School of Culture and Society

Organisational unit: Research School

Organisation profile

Leuphana University Lüneburg's School of Culture and Society is driven by the deep conviction that contemporary scientific and societal challenges can only be addressed by transcending traditional academic disciplines. Our college’s five institutes feature more than one hundred faculty from disciplines including art history, literary studies, media studies, philosophy, sociology, geography, and history. Together, they form a highly integrated network in terms of both their research and teaching, continuing a successful tradition of cooperation and collaboration in cultural studies that has defined our programme for almost forty years.

Main research areas

 

Culture and Society at Leuphana

More than 100 academics from the humanities and social sciences work at the School of Culture and Society at Leuphana. They pursue the shared goal of further developing the cultural studies project in the context of changing socio-cultural conditions. The point is not to dissolve individual disciplines in the humanities and social sciences, but rather to establish a specific cultural studies programme that aims at a critique of the present.

Research Areas

The School of Culture and Society focuses on cross-disciplinary research that explores questions that are highly significant to contemporary society. Our two primary research areas (Digital Cultures and Cultures of Critique) and our one research initiative (Cultures of Conflict) form a framework for innovative, advanced research in cultural studies. All of these research areas rely heavily on collaboration, and they include colloquia, conferences, and summer programs as well as ongoing collaborations with numerous externally funded projects.

 

  1. Published

    Mon masque appartient à tous: Die selbstdarstellerischen Praktiken Gustave Courbets

    Marchal, S., 2016, Hermeneutik des Gesichts: Das Bildnis im Blick aktueller Forschung. Fleckner, U. & Hensel, T. (eds.). Berlin: Walter de Gruyter GmbH, p. 391-410 20 p. (Schriften des Internationalen Warburg Kollegs; vol. 5).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  2. Published

    Für eine „Farbenlehre der Worte“. Julius Meier-Graefe und die ‚neue‘ Kunstkritik

    Marchal, S., 2015, Wie Texte und Bilder zusammenfinden : Vom Mittelalter bis zur Gegenwart. Kroll, R., Gramatzki, S. & Karnatz, S. (eds.). Dietrich Reimer Verlag, p. 125-136 12 p.

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearch

  3. Published

    Resonanzräume: ‚Neue‘ Kunstkritik und ‚neues‘ Sammeln um 1900

    Marchal, S., 2014, Kunst ohne Geschichte. Ästhetisch motiviertes Sammeln in Europa und Amerika: Symposium in der Sammlung Oskar Reinhart "Am Römerholz", Winterthur 2012, Akten des internationalen Symposiums in der Sammlung Oskar Reinhart »Am Römerholz« am 7. und 8. September 2012.. Reinhard-Felice, M. (ed.). Hirmer, p. 51-58 8 p. (Scripta manent. Schriften zur Sammlung Oskar Reinhart «Am Römerholz»; vol. 1).

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearch

  4. Published

    La première œuvre de Gustave Courbet (1819-1877)

    Marchal, S., 2014, La première œuvre: Arts et musique (XVe - XXIe siècles). Meyer, V., Cotro, V. & Pujalte-Fraysse, M.-L. (eds.). Rennes: Presses universitaires de Rennes , p. 177-187 11 p. (Collection art & société).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  5. Published

    "j'ai écrit ma vie". Die autobiographischen Legitimierungsstrategien Gustave Courbets

    Marchal, S., 2016, Die Biographie - Mode oder Universalie?: Zu Geschichte und Konzept einer Gattung in der Kunstgeschichte. Böckem, B., Peters, O. & Schellewald, B. (eds.). Walter de Gruyter GmbH, p. 115-126 12 p. (Schriften zur modernen Kunsthistoriographie ; vol. 7).

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearch

  6. Published

    Die Explosion als Bildgegenstand im und in Reaktion auf den Ersten Weltkrieg

    Marchal, S., 2013, L’Explosion en point de mire / Die Explosion vor Augen. Felten, G., Golgotiu, C. & Plas, G. (eds.). Königshausen & Neumann, p. 175-198 15 p. (Forum: Studien zur Moderneforschung; no. 7).

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearch

  7. Published

    Gustave Courbet in seinen Selbstdarstellungen: Forschungsbericht

    Marchal, S., 2012, In: Fotogeschichte: Beiträge zur Geschichte und Ästhetik der Fotografie. 32, 125, p. 72-73 2 p.

    Research output: Journal contributionsJournal articlesResearch

  8. Published

    Narratives of Independent Production in Video Game Culture

    Ruffino, P., 2013, In: Loading... Journal of the Game Studies Association. 7, 11, p. 106-121 16 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  9. Published

    Postmoderne Medientheorien

    Vehlken, S., 2014, Handbuch Medienwissenschaft. Schröter, J. (ed.). Stuttgart: J.B. Metzler, p. 115-124 8 p.

    Research output: Contributions to collected editions/worksArticles for encyclopediaResearch

  10. Published

    Das Atom-Ei des Columbus: Kernkraft und Computersimulation im Zeitalter der Hypothetizität

    Vehlken, S., 2014, Trial and Error: Szenarien medialen Handelns. Wolfsteiner, A. & Rautzenberg, M. (eds.). Paderborn: Wilhelm Fink Verlag, p. 149-172 20 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review