Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. 2024
  2. Donatella di Cesare: Demokratie und Anarchie. An der Quelle ihrer verdrängten Verknüpfung

    di Cesare, D. (Oral presentation) & Hörl, E. (Speaker)

    16.01.2024

    Activity: Talk or presentationConference PresentationsResearch

  3. Jahrestagung der Gesellschaft für Geschichte der Naturwissenschaft, Medizin und Technik - GWMT 2024

    Wessely, C. (Organiser) & Müggenburg, J. (Organiser)

    2024 → …

    Activity: Participating in or organising an academic or articstic eventConferencesTransfer

  4. 2023
  5. Ästhetik der Autopoiesis als Sorgender Praxis

    Gräfe, A. (presenter), Mattutat, L. (Speaker) & Böcker, J. (Speaker)

    02.11.2023

    Activity: Talk or presentationGuest lecturesResearch

  6. Reorganisation von Wahrnehmungsweisen

    Gräfe, A. (Speaker)

    01.09.2023

    Activity: Talk or presentationGuest lecturesResearch

  7. Vom Weltgeist zum Weltmarkt zum Weltgericht – Disruptionserfahrungen mit Melanie Gilligan

    Gräfe, A. (Speaker)

    18.08.2023

    Activity: Talk or presentationConference PresentationsResearch

  8. Exit from the Valley. ‘Survival of the Richest’

    Hille, L. (Speaker)

    05.08.2023

    Activity: Talk or presentationGuest lecturesResearch

  9. Conference - Stanford-Leuphana Summer Academy 2023:

    Beyes, T. (Speaker) & Pias, C. (Speaker)

    25.06.202330.06.2023

    Activity: Participating in or organising an academic or articstic eventExternal workshops, courses, seminarsResearch

  10. A philosophical dissolution of history

    Hörl, E. (Organiser)

    21.06.202322.06.2023

    Activity: Participating in or organising an academic or articstic eventExternal workshops, courses, seminarsResearch

  11. Radikale Langeweile im Kino

    Gräfe, A. (Speaker)

    16.06.2023

    Activity: Talk or presentationGuest lecturesTransfer

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