Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. 2024
  2. Published

    The Depths of Illusion: Knowing Reality Through Computer Simulation

    Dippel, A. & Warnke, M., 16.12.2024, 1 ed. Berlin: transcript Verlag. 138 p.

    Research output: Books and anthologiesBook

  3. 2025
  4. In preparation

    Medienwissenschaft und ‚Behinderung‘. Zu Ursprüngen und Bewusstwerdung eines epistemologischen Hindernisses

    Wiechern, A.-L., 2025, (In preparation) Dis/Ability und digitale Medien: Interdisziplinäre Perspektiven auf Technologien, Praktiken und Zugänglichkeiten. Stock, R., Meier zu Verl, C., Şahinol, M., Spöhrer, M., Wagenknecht, A. & Wiechern, A.-L. (eds.). Springer Nature AG, (Technikzukünfte, Wissenschaft und Gesellschaft).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  5. Published

    Der philosophische Knotenpunkt der ästhetischen Langeweile

    Gräfe, A., 11.02.2025, In: Zeitschrift Kunst Medien Bildung. 2025, p. 46-54 8 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  6. E-pub ahead of print

    Resisting foundations: Politics between determinate negation and the ultimate double bind

    Schneider, N., 18.02.2025, (E-pub ahead of print) In: Philosophy and Social Criticism. 21 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  7. Published

    Das Schützen mit und das Schützen vor dem Digitalen: Erfahrungen mit Bewahrungsstrategien in digitalen Kulturen.

    Warnke, M., 28.02.2025, Paradoxien des Schützens: Schutzkonzepte und ihre Widersprüche. Crasemann, L., Lutz, S. & Müller, T. (eds.). Berlin: Reimer Verlag, p. 113-125 13 p. (Schriftenreihe der Isa Lohmann-Siems Stiftung; vol. 18).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

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