Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. 2012
  2. Published

    Krieg und Zivilgesellschaft

    Spreen, D. (Editor) & von Trotha, T. (Editor), 2012, Berlin: Duncker & Humblot GmbH. 440 p. (Soziologische Schriften; vol. 84)

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  3. Published

    Krieg und Zivilgesellschaft: Einleitung

    Spreen, D. & von Trotha, T., 2012, Krieg und Zivilgesellschaft. Spreen, D. & von Trotha, T. (eds.). Berlin: Duncker & Humblot GmbH, p. 7-32 25 p. (Soziologische Schriften; vol. 84).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  4. Published

    "Kulturinstrument Radio": Zur Genealogie der medialen Katastrophe der Weimarer Republik

    Hagen, W., 2012, Populärkultur, Massemmedien, Avantgarde 1919-1933. Nitsche, J. & Werner, N. (eds.). München: Wilhelm Fink Verlag, p. 67-82 16 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  5. Published

    Maulwurf

    Fuchs, M., 2012, Lexikon der Raumphilosophie. Günzel, S. (ed.). Darmstadt: Wissenschaftliche Buchgesellschaft - WBG, p. 248 1 p.

    Research output: Contributions to collected editions/worksArticles for encyclopediaResearch

  6. Published

    Medienkonfigurationen als Teil (musikalisch-)ästhetischer Prozesse

    Großmann, R., 2012, Ästhetik x Dispositiv: Die Erprobung von Erfahrungsfeldern. Bippus, E., Huber, J. & Nigro, R. (eds.). Zürich: Springer-Verlag Wien, p. 207-216 10 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  7. Published

    Medienreflexion in der Musik im Anschluss an John Cage

    Großmann, R., 2012, Cage & Consequences. Schröder, J. H. & Straebel, V. (eds.). Hofheim: wolke verlag, p. 35-45 10 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  8. Published

    Move(ns). Zum Bildtransfer in der Architektur

    Stöcklmayr, N., 2012, Image Match : Visueller Transfer, 'Imagescapes' und Intervisualität in globalen Bildkulturen. Baleva, M., Reichle, I. & Lerone Schultz, O. (eds.). München: Wilhelm Fink Verlag, p. 193 - 211 19 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  9. Published

    Organizing the entrepreneurial city

    Beyes, T., 2012, Handbook on Organisational Entrepreneurship. Hjorth, D. (ed.). Cheltenham: Edward Elgar Publishing, p. 320-337 18 p.

    Research output: Contributions to collected editions/worksChapterpeer-review

  10. Published

    Pythagoreismus

    Berz, P., 2012, Friedrich Kittler, Technik oder Kunst?. Seitter, W. & Ott, M. (eds.). Wetzlar: Büchse der Pandora, p. 57-69 13 p. (Tumult.Schriften zur Verkehrswissenschaft; vol. 40).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  11. Published

    Radikales Denken. Über Alfred Seidels 'Bewußtsein als Verhängnis'.

    Voller, C., 2012, In: Zeitschrift für Kulturphilosophie. 6, 2, p. 313-327 15 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review