietzsch, I. (eds.). Bonn: Bundeszentrale für politische BildungResearch output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer
- Published
Kunst aus der Maschine: Informationsästhetik, Virtualität und Interaktivität, Digital Communities
Warnke, M., 2006, Kultur und Informatik: Entwickler, Architekten und Gestalter der Informationsgesellschaft. Sieck, J. & Herzog, M. A. (eds.). Frankfurt am Main [u.a.]: Peter Lang Verlag, p. 19-33 15 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Kurd Alslebens und Antje Eskes Konversationskunst
Warnke, M., 2011, felix aestheticus: Konversationskunst im ZKM Karlsruhe. Alsleben, K., Eske, A. & Idensen, H. (eds.). Norderstedt: Books on Demand GmbH, p. 37-38 2 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer
- Published
Kurzdrama-Minidrama
Ringler-Pascu, E. & Schnödl, G., 2009, Timişoara: Excelsior Art. 175 p.Research output: Books and anthologies › Monographs › Research
- Published
Kurze Geschichte der Zeitmaschine: Eine etwas spekultative Beobachtung
Spreen, D., 1999, In: Quarber Merkur. 36, 89/90, p. 111-116 5 p.Research output: Journal contributions › Journal articles › Research
- Published
Kybernetik
Müggenburg, J. K., 2019, Mensch-Maschine-Interaktion: Handbuch Geschichte – Kultur – Ethik. Liggieri, K. & Müller, O. (eds.). Stuttgart: J.B. Metzler, p. 280–282 3 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research