School of Culture and Society
Organisational unit: Research School
Organisation profile
Leuphana University Lüneburg's School of Culture and Society is driven by the deep conviction that contemporary scientific and societal challenges can only be addressed by transcending traditional academic disciplines. Our college’s five institutes feature more than one hundred faculty from disciplines including art history, literary studies, media studies, philosophy, sociology, geography, and history. Together, they form a highly integrated network in terms of both their research and teaching, continuing a successful tradition of cooperation and collaboration in cultural studies that has defined our programme for almost forty years.
Main research areas
Culture and Society at Leuphana
More than 100 academics from the humanities and social sciences work at the School of Culture and Society at Leuphana. They pursue the shared goal of further developing the cultural studies project in the context of changing socio-cultural conditions. The point is not to dissolve individual disciplines in the humanities and social sciences, but rather to establish a specific cultural studies programme that aims at a critique of the present.
Research Areas
The School of Culture and Society focuses on cross-disciplinary research that explores questions that are highly significant to contemporary society. Our two primary research areas (Digital Cultures and Cultures of Critique) and our one research initiative (Cultures of Conflict) form a framework for innovative, advanced research in cultural studies. All of these research areas rely heavily on collaboration, and they include colloquia, conferences, and summer programs as well as ongoing collaborations with numerous externally funded projects.
- 2012
- Published
Das Wesen der Dinge: Hammershøi in den Augen Rainer Maria Rilkes
Hemkendreis, A., 2012, Hammershøi und Europa: Ein dänischer Künstler um 1900. Monrad, K. (ed.). München, London, New York: Prestel Verlag, p. 165-180 16 p.Research output: Contributions to collected editions/works › Other › Research
- Published
Datenbanken als Zitadellen des Web 2.0
Warnke, M., 2012, Sortieren, Sammeln, Suchen, Spielen.: Die Datenbank als mediale Praxis. Stefan, B., Nohr, R. F. & Wiemer, S. (eds.). 1 ed. Münster/Hamburg/Berlin/London: LIT Verlag, Vol. 18. p. 122-136 14 p. (Medien ' Welten. Braunschweiger Schriften zur Medienkultur; vol. 18).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Deliberative Bürgerbeteiligung in der Priorisierungsdebatte: Welchen Beitrag können Bürger leisten ?
Stumpf, S. & Raspe, H., 2012, In: Zeitschrift für Evidenz, Fortbildung und Qualität im Gesundheitswesen. 106, 6, p. 418-425 8 p.Research output: Journal contributions › Journal articles › Research
- Published
Der/Die schlaflose Cyborg: Zur Performance „One Man Unit“ von Paul Wiersbinski und Wieland Schönfelder
Gerhardt, U. & Husse, S., 2012, Cynetart 2012. Trans-Media Akademie Hellerau (ed.). Dresden: Trans-Media-Akademie Hellerau e.V., p. 105-106 2 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Der Einstieg ins Studium als Gemeinschaftsaufgabe: Das Leuphana Semester
Beck, K., Blohm, M. C., Jürgens, A. & Prien-Ribcke, S., 2012, Einführung in die Studiengangsentwicklung. Brinker, T. & Tremp, P. (eds.). Bielefeld: WBV Bertelsmann Verlag, p. 147-155 9 p. (Deutsche Gesellschaft für Hochschuldidaktik; vol. 122).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
- Published
Der Schwerkraft entkommen: Letatlin und andere utopische Flugapparate in der Kunst des 20. Jahrhunderts – fünf Marginalien
Broeckmann, A., 2012, Tatlin – neue Kunst für eine neue Welt: Internationales Symposium. M. T. (ed.). Ostfildern, Basel: Hatje Cantz Verlag, p. 84-87 4 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Der Unort von Karten und das Nirgendwo der Kunst: Drei Weisen der Entortung
Leeb, S. A., 2012, KartenWissen: Territoriale Räume zwischen Bild und Diagramm. Günzel, S. & Novack, L. (eds.). Wiesbaden: Reichert, p. 315-340 26 p. (Trierer Beiträge zu den historischen Kulturwissenschaften; vol. 5).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Design und Methode der Studie
Tarnai, C. & Wuggenig, U., 2012, Das Kunstfeld: Eine Studie über Akteure und Institutionen der zeitgenössischen Kunst am Beispiel von Zürich, Wien, Hamburg und Paris. Munder, H. & Wuggenig, U. (eds.). Zürich: JRP Ringier Verlag, p. 427-431 5 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Die Einzeller und die Lust: Boelsche - Freud - Ferenczi
Berz, P., 2012, Freuds Referenzen. Kirchhoff, C. & Scharbert, G. (eds.). Berlin: Kulturverlag Kadmos , p. 15-33 19 p. (LiteraturForschung; no. 15).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Die Fernsehserie als Reflexion und Projektion des medialen Wandels
Wentz, D., Beil, B., Engell, L., Schröter, J. & Schwaab, H., 2012, Mediatisierte Welten. : Beschreibungsansätze und Forschungsfelder. Hepp, A. & Krotz, F. (eds.). Opladen: VS Verlag für Sozialwissenschaften, p. 197-223 27 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review