Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
- 2020
- Published
The Great Pacific Garbage Catch: Müll als Medium einer ›Plastic Oceanography
Vehlken, S., 10.2020, In: Zeitschrift für Medienwissenschaft. 23, 2, p. 84-98 15 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Introduction to Thinking the Problematic: Decentring as Method and Ethos
Leistert, O. & Schrickel, I., 06.10.2020, Thinking the problematic: genealogies and explorations between philosophy and the sciences. Leistert, O. & Schrickel, I. (eds.). Bielefeld: transcript Verlag, p. 9-34 26 p. (Philosophy).Research output: Contributions to collected editions/works › Article in conference proceedings › Research
- Published
Atomic Animals: Tiere als Medien nuklearer Forschung
Vehlken, S., 26.10.2020, In: Tierstudien. 18, p. 45-56 12 p.Research output: Journal contributions › Journal articles › Research
- Published
Thinking the Problematic: Genealogies and Explorations between Philosophy and the Sciences
Leistert, O. (Editor) & Schrickel, I. (Editor), 26.10.2020, Bielefeld: transcript Verlag. 197 p. (Philosophy)Research output: Books and anthologies › Collected editions and anthologies › Research
- Published
Games und Gamification: Kulturhistorische, medienwissenschaftliche, politische und ästhetische Dimensionen
Fuchs, M., 23.11.2020, Lüneburg. 318 p.Research output: Books and anthologies › Post-doctoral dissertations
- 2021
- Published
Brüchige Hermetik – Zu geschichtstheoretischen Figuren bei Spengler und Kittler
Schnödl, G., 2021, In: Links Rivista Di Letteratura E Cultura Tedesca. 21, p. 33-42 10 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Critique and the Digital
Hörl, E. (Editor), Pinkrah, N. Y. (Editor) & Warnsholdt, C. L. (Editor), 2021, Zürich/Berlin: Diaphanes Verlag. 296 p.Research output: Books and anthologies › Collected editions and anthologies › Transfer
- Published
Critique of Environmentality: On the World-Wide Axiomatics of Environmentalitarian Time
Hörl, E., 2021, Critique and the Digital. Hörl, E., Pinkrah, N. & Warnsholdt, L. (eds.). Zürich: Diaphanes Verlag, p. 109-146 38 p. (Critical Stances).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Cultural Politics of Games
Fuchs, M., 2021, Strategies in Contemporary New Media Art. Grau, O. & Hinterwaldner, I. (eds.). Berlin, Boston: De Gruyter Saur, p. 78-86 9 p.Research output: Contributions to collected editions/works › Chapter › peer-review
- Published
Dis/Ability and Digital Cultures. A Media-Archaeological Perspective on Inclusion as a Cipher
Müggenburg, J., 2021, Inklusion als Chiffre?: Bildungshistorische Analysen und Reflexionen. Vogt, M., Boger, M.-A. & Bühler, P. (eds.). Bad Heilbrunn: Verlag Julius Klinkhardt, p. 93-105 13 p. (Historische Bildungsforschung).Research output: Contributions to collected editions/works › Article in conference proceedings › Research