Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
- 2015
- Published
Wieso gilt Ada Lovelace als die ‚erste Programmiererin‘ und was bedeutet überhaupt ‚programmieren‘?
Krämer, S., 2015, Ada Lovelace. : Die Pionierin der Computertechnik und ihre Nachfolgerinnen. Krämer, S. (ed.). München: Wilhelm Fink Verlag, p. 75-90 16 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Zur Zukunft der Vergangenheit – falls es eine geben wird
Warnke, M., 2015, Die Kunst des Aufbewahrens . Segelken, B. (ed.). Mettingen: Draiflessen, p. 121-124 4 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Zwischen Fruchtfliege und Global Player: Zur neuroökonomischen Modellierung des Lernverhaltens
Kasprowicz, D., 2015, Neuroimaging und Neuroökonomie: Grundlagen, ethische Fragestellungen, soziale und rechtliche Relevanz. Ach, J. S., Lüttenberg, B. & Nossek, A. (eds.). LIT Verlag, p. 149-166 18 p. (Münsteraner Bioethik-Studien; vol. 14).Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review
- Published
Über Klangerzeuger, Metallkisten und Breakbeat-Labore: Konstellationen aus Sound, Technik, Wissen und Praxis
Hardjowirogo, S.-I. & Pelleter, M., 01.2015, In: Navigationen. 15, 2, p. 99-111 13 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Glaubwürdigkeit als Gegenstand der Medienkritik: Befunde einer Studie zur medialen Berichterstattung über die NSU-Morde
Thomas, T., Grittmann, E. & Virchow, F., 01.01.2015, In: Communicatio socialis. 48, 2, p. 138-151 13 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Clean by Nature. Lebhafte Oberflächen und das holistisch-systemische Erbe der zeitgenössischen Bionik
Müggenburg, J., 11.03.2015, Das Wissen der Oberfläche: Epistemologie des Horizontalen und Strategien der Benachbarung. Rieger, S. & Lechtermann, C. (eds.). Zürich: Diaphanes Verlag, p. 233-252 20 p. (sequenzia).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Against Water: A Reply to Christopher M. Kelty
Müggenburg, J., 27.03.2015, In: spheres - Journal for Digital Cultures. 1, p. 1-5 5 p., 8.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Friedrich Kittler und der »Mißbrauch von Heeresgerät«: Zur Situation eines Denkbildes 1964 – 1984 – 2014
Pias, C., 04.2015, In: Merkur. 69, 791, p. 31-34 14 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Ideologie, Hegemonie und Diskurs
Thomas, T., 04.2015, Handbuch Cultural Studies und Medienanalyse. Hepp, A., Krotz, F., Lingenberg, S. & Wimmer, J. (eds.). Wiesbaden: VS Verlag für Sozialwissenschaften, Vol. 2. p. 67-77 11 p. (Medien; Kultur; Kommunikation).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Sluts 'r' us: Intersections of gender, protocol and agency in the digital age
Shah, N., 06.04.2015, In: First Monday. 20, 4, 5463.Research output: Journal contributions › Journal articles › Research › peer-review