School of Culture and Society
Organisational unit: Research School
Organisation profile
Leuphana University Lüneburg's School of Culture and Society is driven by the deep conviction that contemporary scientific and societal challenges can only be addressed by transcending traditional academic disciplines. Our college’s five institutes feature more than one hundred faculty from disciplines including art history, literary studies, media studies, philosophy, sociology, geography, and history. Together, they form a highly integrated network in terms of both their research and teaching, continuing a successful tradition of cooperation and collaboration in cultural studies that has defined our programme for almost forty years.
Main research areas
Culture and Society at Leuphana
More than 100 academics from the humanities and social sciences work at the School of Culture and Society at Leuphana. They pursue the shared goal of further developing the cultural studies project in the context of changing socio-cultural conditions. The point is not to dissolve individual disciplines in the humanities and social sciences, but rather to establish a specific cultural studies programme that aims at a critique of the present.
Research Areas
The School of Culture and Society focuses on cross-disciplinary research that explores questions that are highly significant to contemporary society. Our two primary research areas (Digital Cultures and Cultures of Critique) and our one research initiative (Cultures of Conflict) form a framework for innovative, advanced research in cultural studies. All of these research areas rely heavily on collaboration, and they include colloquia, conferences, and summer programs as well as ongoing collaborations with numerous externally funded projects.
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Die Macht der Gefühle: Emotionen in Management, Organisation und Kultur
Metelmann, J. (Editor) & Beyes, T. (Editor), 2012, Berlin: Berlin University Press. 211 p.Research output: Books and anthologies › Collected editions and anthologies › Research
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"Dis wo ich herkomm" - Ver(un)sicherungen nationaler Identität in Texten aktueller deutschsprachiger Popmusik
Kruse, M.-M., 2010, In: Samples. 9, 26 p.Research output: Journal contributions › Journal articles › Research
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Pop Macht Nation - Konstruktionen nationaler Identität in Texten deutschsprachiger Popmusik
Kruse, M.-M., 2011, Dekonstruktion und Evidenz: Ver(un)sicherungen in Medienkulturen. Thomas, T., Hobuß, S., Kruse, M.-M. & Hennig, I. (eds.). Sulzbach/Taunus: Ulrike Helmer Verlag, p. 216-238 23 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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The Provence City Guide: Nice: The California of Europe
Kaspar, T. (Editor) & Loichinger, H. C. (Editor), 2011, Paris: Paraguay Press. 160 p.Research output: Books and anthologies › Collected editions and anthologies › Transfer
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Musik und Medien: Kommentar zu K. Blaukopf (1996), Die Mediamorphose der Musik als globales Phänomen; K. Blaukopf (1996), Mutation durch technische Medien
Großmann, R., 2011, Systematische Musikwissenschaft. Auhagen, W., Busch, V. & Hemming, J. (eds.). Laaber: Laaber Verlag, p. 131-140 (Kompendien Musik; vol. 9).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Charlotte Moth: Bleckede 2009 – Rochechouart 2011
Knoll, V. (Editor) & Loichinger, H. C. (Editor), 2011, Berlin: Sternberg Press. 112 p.Research output: Books and anthologies › Collected editions and anthologies › Research
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Medial erzeugte Befindlichkeiten
Wöhler, K., 02.2012, Analyse, Theorie und Geschichte der Medien: Festschrift für Werner Faulstich. Karmasin, M. & Winter, C. (eds.). München: Wilhelm Fink Verlag, p. 115-127 13 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Vorwort: Bourdieu und die Liebe zur Kunst
Wuggenig, U., 2011, Bourdieus Kunstsoziologie. Schumacher, F. (ed.). Konstanz: UVK Verlagsgesellschaft mbH, p. 9-20 12 p.Research output: Contributions to collected editions/works › Other › Research
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Rivalität, Konflikt und Freiheit: Ein Vergleich von Pierre Bourdieus Feldtheorie und Arthur C. Dantos Philosophie der (Geschichte der) Kunst
Wuggenig, U., 2011, Erste Wahl: 20 Jahre 'Texte zur Kunst' ; 1. Dekade. Graw, I., Draxler, H. & Rottmann, A. (eds.). Hamburg: Philo Fine Arts, Vol. 1. p. 376-418 43 p. (Fundus-Bücher; no. 200).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research