Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
„Zwischenwesen“ und „Ichschwäche“ – Bedeutung und Milieu des Konturlosen in Biologie und Literatur um 1900
Schnödl, G. (Speaker)
14.03.2017 → 16.03.2017Activity: Talk or presentation › Conference Presentations › Research
Zwischen elektronischer Musik und populärer Avantgarde. Das Studienkonzept des Lüneburger Schwerpunktbereichs ((audio))
Großmann, R. (Speaker)
22.06.2007Activity: Talk or presentation › talk or presentation in privat or public events › Research
Zwischen Desperate Housewives und Tagesschau. Frauen und Männer in den Medien
Röser, J. (Speaker)
17.03.2006Activity: Talk or presentation › Guest lectures › Research
Zur Zukunft der Vergangenheit – falls es eine geben wird
Warnke, M. (Speaker)
11.07.2015Activity: Talk or presentation › Conference Presentations › Research
Zur Kultur der Klangerzeuger. Das theoretische Konzept "Musikinstrument" im Kontext technikkultureller Konfigurationen.
Hardjowirogo, S. (Speaker)
19.02.2011Activity: Talk or presentation › Conference Presentations › Research
Zur Kultur der Klänge in einer Welt der technischen Mediendispositive - 2008
Großmann, R. (Speaker)
01.07.2008Activity: Participating in or organising an academic or articstic event › Conferences › Research
Zur Demokratisierung der digitalen Kontrolle: Warum die Politik es allein nicht schaffen wird
Leistert, O. (Speaker)
19.11.2020Activity: Talk or presentation › Guest lectures › Research
Zootechnologies. Swarming as a Cultural Technique
Vehlken, S. (Lecturer)
13.05.2013Activity: Talk or presentation › Guest lectures › Research
Zootechnologies. A Media History of Swarm Intelligence
Vehlken, S. (Lecturer)
14.11.2013Activity: Talk or presentation › Guest lectures › Research
Zootechnologies. A Media History of Swarm Intelligence
Vehlken, S. (Lecturer)
17.06.2014Activity: Talk or presentation › Guest lectures › Research